Phaedra by Seneca all Summary, Characters And Themes (Classics in Translation)

Mofizur Rahman

Phaedra by Seneca all Summary, Characters And Themes (Classics in Translation)

Phaedra by Seneca all Summary, Characters And Themes (Classics in Translation)

  • Honours 4th Year.
  • Subject: Classics in Translation.
  • Topics: "Phaedra" by Seneca.
  • Summary, Characters And Themes.

Introducing the characters:-

Phaedra:-
Daughter of the Cretan king Minos and his wife, Pasiphäe. She is married to Theseus but in love with his son, Hippolytus.

Hippolytus:-
Son of Theseus and Antiope, queen of the Amazons. He is famous for his chastity. Because he rejects with horror his stepmother's incestuous love, she is responsible for his death.

Theseus:-
King of Athens, companion of Hercules, and famous for his legendary exploits. Falsely convinced of his son's guilt, he asks Neptune to kill Theseus.

Oenone:-
Phaedra's nurse. Her fierce maternal-like love makes her give advice to her mistress which proves disastrous to all concerned.

Panope:- A member of Phaedra's household who plays the part of a messenger.

Theramenes:- Tutor and confidant to Hippolytus.

āĻŦিঃāĻĻ্āϰঃ- ⍟ mark āĻĻে⧟া āϚāϰিāϤ্āϰāĻ—ুāϞো āĻāĻ•āϟু āĻ­াāϞāĻ­াāĻŦে āĻĒ⧜āĻŦেāύ।

āĻŦাংāϞা āϏাāĻŽাāϰীঃ-

āĻĨিāϏিāωāϏ āĻāĻĨেāύ্āϏেāϰ āϰাāϜা। āϤাঁāϰ āϏ্āϤ্āϰী āĻĢিāĻĄ্āϰা। āĻĒ্āϰাāϝ় āϚাāϰ āĻŦāĻ›āϰ āĻšāϞ āĻĨিāϏিāωāϏ āϤাঁāϰ āĻŦāύ্āϧু āĻĒেāχāϰিāĻĨিāωāϏāĻ•ে āϏাāĻšাāϝ্āϝ āĻ•āϰাāϰ āϜāύ্āϝ āĻĒাāϤাāϞে(Hades) āĻ—ি⧟েāĻ›েāύ āϝেāĻ–াāύ āĻĨেāĻ•ে āϤাঁāϰ āĻŦāύ্āϧু āĻĒাāϤাāϞāϰাāϜ āĻĒ্āϞুāϟোāϰ āϏ্āϤ্āϰী āĻĒাāϰāϏিāĻĢোāύিāĻ•ে āϜোāϰ āĻ•āϰে āĻ›িāύিāϝ়ে āύিāϤে āϚাāύ। āĻ•িāύ্āϤু āĻ…āύেāĻ• āĻĻিāύ āĻ…āϤিāĻŦাāĻšিāϤ āĻšāĻ“āϝ়াāϤে āĻĢিāĻĄ্āϰা āĻ­েāĻŦেāĻ›েāύ āϝে āϤাঁāϰ āϏ্āĻŦাāĻŽী āĻāĻŦং āϤাঁāϰ āĻŦāύ্āϧু(āĻĒেāχāϰিāĻĨিāωāϏ) āĻĒাāϤাāϞāĻĒুāϰীāϤেāχ āĻŽাāϰা āĻ—িāϝ়েāĻ›ে। āĻĢিāĻĄ্āϰা āφāϰো āĻ­াāĻŦেāύ āϝে āĻĨিāϏিāωāϏ āĻšāϝ়āϤো āϏেāĻ–াāύে āϤাāϰ āϝৌāύ āϞাāϞāϏা āĻŽেāϟাāύোāϰ āϜāύ্āϝ āĻ—িāϝ়েāĻ›েāύ। āĻ“āĻĻিāĻ•ে āĻĢিāĻĄ্āϰা āϤাঁāϰ āϏ্āĻŦাāĻŽীāϰ āĻ…āύুāĻĒāϏ্āĻĨিāϤিāϤে āĻĒ্āϰāϚāύ্āĻĄ āĻāĻ•াāĻ•িāϤ্āĻŦ āĻŦোāϧ āĻ•āϰāϤেāĻ›ে।

āĻāĻ• āĻĒāϰ্āϝা⧟ে āϏে āϤাঁāϰ āĻ¸ā§ŽāĻĒুāϤ্āϰ āĻšিāĻĒোāϞিāϟাāϏেāϰ āĻĒ্āϰāϤি āĻĒ্āϰāϚāύ্āĻĄāĻ­াāĻŦে āφāĻ•ৃāώ্āϟ āĻšā§Ÿে āĻĒ⧜ে। āĻĢিāĻĄ্āϰাāϰ āύাāϰ্āϏ āĻĢিāĻĄ্āϰাāĻ•ে āĻŦোāĻাāύোāϰ āĻ…āύেāĻ• āϚেāώ্āϟা āĻ•āϰে āĻ•িāύ্āϤু āĻĢিāĻĄ্āϰা āϤাঁāϰ āĻŽোāĻšে āϏāĻŽāϏ্āϤ āĻĒাāϰিāĻŦাāϰিāĻ• āĻŦāύ্āϧāύেāϰ āĻ•āĻĨা āĻ­ুāϞে āϝা⧟। āϤāĻ–āύ āĻĢিāĻĄ্āϰাāϰ āύাāϰ্āϏ āĻŦাāϧ্āϝ āĻšā§Ÿে āĻšিāĻĒোāϞিāϟাāϏেāϰ āĻ•াāĻ›ে āϝা⧟। āĻšিāĻĒোāϞিāϟাāϏ āϚিāϰāĻĻিāύāχ āύাāϰীāĻĻেāϰ āĻĒ্āϰāϤি āωāĻĻাāϏীāύ। āϏāĻŦ āϏāĻŽāϝ় āϏে āĻļিāĻ•াāϰ āĻ•āϰāϤেāχ āĻĒāĻ›āύ্āĻĻ āĻ•āϰে। āύাāϰ্āϏ āĻšিāĻĒোāϞিāϟাāϏāĻ•ে āύাāύাāĻ­াāĻŦে āĻŦাāĻ—ে āφāύāϤে āϚেāώ্āϟা āĻ•āϰে āĻ•িāύ্āϤু āĻšিāĻĒোāϞিāϟাāϏ āϤাঁāϰ āωāĻĒāϏ্āĻĨিāϤ āĻŦুāĻĻ্āϧি āĻĻিāϝ়ে āύাāϰ্āϏāĻ•ে āĻĒ্āϰāϤ্āϝাāĻ–্āϝাāύ āĻ•āϰে। āϤāĻ–āύ āĻĢিāĻĄ্āϰা āĻĒ্āϰāĻŦেāĻļ āĻ•āϰে। āĻĢিāĻĄ্āϰা āĻāϏে āĻšিāĻĒোāϞিāϟাāϏāĻ•ে āωāĻĻ্āĻĻেāĻļ্āϝ āĻ•āϰে āĻŦāϞে āφāĻŽি āĻ•ি āĻ—োāĻĒāύে āϤোāĻŽাāϰ āϏāĻ™্āĻ—ে āĻ•িāĻ›ু āĻ•āĻĨা āĻŦāϞāϤে āĻĒাāϰি? āϤāĻ–āύ āĻšিāĻĒোāϞিāϟাāϏ āĻŦāϞে, āĻ•েāω āύেāχ āϝে āφāĻŽাāĻĻেāϰ āĻ•āĻĨা āĻļুāύāϤে āĻĒাāĻŦে। āφāĻĒāύি āύিāϰ্āĻ­āϝ় āĻŦāϞুāύ।

āϤāĻ–āύ āĻĢিāĻĄ্āϰা,  āĻšিāĻĒোāϞিāϟাāϏেāϰ āĻ•াāĻ›ে āϤাঁāϰ āφāĻŦেāĻ—েāϰ āĻ•āĻĨা, āϤাঁāϰ āĻ­াāϞোāĻŦাāϏাāϰ āĻ•āĻĨা āĻŦāϞāϤে āϚাāχāϞ। āĻ•িāύ্āϤু āϏে āĻ…āύুāĻ­āĻŦ āĻ•āϰāϞো āĻ•োāύ āĻāĻ• āĻļāĻ•্āϤিāĻŽাāύ āĻ•্āώāĻŽāϤা āϤাāϰ āĻ—āϞাāϰ āϏ্āĻŦāϰ āĻ•েāĻĄ়ে āύিāϚ্āĻ›ে। āϤāĻ–āύ āĻšিāĻĒোāϞিāϟাāϏ āĻŦāϞāϞো āϤুāĻŽি āĻ•ি āĻāĻŽāύ āĻ•িāĻ›ু āĻŦāϞāϤে āϚাāχāĻ›ো āϝা āϤোāĻŽাāϰ āĻšৃāĻĻ⧟ে āĻŦাāϏāύা āĻ•āϰে āĻ•িāύ্āϤু āϤুāĻŽি āϤা āĻŽুāĻ–ে āωāϚ্āϚাāϰāĻŖ āĻ•āϰāϤে āĻĒাāϰāĻ›ো āύা। āĻāĻ•āĻĨা āĻļোāύাāϰ āĻĒāϰ āĻĢিāĻĄ্āϰা āύিāϜেāϰ āφāĻŦেāĻ—āĻ•ে āĻĒ্āϰāĻļāĻŽিāϤ āĻ•āϰে, āĻšিāĻĒোāϞিāϟাāϏāĻ•ে āĻŦāϞāϞো āϏে(āĻšিāĻĒোāϞিāϟাāϏ) āϝেāύ āϤাঁāĻ•ে āĻ­āĻ—্āύি(āĻŦোāύ) āĻŦা āĻĻাāϏী āĻŦা āĻāϰ āĻĨেāĻ•ে āύিāϚু āĻ•োāύ āύাāĻŽে āĻĄাāĻ•ে। āĻļেāώāĻŽেāĻļ āĻĢিāĻĄ্āϰা, āĻšিāĻĒোāϞিāϟাāϏāĻ•ে āϜাāύাāϞো āϏে(āĻĢিāĻĄ্āϰা) āϤাঁāĻ•ে(āĻšিāĻĒোāϞিāϟাāϏāĻ•ে) āĻ­াāϞোāĻŦাāϏে।

āĻāχ āĻ•āĻĨা āĻļোāύা āĻŽাāϤ্āϰāχ āĻšিāĻĒোāϞিāϟাāϏ āĻĒ্āϰāϚāύ্āĻĄ āĻ•্āώুāĻŦ্āϧ āĻšāϝ়। āϏে āĻĒ্āϰāĻŦāϞ āϘৃāĻŖাāϰ āϏাāĻĨে āĻĢিāĻĄ্āϰাāϰ āĻĒ্āϰেāĻŽāĻ•ে āĻĒ্āϰāϤ্āϝাāĻ–্āϝাāύ āĻ•āϰে। āĻĢিāĻĄ্āϰা āϤāĻ–āύ āĻšিāĻĒোāϞিāϟাāϏেāϰ āĻ•াāĻ›ে āϤাঁāϰ āĻĒ্āϰেāĻŽ āĻ­িāĻ•্āώা āϚা⧟ āĻāĻŦং āϤাঁāĻ•ে(āĻšিāĻĒোāϞিāϟাāϏāĻ•ে) āĻŦাāĻšুāĻĒাāĻļে āĻŽোāĻšিāϤ āĻ•āϰāϤে āϚাāχāϞে āĻšিāĻĒোāϞিāϟাāϏ āĻŦāϞে āφāĻŽাāϰ āĻ•াāĻ› āĻĨেāĻ•ে āϤুāĻŽি āĻ•োāύ āĻ•āϰুāĻŖা āĻĒাāĻŦাāϰ āϝোāĻ—্āϝ āύāĻ“ āĻāĻŦং āϏে āφāϰো āĻŦāϞে āϝে āϤাঁāϰ(āĻšিāĻĒোāϞিāϟাāϏেāϰ) āĻāχ āύিāώ্āĻ•āϞāĻ™্āĻ• āĻĻেāĻš āĻĨেāĻ•ে āĻĢিāĻĄ্āϰাāϰ āϐ āĻ…āĻĒāĻŦিāϤ্āϰ āĻšাāϤ āύাāĻŽিāϝ়ে āϰাāĻ–āϤে। āĻ•িāĻ›ুāĻ•্āώāĻŖ āĻĒāϰ āϏে āϰাāϜāĻĒ্āϰাāϏাāĻĻ āϤ্āϝাāĻ— āĻ•āϰে āĻŦেāϰিāϝ়ে āϝাāϝ় āĻ•িāύ্āϤু āĻĻুāϰ্āĻ­াāĻ—্āϝāĻŦāĻļāϤ āϝাāĻŦাāϰ āϏāĻŽā§Ÿ āϤাঁāϰ āĻāĻ•āϟা āϤāϞোāϝ়াāϰ āϰেāĻ–ে āϝাāϝ় āĻ•াāϰāĻŖ āĻĢিāĻĄ্āϰা āϏেāϟা āϏ্āĻĒāϰ্āĻļ āĻ•āϰেāĻ›িāϞো। āĻĒ্āϰাāϏাāĻĻ āϤ্āϝাāĻ— āĻ•āϰāϤে āĻ•āϰāϤে āĻšিāĻĒোāϞিāϟাāϏ āĻļুāϧু āϤাāϰ āĻŦাāĻŦাāϰ āύাāĻŽ āϏ্āĻŽāϰāĻŖ āĻ•āϰে āφāϰ āϤাঁāϰ āύিāϜেāϰ āωāĻĒāϰ āϧিāĻ•্āĻ•াāϰ āϜাāύাāϤে āĻĨাāĻ•ে।

āĻ•িāĻ›ুāĻ•্āώāĻŖ āĻĒāϰে āϰাāϜা āĻĨিāϏিāωāϏ āĻĢিāϰে āφāϏে āĻĒাāϤাāϞāĻĒুāϰী āĻĨেāĻ•ে। āĻĨিāϏিāωāϏ āĻāϏে āĻĻেāĻ–ে āϤাঁāϰ āϏ্āϤ্āϰীāϰ āĻŽুāĻŽূāϰ্āώু āĻ…āĻŦāϏ্āĻĨা। āϤāĻ–āύ āϏে āϜিāϜ্āĻžেāϏ āĻ•āϰে āϤাঁāϰ(āĻĢিāĻĄ্āϰাāϰ) āĻāχ āφāĻšাāϜাāϰিāϰ āĻ•াāϰāĻŖ āĻ•ি? āĻĢিāĻĄ্āϰা āĻĒ্āϰāĻĨāĻŽে āĻŦāϞāϤে āĻ…āϏ্āĻŦীāĻ•াāϰ āĻ•āϰে āĻ•িāύ্āϤু āϝāĻ–āύ āĻĨিāϏিāωāϏ āϚেঁāϚিāϝ়ে āĻŦāϞে āϝে āĻĢিāĻĄ্āϰাāϰ āύাāϰ্āϏāĻ•ে āϚাāĻŦুāĻ• āĻŽাāϰāϞেāχ āϏāĻŽāϏ্āϤ āϏāϤ্āϝ āĻŦেāϰিāϝ়ে āφāϏāĻŦে। āϤāĻ–āύ āĻĢিāĻĄ্āϰা āĻŦāϞে āϤাঁāϰ āĻ¸ā§ŽāĻĒুāϤ্āϰ āĻšিāĻĒোāϞিāϟাāϏ āϤাঁāϰ āϏāĻ™্āĻ—ে āĻ…āĻļোāĻ­āύ āφāϚāϰāĻŖ āĻ•āϰেāĻ›ে āĻāĻŦং āϤাāϰ āĻļ্āϞীāϞāϤাāĻšাāύি āĻ•āϰেāĻ›ে। āĻāĻ•āĻĨা āĻļুāύে āĻĨিāϏিāωāϏ āĻĒ্āϰāϚāύ্āĻĄ āϰাāĻ—াāύ্āĻŦিāϤ āĻšāϝ়ে āĻšিāĻĒোāϞিāϟাāϏāĻ•ে āĻ…āĻ­িāĻļাāĻĒ āĻĻে⧟ āĻāĻŦং āϤাāϰ āĻŽৃāϤ্āϝু āĻ•াāĻŽāύা āĻ•āϰে। āĻĨিāϏিāωāϏ āϝেāĻ­াāĻŦে āĻšিāĻĒোāϞিāϟাāϏ āĻāϰ āĻŽৃāϤ্āϝু āĻ•াāĻŽāύা āĻ•āϰে āĻ িāĻ• āϏেāχāĻ­াāĻŦেāχ āĻšিāĻĒোāϞিāϟাāϏ āĻāϰ āĻŽৃāϤ্āϝু āĻšāϝ়।

āĻ•িāĻ›ুāĻ•্āώāĻŖ āĻĒāϰ āĻāĻ• āĻŦাāϰ্āϤাāĻŦাāĻšāĻ• āĻāϏে āĻĨিāϏিāωāĻ•ে āϜাāύাāϝ় āϝে āϤাঁāϰ āϜāύ্āϝ āĻāĻ•āϟা āĻļোāĻ• āϏংāĻŦাāĻĻ āφāĻ›ে। āĻĨিāϏিāωāϏ āĻšে⧟াāϞি āĻ•āϰে āĻŦāϞে āϏে āϜাāύে āϤাঁāϰ āĻĒুāϤ্āϰ āĻšিāĻĒোāϞিāϟাāϏেāϰ āĻŽৃāϤ্āϝু āĻšā§ŸেāĻ›ে। āϏে āĻŽৃāϤ্āϝুāϰ āωāĻĒা⧟ āϜাāύāϤে āϚাāχāϞে āĻŦাāϰ্āϤাāĻŦাāĻšāĻ• āĻŦāϞে āϝে āϏāĻŽুāĻĻ্āϰ āĻĨেāĻ•ে āĻāĻ•āϟা āώাঁ⧜ āĻšিāĻĒোāϞিāϟাāϏāĻ•ে āϧাāĻ“āϝ়া āĻ•āϰে āĻāĻŦং āϏেāχ āĻĒ্āϰāĻ•াāύ্āĻĄ āώাঁāĻĄ় āĻĻেāĻ–ে āĻšিāĻĒোāϞিāϟাāϏ āĻāĻ•āϟুāĻ“ āϭ⧟ āύা āĻĒে⧟ে āϏেāϟাāĻ•ে āĻĒ্āϰāϤিāϰোāϧ āĻ•āϰāϤে āωāĻĻ্āϝāϤ āĻšā§Ÿ āĻ•িāύ্āϤু āϤাঁāϰ āϰāĻĨেāϰ āĻ…āĻļ্āĻŦāĻ—ুāϞো āϏেāχ āĻĒ্āϰāĻ•াāύ্āĻĄ āώাঁāĻĄ় āĻĻেāĻ–ে āϭ⧟ āĻĒে⧟ে āϰāĻĨ āωāϞ্āϟো āĻ•āϰে āĻ›ুāϟে āϚāϞে।

āϟাāϞ āϏাāĻŽāϞাāϤে āύা āĻĒেāϰে āĻšিāĻĒোāϞিāϟাāϏ āϰāĻĨেāϰ āϏাāĻĨেāϰ āĻĻ⧜িāϤে āφāϟāĻ•ে āϝা⧟ āĻāĻŦং āϤাঁāϰ āϰāĻĨেāϰ āĻ…āĻļ্āĻŦāĻ—ুāϞো āϤাঁāĻ•ে āϟাāύāϤে āĻĨাāĻ•ে āϝāϤāĻ•্āώāĻŖ āĻĒāϰ্āϝāύ্āϤ āύা āĻšিāĻĒোāϞিāϟাāϏ āĻāϰ āĻŽাāĻĨাāϟা āĻāĻ•āϟা āϤীāĻ•্āώ্āĻŖ āĻ—াāĻ›েāϰ āĻ—ুāĻĄ়িāϰ āϏাāĻĨে āĻĒিāώে āϝাāϝ়। āĻāϟা āĻļুāύে āĻĨিāϏিāωāϏেāϰ āϚোāĻ–ে āĻĒাāύি āϚāϞে āφāϏে āĻ•িāύ্āϤু āĻŦাāϰ্āϤাāĻŦাāĻšāĻ• āϜাāύা⧟ āĻšিāĻĒোāϞিāϟাāϏ āϤাঁāϰ āĻŽৃāϤ্āϝুāϰ āϜāύ্āϝ āĻ•াāωāĻ•ে āĻļোāĻ• āĻĒ্āϰāĻ•াāĻļ āĻ•āϰāϤে āύিāώেāϧ āĻ•āϰে। āĻāχ āĻŦীāĻ­ā§ŽāϏ āĻŽৃāϤ্āϝুāϰ āĻ•āĻĨা āĻĢিāĻĄ্āϰা āĻļুāύāϤে āĻĒে⧟ে āĻĻৌঁ⧜ে āϏে āĻĒ্āϰাāϏাāĻĻ āĻĨেāĻ•ে āĻŦেāϰ āĻšā§Ÿে āφāϏে। āϏে āϤাāϰ āĻ­ুāϞ āĻŦুāĻāϤে āĻĒাāϰে āĻāĻŦং āĻ…āύুāĻļোāϚāύা⧟ āĻĻāĻ—্āϧ āĻšā§Ÿ।

āϤāĻ–āύ āĻĢিāĻĄ্āϰা āϤাāϰ āϏ্āĻŦাāĻŽী āĻĨিāϏিāωāϏেāϰ āĻ•াāĻ›ে āĻŦāϞে āĻšিāĻĒোāϞিāϟাāϏ āύিāϰ্āĻĻোāώ āĻāĻŦং āϏে(āĻĢিāĻĄ্āϰা) āϤাঁāϰ āĻ•াāĻŽāύাāϰ āĻĻ্āĻŦাāϰা āϤাāĻĄ়িāϤ āĻšāϝ়ে āĻšিāĻĒোāϞিāϟাāϏেāϰ āĻŦিāϰুāĻĻ্āϧে āϚāĻ•্āϰাāύ্āϤ āĻ•āϰেāĻ›ে। āĻĢিāĻĄ্āϰা āφāϰো āĻŦāϞে āĻšিāĻĒোāϞিāϟাāϏ āϤাঁāϰ āĻĒ্āϰেāĻŽ āĻĒ্āϰāϤ্āϝাāĻ–্āϝাāύ āĻ•āϰাāϝ় āϏেāχ āĻšিāĻĒোāϞিāϟাāϏেāϰ āĻŦিāϰুāĻĻ্āϧে āĻ…āĻĒāĻŦাāĻĻ āĻĻিāϝ়েāĻ›িāϞ। āĻāϰāĻĒāϰ āĻ…āύুāĻļোāϚāύা⧟ āĻĢিāĻĄ্āϰা āύিāϜেāχ āφāϤ্āĻŽāĻšāϤ্āϝা āĻ•āϰে। āĻāϏāĻŦ āĻļুāύে āϰাāϜা āĻĨিāϏিāωāϏ āϤাāϰ āύিāϜেāϰ āĻ­ুāϞ āĻŦুāĻāϤে āĻĒাāϰে āĻāĻŦং āϰাāώ্āϟ্āϰীāϝ় āĻŽāϰ্āϝাāĻĻাāϝ় āϤাāϰ āĻĒুāϤ্āϰেāϰ āĻŽৃāϤāĻĻেāĻš āĻĻাāĻĢāύ āĻ•āϰাāϰ āφāĻĻেāĻļ āĻĻেāύ āĻāĻŦং āĻĢিāĻĄ্āϰাāϰ āĻŽৃāϤāĻĻেāĻš āϏুāωāϚ্āϚ āĻĨেāĻ•ে āĻĢেāϞে āĻĻিāϝ়ে āĻŽাāϟি āϚাāĻĒা āĻĻেāĻ“āϝ়াāϰ āφāĻĻেāĻļ āĻĻে⧟। 

English Summary:-

Phaedra is a Roman tragedy about Greek subjects, told in verse by Roman dramatist Lucius Annaeus Seneca. Phaedra is the wife of King Theseus and Hippolytus, the son of King Theseus. The play begins with the lamentation of Phaedra because her husband Theseus, goes on a quest to capture Persephone from the underworld so she is feeling lonely. Her wet-nurse inquires what it is that ails her; Phaedra confesses that she is in love with Hippolytus, and recalls her own mother Pasiphae’s lust for a bull - a lust that gave birth to the infamous Minotaur, which Theseus himself slew.

Phaedra’s elderly nurse tells her that she should contain her passions, because love can be destructive. Hippolytus, however, hates women in general and despises his stepmother. Phaedra considers killing herself, but the nurse promises to help her. When Hippolytus returns from the hunt, the nurse attempts to soften his heart, arguing that he should make use of his good fortune and enjoy fine food, wine, and the company of women. Hippolytus roundly rejects the idea, proclaiming that nature is where man is at his most free and innocent and that womankind is the cause of much evil.

At that moment, Phaedra appears, and swiftly collapses in a swoon. Hippolytus wakes her, then asks why she is so ill at ease. She decides to confess her feelings. Phaedra subtly hints that he should take his father’s place in all ways, as Theseus may never return from the underworld. He agrees to take his father’s place as king, but when she declares her love for him, he is disgusted. He yells out that he is guilty of whatever he did to make his stepmother feel this way. He rails against what he calls her terrible crime and draws a sword to kill her, but realizes that this is what she wants.

He throws away the weapon and runs into the forest. Later, this abandoned sword will serve as evidence against Hippolytus. Phaedra’s nurse hatches a plan to conceal Phaedra’s guilt by accusing Hippolytus of attempting to rape his stepmother. Phaedra calls out to the citizens of Athens, accusing Hippolytus of attacking her sexually. However, at this moment, Theseus suddenly returns from the underworld. Theseus learns from the nurse that Phaedra has fallen into despair and vowed to die, and asks her why.

The nurse says that Phaedra does not want to disclose it. Then, Theseus orders the nurse to be tortured until she reveals his wife's secret, but Phaedra intervenes. She tells him that she has been raped and identifies Hippolytus as her attacker. In a rage, Theseus summons his father Neptune to destroy Hippolytus. After a few moments, a messenger soon appears to tell Theseus that Hippolytus is dead, having been killed by a monstrous bull that came out of the ocean’s depths.

Hippolytus’ chariot spun out of control, he became tangled in the reins, and was dragged through the forest to his death. Theseus breaks down, horrified by what his anger has caused and grieving for his son. Seeing Hippolytus’ mangled corpse, Phaedra confesses the truth to Theseus. She reveals that she falsely accused him, falls on her own sword, and dies. The verse ends with Theseus ordering a proper burial for his son, and for Phaedra to be buried as deep as possible.

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