Lord of the Flies by William Golding Bangla - English Summary, Themes, Characters and Review PDF

Mofizur Rahman

Lord of the Flies by William Golding Bangla - English Summary, Themes, Characters and Review PDF

M.A Final Year
Department of English
Course Name: Modern Novel
Life & Work of William Golding
Topics: Lord of Flies
Bangla & English, Characters, Summary And Critical Review

Lord of the Flies by William Golding Bangla - English Summary, Themes, Characters and Review

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Lord of the Flies by William Golding

Type of Work.

'The Lord of the Flies' āĻāĻ•āϟি āϰূāĻĒāĻ•āϧāϰ্āĻŽী āωāĻĒāύ্āϝাāϏ, āĻāĻ•āϟি āϏাāĻšিāϤ্āϝ āĻ•āϰ্āĻŽ āϝেāĻ–াāύে āϚāϰিāϤ্āϰāϰা, āϘāϟāύা, āĻ…āύুāĻ­ূāϤি āĻ•িংāĻŦা āĻŦāϏ্āϤুāĻ—ুāϞোāϰ āĻĒ্āϰāϤীāĻ•ি āĻ•িংāĻŦা āĻŦāϞা āϝাāϝ় āĻĻ্āĻŦিāϤীāϝ় āĻ…āϰ্āĻĨ āϰāϝ়েāĻ›ে। The Lord of the Flies āĻ āĻĻ্āĻŦীāĻĒāϟিāϤে āϝেāĻ–াāύে āĻāĻ•āϟি āĻŦিāĻŽাāύ āĻ­ূāĻĒাāϤিāϤ āĻšāϝ়েāĻ›ে āϝাāϰ āωāĻĒāϰ āĻ›েāϞেāĻ—ুāϞো āĻ…āϏāĻšাāϝ় āĻŽূāϞāϤ āϤা āϏāĻŽāĻ—্āϰ āĻĻুāύিāϝ়াāĻ•েāχ āĻŦোāĻাāϝ়। āĻŦাāϞāĻ•āĻ—ুāϞো āύিāϜেāĻĻেāϰāĻ•ে āĻĻ্āĻŦাāϰা āĻĒ্āϰাāĻĒ্āϤ āĻŦāϝ়āϏ্āĻ• āϏāĻ­্āϝāϤাāϰ āĻĒ্āϰāϤিāύিāϧিāϤ্āĻŦ āĻ•āϰে। āϝে āϏংāϘāϰ্āώ āϤাāĻĻেāϰāĻ•ে āĻĒৃāĻĨāĻ• āĻĒৃāĻĨāĻ• āĻĻāϞে āĻ­াāĻ— āĻ•āϰেāĻ›ে āϤা āĻŽূāϞāϤ āϐ āϏংāϘāϰ্āώāĻ•ে āϚিāϤ্āϰাāϝ়িāϤ āĻ•āϰে āϝা āĻĒ্āϰাāĻĒ্āϤ āĻŦāϝ়āϏ্āĻ• āĻĒৃāĻĨিāĻŦীāϤে āϝুāĻĻ্āϧ āĻŦāϝ়ে āφāύে ।

Date of Publication and Source:

The Lord of the Flies' ⧧⧝ā§Ģā§Ē āϏাāϞে āĻĒ্āϰāĻ•াāĻļিāϤ āĻšāϝ়। āωāĻĒāύ্āϝাāϏāϟি āϞিāĻ–াāϰ āϏāĻŽāϝ় āĻ—োāϞ্āĻĄিং āϤাāϰ āύিāϜেāϰ āĻ…āĻ­িāϜ্āĻžāϤাāĻ•ে āĻ•াāϜে āϞাāĻ—াāύ āϝা āϤিāύি āĻĻ্āĻŦিāϤীāϝ় āϏ্āĻŦāĻĒ্āύ āϝুāĻĻ্āϧেāϰ āϏāĻŽāϝ় āĻāĻ•āϜāύ āĻŦ্āϰিāϟিāĻļ āύৌāĻŦাāĻšিāύীāϰ āĻ…āĻĢিāϏাāϰ āĻšিāϏেāĻŦে āĻ…āϰ্āϜāύ āĻ•āϰেāύ। āϤিāύি ā§§ā§Žā§Ģā§Ž āϏাāϞে āĻĒ্āϰāĻ•াāĻļিāϤ Robert M. Ballyantyne āĻāϰ The Coral Bland' āĻāϰ āωāĻĒāϰ āĻ­িāϤ্āϤি āĻ•āϰে āϤাāϰ āωāĻĒāύ্āϝাāϏেāϰ āĻŦেāĻļিāϰ āĻ­াāĻ— āĻĒ্āϞāϟ āĻāĻŦং āĻ…āύেāĻ•āĻ—ুāϞো āϚāϰিāϤ্āϰāĻ•ে āϰূāĻĒāĻĻাāύ āĻ•āϰেāύ।

āϰāĻŦাāϰ্āϟেāϰ āĻ—āϞ্āĻĒ āϤিāύāϜāύ āĻŦ্āϰিāϟিāĻļ āύাāĻ—āϰিāĻ•āĻĻেāϰ āĻĻুঃāϏাāĻšāϏিāĻ• āĻ•াāϜেāϰ āϏ্āĻŽৃāϤিāϰ āĻŦāϰ্āĻŖāύা āĻĻেāϝ়। āϤাāϰা āĻāĻ•āϟি āϧ্āĻŦংāϏāĻĒ্āϰাāĻĒ্āϤ āϜাāĻšাāϜে āϟিāĻ•ে āĻĨাāĻ•ে āĻāĻŦং āĻāĻ•āϟি āϜāύāĻŽাāύāĻŦāĻšীāύ āĻĻ্āĻŦীāĻĒে āϤাāϰা āϤাāĻĻেāϰ āύিāϜেāĻĻেāϰ āĻāĻ•āϟি āĻ›োāϟ āĻŦāϏāϤি āĻ—āĻĄ়ে āϤোāϞে āϝেāĻ–াāύে āĻļূāĻ•āϰেāϰ āφāϧিāĻĒāϤ্āϝ āĻŦিāϰাāϜāĻŽাāύ āĻ›িāϞ।

Setting:

āύাāϟ্āϝāĻ•্āϰিāϝ়াāϟি āϏাāωāĻĨ āĻĒ্āϝাāϏিāĻĢিāĻ•েāϰ āĻāĻ•āϟি āĻ›োāϟ āĻļৈāĻŦাāϞ āĻĻ্āĻŦীāĻĒে āϏংāϘāϟিāϤ āĻšāϝ়। āĻāĻ•āϟি āϝুāĻĻ্āϧেāϰ āϏāĻŽāϝ় āϝেāĻ–াāύে āĻ•িāύা āĻāĻ•āϟি āϰাāϏাāϝ়āύিāĻ• āĻŦোāĻŽা āĻŦিāϏ্āĻĢোāϰāĻŖ āĻ•āϰাāύো āĻšāϝ়। āĻĻ্āĻŦীāĻĒেāϰ āφāĻŦāĻšাāĻ“āϝ়া āĻ…āϤ্āϝāύ্āϤ āĻ—āϰāĻŽ āĻāĻŦং āφāϞোāĻ•িāϤ। āϝāĻĻিāĻ“ āĻĻ্āĻŦীāĻĒāϟিāϤে āφāĻ—ে āĻ•েāω āĻŦāϏāĻŦাāϏ āĻ•āϰেāύি āϝাāϤে āĻŦাāϞāĻ•āĻ—ুāϞো āĻŦ্āϝāĻĨিāϤ āϤāĻŦুāĻ“ āĻāχ āĻĻ্āĻŦীāĻĒে āϟিāĻ•ে āĻĨাāĻ•াāϰ āϜāύ্āϝ āϝāϤāĻ—ুāϞো āωāĻĒাāĻĻাāύ āϞাāĻ—ে āϤাāϰ āϏāĻŦāχ āϰāϝ়েāĻ›ে। āωāĻĻাāĻšāϰāĻŖ āϏ্āĻŦāϰূāĻĒ āĻĢāϞ, āĻ–াāĻŦাāϰ āĻĒাāύি, āĻ–েāϞাāϧূāϞা āχāϤ্āϝাāĻĻি। āĻĻ্āĻŦীāĻĒāϟি āϝা āĻ•িāύা āĻāĻ•āϟি āύৌāĻ•াāϰ āφāĻ•ৃāϤিāϰ āϤাāϰ āĻāĻ•āϟি āĻŦāύ, āĻĻুāϟো āĻ›োāϟ āĻ›োāϟ āĻĒাāĻšাāĻĄ়, āĻŦাāϞুāĻŽāϝ় āϏৈāĻ•āϤ āϰāϝ়েāĻ›ে।

āĻāχ āωāĻĒāύ্āϝাāϏেāϰ āĻļিāϰোāύাāĻŽāϟি āĻāĻ•āϟি āĻšিāĻŦ্āϰু āĻļāĻŦ্āĻĻ, “Baal zevuv", āĻāϰ āĻŦāĻ™্āĻ—াāύুāĻŦাāĻĻ āĻšāϤে āύেāϝ়া āĻšāϝ়েāĻ›ে āϝাāϰ āĻ…āϰ্āĻĨ āĻĻাঁāĻĄ়াāϝ় āĻĒ্āϰāϧাāύ āĻŦা āϏ্āϝাāϟাāϰ্āύ। āĻ—্āϰিāĻ• āĻ­াāώাāϝ় āĻļāĻŦ্āĻĻāϟি “Beelzeboub"। āĻ—্āϰিāĻ• āĻļāĻŦ্āĻĻāϟি āĻšāϤে āĻāĻ•āϟি āχংāϰেāϜি āĻļāĻŦ্āĻĻ āύেāϝ়া āĻšāϝ় āϝাāϰ āĻŦাংāϞা āĻ…āϰ্āĻĨ āĻĻাঁāĻĄ়াāϝ় āĻĒ্āϰāϧাāύ āĻļāϝ়āϤাāύ āĻ…āĻĨāĻŦা āϏāĻšāĻ•াāϰী āĻļāϝ়āϤাāύ, āĻĒ্āϰāϧাāύ āĻļāϝ়āϤাāύেāϰ āĻĒāϰāĻŦāϰ্āϤী āĻļāϝ়āϤাāύ।

Historical Information of the Novel:

'Lord of the Flies' āĻĻ্āĻŦিāϤীāϝ় āĻŦিāĻļ্āĻŦāϝুāĻĻ্āϧ āĻļেāώ āĻšāĻŦাāϰ āĻĒāϰ āĻĒāϰāχ ⧧⧝ā§Ģā§Ē āϏাāϞে āĻĒ্āϰāĻ•াāĻļিāϤ āĻšāϝ়। āĻāĻ•āϜāύ āĻŦ্āϰিāϟিāĻļ āύাāĻ—āϰিāĻ• āĻšিāϏেāĻŦে āĻ—োāϞ্āĻĄিং āϝুāĻĻ্āϧেāϰ āĻ­āϝ়াāĻŦāĻšāϤা, āύিāώ্āĻ ুāϰāϤা āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻ–ুāĻŦ āĻ­াāϞāĻ­াāĻŦেāχ āĻ“āϝ়াāĻ•িāĻŦāĻšাāϞ āĻ›িāϞেāύ। āϝুāĻĻ্āϧে āχংāϞ্āϝাāύ্āĻĄে āĻ–ুāĻŦ āĻ­াāϞāĻ­াāĻŦেāχ āφāĻ•্āϰāĻŽāĻŖ āĻ•āϰা āĻšāϝ় āĻāĻŦং āϤাāϰ āύাāĻ—āϰিāĻ•āϰা āϧ্āĻŦংāϏেāϰ āĻ­āϝ়াāĻŦāĻšāϤা āύিāϝ়ে āϚিāύ্āϤিāϤ āĻ›িāϞ। āϝে āϏāĻŽāϝ়āϟাāϤে āωāĻĒāύ্āϝাāϏāϟি āϞিāĻ–া āĻšāϝ় āϤāĻ–āύ āĻ•েāĻŦāϞ āϰাāϏাāϝ়āύিāĻ• āĻŦোāĻŽা āĻŦিāϏ্āĻĢোāϰিāϤ āĻšāϝ় āĻāĻŦং āϏāĻŽāϏ্āϤ āĻŦিāĻļ্āĻŦে āĻŦিāϰাāϜāĻŽাāύ āĻ›িāϞ āĻĨāĻŽāĻĨāĻŽে āĻ…āĻŦāϏ্āĻĨা āĻāχ āϝুāĻĻ্āϧ āĻļুāϰুāϰ āĻĢāϞে āĻŦিāĻļেāώāϤ āϰাāĻļিāϝ়াāύ āφāĻ—্āϰাāϏāύেāϰ āĻĢāϞে।

About the Title:

āĻ—োāϞ্āĻĄিং āϤাāϰ āωāĻĒāύ্āϝাāϏ āĻļুāϰু āĻ•āϰেāύ āχংāϞ্āϝাāύ্āĻĄেāϰ āĻāĻ•āϟি āϰাāϏাāϝ়āύিāĻ• āϝুāĻĻ্āϧেāϰ āϏ্āĻĒāϟ āĻšāϤে āĻŦাāϚ্āϚাāĻĻেāϰāĻ•ে āĻĻৃāĻļ্āϝ āĻĻিāϝ়ে। āϝুāĻĻ্āϧেāϰ āĻ­āϝ়াāĻŦāĻšāϤা, āύিāώ্āĻ ুāϰāϤা āĻšāϤে āĻļিāĻļুāĻĻেāϰāĻ•ে āĻĻূāϰে āϰাāĻ–াāϰ āĻĻāϰāĻ•াāϰ āĻ›িāϞ। āĻšাāϏ্āϝāĻ•āϰāĻ­াāĻŦে āϤাāϰা āϤাāĻĻেāϰ āϏ্āĻŦāϰ্āĻ—ে āĻ…āϰ্āĻĨাā§Ž āĻĻ্āĻŦীāĻĒে āĻāĻ•āϟা āϏ্āϤāϰ āĻĒāϰ্āϝāύ্āϤ āĻŽাāύāĻŦāϤাāϰ āĻĒāϤāύ āĻĻেāĻ–েāĻ›ে; āύিāϜেāĻĻেāϰāĻ•ে āϝুāĻĻ্āϧেāϰ āϚিāϤ্āϰ āĻĻিāϝ়ে āϰাāĻ™্āĻ—িāϝ়েāĻ›ে। āωāĻĒāύ্āϝাāϏেāϰ āĻļেāώেāϰ āĻĻিāĻ•ে āĻāĻ•āϜāύ āύৌ āĻ…āĻĢিāϏাāϰেāϰ āĻĻ্āĻŦাāϰা āĻŦাāϚ্āϚাāĻ—ুāϞোāĻ•ে āĻŦাঁāϚাāύ āĻšāϝ় āϤাāĻ“ āĻāĻ•āϟি āϝুāĻĻ্āϧāĻ•্āώেāϤ্āϰ āĻšāϤে āϝা āĻ•িāύা āϝুāĻĻ্āϧেāϰ āϤāĻĨা āĻŽাāύুāώেāϰ āύিāώ্āĻ ুāϰāϤাāϰ āϚāϞāĻŽাāύāϤাāĻ•েāχ āĻŦোāĻাāϝ়, āϚিāϤ্āϰাāϝ়িāϤ āĻ•āϰে।

Content of the Novel:

āϝāĻ–āύ ‘Lord of the Flies' āĻĒ্āϰāĻĨāĻŽ āĻĒ্āϰāĻ•াāĻļিāϤ āĻšāϝ় āϤāĻ–āύ āĻŦিāĻļ্āĻŦ āĻ•েāĻŦāϞ āĻĻ্āĻŦিāϤীāϝ় āĻŦিāĻļ্āĻŦāϝুāĻĻ্āϧেāϰ āĻĻ্āĻŦাāϰা āϏংāϘāϟিāϤ āϜীāĻŦāύ āĻ“ āϏāĻŽ্āĻĒāĻĻেāϰ āϝে āĻ•্āώāϝ়-āĻ•্āώāϤি āĻšāϝ় āϤা āĻšāϤে āĻŦেāϰ āĻšāϝ়ে āφāϏāϤে āĻļুāϰু āĻ•āϰে। āϏাāĻŽāϰিāĻ• āĻāĻŦং āĻŦেāϏাāĻŽāϰিāĻ•āĻĻেāϰ āĻŽāϧ্āϝে āϏংāϘāϟিāϤ āϏে āϝুāĻĻ্āϧে āώাāϟ āĻŽিāϞিāϝ়āύ āϞোāĻ• āϜāĻĄ়িāϤ āĻ›িāϞ āĻŦāϞে āĻŽāύে āĻ•āϰা āĻšāϝ়। āĻĻ্āĻŦিāϤীāϝ় āĻŦিāĻļ্āĻŦāϝুāĻĻ্āϧ āĻļেāώ āĻšāϤে āύা āĻšāϤেāχ āĻŦিāĻļ্āĻŦ āφāĻŦাāϰ āĻļাāϝ়ু āϝুāĻĻ্āϧেāϰ āϏাāĻ•্āώী āĻšāϝ়। āĻ āϝুāĻĻ্āϧ āϏাāĻŽ্āϝāĻŦাāĻĻীāϰ āϰাāĻļিāϝ়াāϰ āĻĻ্āĻŦাāϰা āĻĒāϰিāϚাāϞিāϤ āĻšāϝ় āϝা āĻ•িāύা ⧧⧝⧧⧭ āϏাāϞেāϰ āĻĒāϰ āĻāĻ•āϟি āϏāĻŽাāϜāϤাāύ্āϤ্āϰিāĻ• āϰাāώ্āϟ্āϰāĻŦ্āϝāĻŦāϏ্āĻĨা āĻ—āĻĄ়ে āϤোāϞে। āϏāĻŽাāϜāϤāύ্āϤ্āϰ āϏāĻŽ্āĻĒāĻĻেāϰ āĻāĻ•āϟ āϏাāϧাāϰāĻŖ āĻŽাāϞিāĻ•াāύা āύিāĻļ্āϚিāϤ āĻ•āϰে āϝেāĻ–াāύে āĻŦেāĻļি āĻŦেāĻļি āĻ•োāύ āĻ•িāĻ›ু āĻĒাāĻ“āϝ়াāϰ āχāϚ্āĻ›াāĻ•ে āύিāϝ়āύ্āϤ্āϰāĻŖ āĻ•āϰা āĻšāϝ়।

āĻ…āĻĒāϰ āĻĒāĻ•্āώে, āĻ•āĻŽিāωāύিāϏ্āϟāĻĻেāϰ āĻ•াāϜāχ āĻ›িāϞ āĻŦেāĻļি। āĻŦেāĻļি āĻ…āĻž্āϚāϞ āĻĻāĻ–āϞ āĻ•āϰাāϰ āĻŽাāϧ্āϝāĻŽে āφāϧিāĻĒāϤ্āϝāĻŦাāĻĻ āĻŦিāϏ্āϤাāϰ āĻ•āϰা। āĻĒāĻļ্āϚিāĻŽেāϰ āĻĒুঁāϜিāĻŦাāĻĻীāϰা āϝাāϰা āĻ•িāύা āφāĻŽেāϰিāĻ•াāϰ āĻĻ্āĻŦাāϰা āĻĒāϰিāϚাāϞিāϤ āĻšāϤ āϤাāϰা āĻ•āĻŽিāωāύিāϏ্āϟāĻĻেāϰāĻ•ে āĻ­āϝ় āĻĒেāϤে āĻĨাāĻ•ে। āĻĻুāϟো āĻļāĻ•্āϤিāĻļাāϞী āĻĻেāĻļেāϰ āĻ•াāĻ›েāχ āϰাāϏাāϝ়āύিāĻ• āĻŦোāĻŽা āĻĨাāĻ•াāϝ় āϏ্āύাāϝ়ু āϝুāĻĻ্āϧেāϰ āϏāĻŽāϝ়āϟা āĻāĻ•āϟি āϚাāĻĒেāϰ āϏāĻŽāϝ় āĻ—েāĻ›ে। āĻāχ āĻĻুāϟো āϐāϤিāĻšাāϏিāĻ• āϏংāϘ⧰্āώāχ āĻŽূāϞāϤ 'Lord of the Flies' āĻāϰ āĻĒāϟāĻ­ূāĻŽি āĻšিāϏেāĻŦে āĻ•াāϜ āĻ•āϰে।

Major Characters (English)

Ralph

The protagonist of the story, Ralph is one of the oldest boys on the island. He quickly becomes the group's leader. Golding describes Ralph as tall for his age and handsome, and he presides ove
r the other boys with a natural sense of authority. Although he lacks Piggy's overt intelligence, Ralph is calm and rational, with sound judgment and a strong moral sensibility. But he is susceptible to the same instinctive influences that affect the other boys, as demonstrated by his contribution to Simon's death. Nevertheless, Ralph remains the most civilized character throughout the novel. With his strong commitment to justice and equality, Ralph represents the political tradition of liberal democracy.

Piggy

Although pudgy, awkward, and averse to physical labor because he suffers from asthina, Piggy--who dislikes his nickname-is the intellectual on the island. Though he is an outsider among the other boys, Piggy is eventually accepted by them, albeit grudgingly, when they discover that his glasses can be used to ignite fires. Piggy's intellectual talent endears him to Ralph in particular, who comes to admire and respect him for his clear focus on securing their rescue from the island. Piggy is dedicated to the ideal of civilization and consistently reprimands the other boys for behaving as savages. His continual clashes with the group culminate when Roger murders Piggy by dropping a rock on him, an act that signals the triumph of brute instinct over civilized order. Intellectual, sensitive, and conscientious, Piggy represents culture within the democratic system embodied by Ralph. Piggy's nickname symbolically connects him to the pigs on the island, who quickly become the targets of Jack's and his hunters' bloodlust-an association that foreshadows his murder.

Jack Merridew

The leader of a boys' choir, Jack exemplifies militarism as it borders on authoritarianism. He is cruel and sadistic, preoccupied with hunting and killing pigs. His sadism intensifies throughout the novel, and he eventually turns cruelly on the other boys. Jack feigns an interest in the rules of order established on the island, but only if they allow him to inflict punishment. Jack represents anarchy. His rejection of Ralph's imposed order--and the bloody results of this act-indicate the danger inherent in an anarchic system based only on self-interest.

Simon

The most introspective character in the novel, Simon has a deep affinity with nature and often walks alone in the jungle. While Piggy represents the cultural and Ralph the political and moral facets of civilization, Simon represents the spiritual side of human nature. Like Piggy, Simon is an outcast: the other boys think of him as odd and perhaps insane. It is Simon who finds the beast. When he attempts to tell the group that it is only a dead pilot, the boys, under the impression that he is the beast, murder him in a panic. Golding frequently suggests that Simon is a Christ-figure whose death is a kind of martyrdom. His name, which means "he whom God has heard," indicates the depth of his spirituality and centrality to the novel's Judeo- Christian allegory.

Sam and Eric

The twins are the only boys who remain with Ralph and Piggy to tend to the fire after the others abandon Ralph for Jack's tribe. The others consider the two boys as a single individual, and Golding preserves this perception by combining their individual names into one ("Samneric"). Here one might find suggestions about individualism and human uniqueness.

Roger

One of the hunters and the guard at the castle rock fortress, Roger is Jack's equal in cruelty. Even before the hunters devolve into savagery, Roger is boorish and crude, kicking down sand castles and throwing sand at others. After the other boys lose all idea of civilization, it is Roger who murders Piggy.

Maurice

During the hunters' "Kill the pig" chant, Maurice, who is one of Jack's hunters, pretends to be a pig while the others pretend to slaughter him. When the hunters kill a pig, Jack smears blood on Maurice's face. Maurice represents the mindless masses.

Percival

One of the smallest boys on the island, Percival often attempts to comfort himself by repeating his name and address as a memory of home life. He becomes increasingly hysterical over the course of the novel and requires comforting by the older boys. Percival represents the domestic or familial aspects of civilization; his inability to remember his name and address upon the boys rescue indicates the erosion of domestic impulse with the overturning of democratic order. Note also that in the literary tradition, Percival was one of the Knights of the Round Table who went in search of the Holy Grail.

The Beast

A dead pilot whom Simon discovers in the forest. The other boys mistake him as a nefarious supernatural omen, "The Beast." They attempt to appease his spirit with The Lord of the Flies.

The Lord of the Flies

 The pig's head that Jack impales on a stick as an offering to "The Beast." The boys call the offering "The Lord of the Flies," which in Judeo-Christian mythology refers to Beelzebub, an incarnation of Satan. In the novel, The Lord of the Flies functions totemically; it represents the savagery and amorality of Jack's tribe.

Naval Officer

The naval officer appears in the final scene of the novel, when Ralph encounters him on the beach. He tells Ralph that his ship decided to inspect the island upon seeing a lot of smoke (the outcome of the forest fire that Jack and his tribe had set in the hopes of driving Ralph out of hiding). His naivete about the boys' violent conflict-he believes they are playing a game- -underscores the tragedy of the situation on the island. His status as a soldier reminds the reader that the boys' behavior is just a more primitive form of the aggressive and frequently fatal conflicts that characterize adult civilization.

English Summary (āχংāϰেāϜি āϏাāĻŽাāϰি āĻŦা āϏাāϰāĻŽāϰ্āĻŽ)

During an unnamed time of war, a plane carrying a group of British schoolboys is shot down over the Pacific. The pilot of the plane is killed, but many of the boys survive the crash and find themselves deserted on an uninhabited island, where they are alone without adult supervision. The first two boys introduced are the main protagonists of the story: Ralph is among the oldest of the boys, handsome and confident, while Piggy, as he is derisively called, is a pudgy asthmatic boy with glasses who nevertheless possesses a keen intelligence. Ralph finds a conch shell, and when he blows it the other boys gather together. Among these boys is Jack Merridew, an aggressive boy who marches at the head of his choir. Ralph, whom the other boys choose as chief, leads Jack and another boy, Simon, on an expedition to explore the island. On their expedition they determine that they are, in fact, on a deserted island and decide that they need to find food. The three boys find a pig, which Jack prepares to kill but finally balks before he can actually stab it.

When the boys return from their expedition, Ralph calls a meeting and attempts to set rules of order for the island. Jack agrees with Ralph, for the existence of rules means the existence of punishment for those who break them, but Piggy reprimands Jack for his lack of concern over long-term issues of survival. Ralph proposes that they build a fire on the mountain which could signal their presence to any passing ships. The boys start building the fire, but the younger boys lose interest when the task proves too difficult for them. Piggy proves essential to the process: the boys use his glasses to start the fire. After they start the fire, Piggy loses his temper and criticizes the other boys for not building shelters first. He worries that they still do not know how many boys there are, and he believes that one of them is already missing.

While Jack tries to hunt pigs, Ralph orchestrates the building of shelters for the boys. The smallest boys have not helped at all, while the boys in Jack's choir, whose duty is to hunt for food, have spent the day swimming. Jack tells Ralph that he feels as if he is being hunted himself when he hunts for pigs. When Simon, the only boy who has consistently helped Ralph, leaves presumably to take a bath, Ralph and Jack go to find him at the bathing pool. But Simon instead is walking around the jungle alone. He finds a serene open space with aromatic bushes and flowers.

The boys soon settle into a daily pattern on the island. The youngest of the boys, known generally as the "littluns," spend most of the day searching for fruit to eat. When the boys play, they still obey some sense of decency toward one another, despite the lack of parental authority. Jack continues to hunt, while Piggy, who is accepted as an outsider among the boys, considers building a sundial. A ship passes by the island but does not stop, perhaps because the fire has burned out. Piggy blames Jack for letting the fire die, for he and his hunters have been preoccupied with killing a pig at the expense of their duty, and Jack punches Piggy, breaking one lens of his glasses. Jack and the hunters chant, "Kill the pig. Cut her throat. Bash her in" in celebration of the kill, and they perform a dance in which Maurice pretends to be a pig and the others pretend to attack him.

Ralph becomes concerned by the behavior of Jack and the hunters and begins to appreciate Piggy's maturity. He calls an assembly in which he criticizes the boys for not assisting with the fire or the building of the shelters. He insists that the fire is the most important thing on the island, for it is their one chance for rescue, and declares that the only place where they thould have a fire is on the mountaintop. Ralph admits that he is frightened but says that there is no legitimate reason to be afraid. Jack then yells at the liluns for their fear and for not helping with hunting or building shelters.

He proclaims that there is no beast on the island, as some of the boys believe, but then a littlun, Phil, tells that he had a nightmare and when he awoke saw something moving among the trees. Simon says that Phil probably saw Simon, for he was walking in the jungle that night. But the littluns begin to worry about the beast, which they conceive as a ghost or a squid. Piggy and Ralph fight once more, and when Ralph attempts to assert the rules of order, Jack asks rhetorically whether anyone cares about the rules. Ralph in turn insists that the rules are all that they have. Jack then decides to lead an expedition to hunt the beast, leaving only Ralph, Piggy and Simon behind. Piggy warns Ralph that if Jack becomes chief, the boys will never be rescued.

That night, during an aerial battle, a pilot parachutes down the island. The pilot dies, possibly on impact. The next morning, as the twins Sam and Eric are adding kindling to the fire, they spot the pilot and mistake him for the beast. They scramble down the mountain and wake up Ralph. Jack calls for a hunt, but Piggy insists that they should stay together, for the beast may not come near them. Jack claims that the conch is now irrelevant. He takes a swing at Ralph when Ralph accuses Jack of not wanting to be rescued. Ralph decides to join the hunters on their expedition to find the beast. despite his wish to rekindle the fire on the mountain. When they reach the other side of the island, Jack expresses his wish to build a fort near the sea.

The hunters, while searching for the beast, find a boar that attacks Jack, but Jack stabs it and it runs away. The hunters go into a frenzy, lapsing into their "kill the pig" chant once again. Ralph realizes that Piggy remains with the littluns back on the other side of the island, and Simon offers to go back and tell Piggy that the other boys will not be back that night. Ralph realizes that Jack hates him and confronts him about that fact. Jack mocks Ralph for not wanting to hunt, claiming that it stems from cowardice, but when the boys see what they believe to be the beast they run away.

Ralph returns to the shelters to find Piggy and tells him that they saw the beast, but Piggy remains skeptical. Ralph dismisses the hunters as boys with sticks, but Jack accuses him of calling his hunters cowards. Jack attempts to assert control over the other boys, calling for Ralph's removal as chief, but when Ralph retains the support of the other boys Jack runs away, crying. Piggy suggests that, if the beast prevents them from getting to the mountaintop, they should build a fire on the beach, and reassures them that they will survive if they behave with common sense. Simon leaves to sit in the open space that he found earlier. Jack claims that he will be the chief of the hunters and that they will go to the castle rock where they plan to build a fort and have a feast. The hunters kill a pig, and Jack smears the blood over Maurice's face. They then cut off the head and leave it on a stake as an offering for the beast. Jack brings several hunters back to the shelters, where he invites the other boys to join his tribe and offers them meat and the opportunity to hunt and have fun. All of the boys, except for Ralph and Piggy, join Jack.

Meanwhile, Simon finds the pig's head that the hunters had left. He dubs it The Lord of the Flies because of the insects that swarm around it. He believes that it speaks to him, telling him how foolish he is and that the other boys think he is insane. The pig's head claims that it is the beast, and it mocks the idea that the beast could be hunted and killed. Simon falls down and loses consciousness. After he regains consciousness and wanders around, he sees the dead pilot that the boys perceived to be the beast and realizes what it actually is. He rushes down the mountain to alert the other boys about what he has found.

Ralph and Piggy, who are playing at the lagoon alone, decide to find the other boys to make sure that nothing unfortunate happens while they are pretending to be hunters. When they find Jack, Ralph and Jack argue over who will be chief. When Piggy claims that he gets to speak because he has the conch, Jack tells him that the conch does not count on his side of the island. The boys panic when Ralph warns them that a storm is coming. As the storm begins, Simon rushes from the forest, telling about the dead body on the mountain. Under the impression that he is the beast, the boys descend on Simon and kill him.

Back on the other side of the island, Ralph and Piggy discuss Simon's death. They both took part in the murder, but they attempt to justify their behavior motivated by fear and instinct. The only four boys who are not part of Jack's tribe are Ralph and Piggy and the twins, Sam and Eric, who help tend to the fire. At Castle Rock, Jack rules over the boys with the trappings of an idol. He has kept one boy tied up, and he instills fear in the other boys by warning them about the beast and the intruders. When Bill asks Jack how they will start a fire, Jack claims that they will steal the fire from the other boys. Meanwhile, Ralph, Piggy and the twins work on keeping the fire going but find that it is too difficult to do by themselves. They return to the shelters to sleep. During the night, the hunters attack the four boys, who fight them off but suffer considerable injuries. Piggy learns the purpose of the attack: they came to steal his glasses.

After the attack, the four boys decide to go to the castle rock to appeal to Jack as civilized people. They groom themselves to appear presentable and dress themselves in normal schoolboy clothes. When they reach Castle Rock, Ralph summons the other boys with the conch. Jack arrives from hunting and tells Ralph and Piggy to leave them alone. When Jack refuses to listen to Ralph's appeals to justice, Ralph calls the boys painted fools. Jack takes Sam and Eric as prisoners and orders them to be tied up. Piggy asks Jack and his hunters whether it is better to be a pack of painted Indians or sensible like Ralph, but Roger tips a rock over on Piggy, causing him to fall down the mountain to the beach. The impact kills him and, to the delight of Jack, shatters the conch shell. Jack declares himself chief and hurls his spear at Ralph, who runs away.

Ralph hides near Castle Rock, where he can see the other boys, whom he no longer recognizes as civilized English boys but as savages. He crawls to the entrance of Jack's camp, where Sam and Eric are now stationed as guards. and they give him some meat and urge him to leave. While Ralph hides, he realizes that the other boys are rolling rocks down the mountain. Ralph evades the other boys who are hunting for him, then realizes that they are setting the forest on fire in order to smoke him out-and thus will destroy whatever fruit is left on the island.

Running for his life, Ralph finally collapses on the beach, where a naval officer has arrived with his ship. He thinks that the boys have only been playing games, and he scolds them for not behaving in a more organized and responsible manner as is the British custom. As the boys prepare to leave the island for home, Ralph weeps for the death of Piggy and for the end of the boys' innocence.

Major Characters (āĻŦাংāϞা⧟)

Ralph:

āĻāĻ•āϜāύ āĻŦাāϰ āĻŦāĻ›āϰ āĻŦāϝ়āϏ্āĻ• āϏুāύ্āĻĻāϰ āϚুāϞেāϰ āĻ…āϧিāĻ•াāϰী āϏুāĻĻāϰ্āĻļāύ āĻŦাāϞāĻ• āϰাāĻĢ। āϏে āĻāĻ•āϜāύ āϜāύ্āĻŽāĻ—āϤ āύেāϤা āĻāĻŦং āĻŽāĻšিāϞা āĻ…āĻĢিāϏাāϰেāϰ āĻ›েāϞে। āĻļুāϰুāϤে āĻāĻ•āϜāύ āύিāϰ্āĻŦাāϚিāϤ āĻŦাāϞāĻ•āĻĻেāϰ āύেāϤা āĻšিāϏেāĻŦে āϏে āϝৌāĻ•্āϤিāĻ• āĻāĻŦং āϏ্āĻŦāϚ্āĻ› āĻĨাāĻ•াāϰ āϚেāώ্āϟা āĻ•āϰে। āĻāĻŽāύāĻ•ি āϝāĻ–āύ āϏāĻŦāĻ—ুāϞো āĻŦাāϞāĻ• āϤাāĻ•ে āĻĒāϰিāϤ্āϝাāĻ— āĻ•āϰে āĻāϰāĻĒāϰ āϏāĻŦাāχ āϤাāϰ āϝৌāĻ•্āϤিāĻ•āϤা āĻ…āύুāϏāϰāĻŖ āĻ•āϰাāϰ āϚেāώ্āϟা āĻ•āϰāϤ। āĻŦ্āϰিāϟিāĻļ āωāϚ্āϚাāϰāĻŖে āϤাāϰ āύাāĻŽ āĻšāĻŦে "Rate",

Jack Merridew:

āĻāĻ•āϜāύ āφāϤ্āĻŽāĻ•েāύ্āĻĻ্āϰিāĻ• āĻŦাāϰ āĻŦāĻ›āϰ āĻŦāϝ়āϏেāϰ āĻŦাāϞāĻ• āϝাāĻ•ে āϰাāϞāĻĢেāϰ āĻŦৈāϏাāĻĻৃāĻļ্āϝ āĻŽāύে āĻ•āϰা āĻšāϝ়। āĻāĻ•āχ āϏাāĻĨে āφāĻŦেāĻ— āĻĒ্āϰāĻŦāĻŖ āĻ“ āωāĻ—্āϰ āĻšāĻ“āϝ়াāϰ āĻĒাāĻļাāĻĒাāĻļি āϏে āϞāĻŽ্āĻŦা, āϚিāĻ•āύ āĻāĻŦং āϞাāϞ āϚুāϞেāϰ āĻ…āϧিāĻ•াāϰী āĻāĻ•āϟি āĻ›েāϞে। āĻŦāχāϝ়েāϰ āĻļুāϰুāϤে āϏে āĻ—াāϝ়āĻ• āĻĻāϞেāϰ āύেāϤা āĻ›িāϞ āĻ•িāύ্āϤু āϏে āĻĒ্āϰāϧাāύ āĻšāϤে āϚাāϝ়। āϝāĻ–āύ āϏে āύিāϜে āĻĻāϞ āĻ—āĻ āύ āĻ•āϰে āϏে āĻŦাāϞāĻ•āĻ—ুāϞোāĻ•ে āĻļিāĻ•াāϰী āĻāĻŦং āĻ‰ā§ŽāĻļৃāĻ™্āĻ–āϞ āĻ•āϰে āĻĢেāϞে।

Piggy:

āϰাāύāĻĢেāϰ āĻāĻ•āϜāύ āĻŦāύ্āϧু āϝে āĻļেāώ āĻĒāϰ্āϝāύ্āϤ āϤাāĻ•ে āϏāĻŽāϰ্āĻĨāύ āϜাāύাāϝ়। āϏে āĻ–াāϟো, āĻŽোāϟা, āĻļাāϰীāϰিāĻ•āĻ­াāĻŦে āĻ…āϝোāĻ—্āϝ, āĻ•āĻĻাāĻ•াāϰ āĻāĻŦং āĻšাঁāĻĒাāύি āϰোāĻ—ে āĻ­োāĻ—া āϰোāĻ—ী। āϏাāĻĨে āϏাāĻĨে āϏে āĻāĻ•āϜāύ āĻ…āύাāĻĨ। āϏে āϏāϰু āϚāĻļāĻŽা āĻĒāĻĄ়ে āϝা āĻ›াāĻĄ়া āϏে āĻĒ্āϰাāϝ় āĻ…āύ্āϧ। āϝāĻĻিāĻ“ āϏে āϏāĻŦāϚেāϝ়ে āĻŦেāĻļি āϝৌāĻ•্āϤিāĻ• āĻāĻŦং āφāĻŦেāĻ—āĻĒ্āϰāĻŦāĻŖ āĻĻāϞেāϰ āĻŽāϧ্āϝে āϤāĻŦুāĻ“ āϏāĻŦাāχ āĻŦিāĻļেāώ āĻ•āϰে āϜ্āϝাāĻ• āϤাāĻ•ে āύিāϝ়ে āĻšাāϏি-āϤাāĻŽাāϏা āĻ•āϰে। āύাāϟāĻ•েāϰ āĻļেāώেāϰ āĻĻিāĻ•ে āϰāϜাāϰ āϤাāĻ•ে āĻšāϤ্āϝা āĻ•āϰে ।

Symon:

āϏাāχāĻŽāύ āĻāĻ•āϜāύ āĻ›োāϟ, āĻ­িāϰু, āϚāϰ্āĻŽāϏাāϰ āĻŦাāϞāĻ• āϤাāϰ āĻŽোāϟা āϏোāϜা āϚুāϞেāϰ āϏাāĻĨে। āϏে āϏāĻŦāĻ•িāĻ›ু āύিāϜেāϰ āĻŽāϧ্āϝে āϰাāĻ–ে, āϜিāύিāϏ āύিāϝ়ে āĻ—āĻ­ীāϰāĻ­াāĻŦে āϚিāύ্āϤা āĻ•āϰে, āĻāĻ•া āĻāĻ•া āϜāĻ™্āĻ—āϞে āϘুāϰে āĻāĻŦং āĻ…āύ্āϝাāύ্āϝāĻĻেāϰ āϏাāĻĨে āϝোāĻ—াāϝোāĻ—ে āϤাāϰ āϏāĻŽāϏ্āϝা āϰāϝ়েāĻ›ে। āϏে āĻŽৃāϤ āĻāϝ়াāϰ āĻŽ্āϝাāύāĻ•ে āφāĻŦিāώ্āĻ•াāϰ āĻ•āϰে āĻĨাāĻ•ে āĻ…āύ্āϝāϰা āϝাāĻ•ে āĻĒāĻļু āĻ­েāĻŦেāĻ›িāϞ। āϏে āϝāĻ–āύ āĻĒāĻļুāϟিāĻ•ে āĻŦ্āϝাāĻ–্āϝা āĻĻিāϝ়ে āĻŦোāĻাāϤে āϚেāϝ়েāĻ›িāϞ āĻ­ুāϞ āĻŦুāĻে āϤাāĻ•ে āĻšāϤ্āϝা āĻ•āϰা āĻšāϝ়। āϤাāĻ•ে āĻ•্āϰিāϏ্āϟেāϰ āĻŽāϤ āϏāϤ্āϤ্āĻŦা āĻšিāϏেāĻŦে āωāĻĒāϏ্āĻĨাāĻĒāύ āĻ•āϰা āĻšāϝ়েāĻ›ে।

Bangla Summary (āĻŦাংāϞা āϏাāϰāĻŽāϰ্āĻŽ, āϏাāĻŽাāϰি āĻŦা āϏাāϰাংāĻļ)

āϝুāĻĻ্āϧেāϰ āĻāĻ•āϟি āύাāĻŽāĻšীāύ āϏāĻŽāϝ়ে āĻāĻ•āϟি āĻŦিāĻŽাāύ āĻŦ্āϰিāϟিāĻļ āĻ•িāĻ›ু āϏ্āĻ•ুāϞ āĻŦাāϞāĻ•āĻ•ে āĻŦāĻšāύ āĻ•āϰāĻ›িāϞ। āĻĒ্āϰāĻļাāύ্āϤ āĻŽāĻšাāϏাāĻ—āϰেāϰ āωāĻĒāϰ āĻĻিāϝ়ে āϤাāĻĻেāϰāĻ•ে āύিāϝ়ে āφāϏাāϰ āϏāĻŽāϝ় āϤাāĻĻেāϰāĻ•ে āĻ—ুāϞি āĻ•āϰা āĻšāϝ়। āĻĒাāχāϞāϟ āĻŽাāϰা āϝাāϝ় āĻ•িāύ্āϤু āĻ…āύেāĻ•āĻ—ুāϞো āĻ›েāϞে āύিāϜেāĻĻেāϰāĻ•ে āĻāĻ•āϟি āĻŦāϏāĻŦাāϏāĻšীāύ āĻĻ্āĻŦীāĻĒে āύিāϜেāĻĻেāϰāĻ•ে āϜীāĻŦিāϤāĻ­াāĻŦে āύিāϜেāϰাāχ āωāĻĻ্āϧাāϰ āĻ•āϰে। āϏেāĻ–াāύে āϤাāĻĻেāϰ āϤāĻĻাāϰāĻ•ি āĻ•āϰাāϰ āϜāύ্āϝ āĻĒ্āϰাāĻĒ্āϤ āĻŦāϝ়āϏ্āĻ• āĻ•েāω āĻ›িāϞ āύা। āĻĒ্āϰāĻĨāĻŽ āϝে āĻĻুāϜāύ āĻ›েāϞেāĻ•ে āĻĒāϰিāϚিāϤ āĻ•āϰা āĻšāϝ় āϤাāϰাāχ āĻĒ্āϰāϧাāύ āĻĻুāχ āϚāϰিāϤ্āϰ āĻāχ āωāĻĒāύ্āϝাāϏেāϰ। āϰাāϞāĻĢ āĻŦাāϞāĻĻেāϰ āĻŽāϧ্āϝে āϏāĻŦāϚেāϝ়ে āĻŦāĻĄ় āĻāĻŦং āϏুāĻĻāϰ্āĻļāύ āĻ“ āϝāĻĨেāώ্āĻ  āφāϤ্āĻŽāĻŦিāĻļ্āĻŦাāϏী। āϝেāĻ–াāύে āĻĒিāĻ—ী āĻšāϚ্āĻ›ে āĻŽোāϟা, āĻļ্āĻŦাāϏ āĻ•āώ্āϟে āĻ­োāĻ—া āĻāĻ•āϟা āĻ›েāϞে āϝে āϚāĻļāĻŽা āĻ›াāĻĄ়া āĻ•িāĻ›ুāχ āĻĻেāĻ–ে āύা āϤāĻŦুāĻ“ āĻ…āύেāĻ• āĻŽেāϧাāĻŦী। āϰাāϞāĻĢ āĻāĻ•āϟি āĻļāĻ™্āĻ–েāϰ āĻ–োāϞāϏ āĻĒাāϝ় āĻāĻŦং āϏে āϝāĻ–āύ āĻāϤে āĻĢুঁ āĻĻেāϝ় āĻ…āύ্āϝ āϏāĻŦাāχ āĻāĻ•āϤ্āϰিāϤ āĻšāϝ়। āĻāχ āĻŦাāϞāĻ•āĻ—ুāϞোāϰ āĻŽāϧ্āϝে āϜ্āϝাāĻ• āĻŽেāϰিāĻĄিāω āĻāĻ•āϜāύ āϝে āϏ্āĻŦāĻ­াāĻŦে āĻ…āϤ্āϝāύ্āϤ āωāĻ—্āϰ āϏে āϤাāϰ āĻ—াāύেāϰ āĻĻāϞেāϰ āϏāĻŽ্āĻŽুāĻ– āĻĻিāĻ•ে āĻ…āĻ—্āϰāϏāϰ āĻšāϝ়।

āϰাāϞāĻĢ āϝাāĻ•ে āϏāĻŦাāχ āĻĒ্āϰāϧাāύ āĻšিāϏাāĻŦে āύিāϰ্āĻŦাāϚিāϤ āĻ•āϰেāĻ›ে āϏে āϏāĻŦাāχāĻ•ে āύিāϝ়ে āĻāχ āĻĻ্āĻŦীāĻĒāϟি āĻĒāϰ্āϝāĻŦেāĻ•্āώāĻŖে āĻŦেāϰিāϝ়েāĻ›ে। āϝাāϤ্āϰাāĻ•াāϞে āϤাāϰা āύিāĻļ্āϚিāϤ āĻšāϝ় āϝে, āϤাāϰা āĻāĻ•āϟি āύিāϰ্āϜীāĻŦ āĻĻ্āĻŦীāĻĒে āφāĻ›ে āφāϰ āϤাāχ āϝেāĻ­াāĻŦেāχ āĻšোāĻ• āϤাāĻĻেāϰ āĻ–াāĻŦাāϰ āϏংāĻ—্āϰāĻš āĻ•āϰāϤে āĻšāĻŦে। āϤিāύāϜāύ āĻŦাāϞāĻ• āĻāĻ•āϟি āĻļূāĻ•āϰ āĻĒাāϝ় āϝাāĻ•ে āĻšāϤ্āϝাāϰ āϜāύ্āϝ āϜ্āϝাāĻ• āĻĒ্āϰāϏ্āϤুāϤি āύেāϝ় āĻ•িāύ্āϤু āϏে āĻ›ুāϰি āĻŽাāϰāϤে āĻĻেāϰী āĻ•āϰে āĻĢেāϞে।

āϤাāϰা āϝāĻ–āύ āϝাāϤ্āϰা āĻšāϤে āĻĢিāϰে āφāϏে āϰাāϞāĻĢ āϏāĻ­া āĻĄাāĻ•ে āϝেāύ āϤাāϰা āύিāϰ্āϜীāĻŦ āĻāχ āĻĻ্āĻŦীāĻĒে āφāχāύ-āĻļৃংāĻ–āϞা āφāύāϤে āĻĒাāϰে। āϜ্āϝাāĻ• āϰাāϞāĻĢেāϰ āϏাāĻĨে āϏāĻŽ্āĻŽāϤ āĻšāϝ় āĻāĻ“ āĻŦāϞে āϝে, āϝাāϰা āύিāϝ়āĻŽ āĻ­āĻ™্āĻ— āĻ•āϰāĻŦে āϤাāϰ āĻĢāϞে āϤাāϰা āĻļাāϏ্āϤিāϰ āϏāĻŽ্āĻŽুāĻ–ীāύ āĻšāĻŦে āĻ•িāύ্āϤু āĻĒিāĻ—ী āĻĻ্āĻŦিāĻŽāϤ āĻĒোāώāĻŖ āĻ•āϰে āĻāĻŦং āϜ্āϝাāĻ•āĻ•ে āĻŦāϞে āϝে, āĻĻীāϰ্āϘ āĻĻিāύেāϰ āĻ…āϏ্āϤিāϤ্āĻŦেāϰ āĻŦ্āϝাāĻĒাāϰে āϜ্āϝাāĻ•েāϰ āϜ্āĻžাāύেāϰ āĻ…āĻ­াāĻŦ āφāĻ›ে (āϰাāϞāĻĢ āϜাāύাāϝ় āϝে, āϤাāϰা āĻĒāϰ্āĻŦāϤেāϰ āωāĻĒāϰ āĻāĻ•āϟি āφāĻ—ুāĻŖ āϤৈāϰি āĻ•āϰāĻŦে āϝা āϤাāĻĻেāϰ āωāĻĒāϏ্āĻĨিāϤিāϰ āĻ•āĻĨা āĻāĻĻিāĻ• āĻĻিāϝ়ে āĻ•োāύ āϜাāĻšাāϜ āĻ—েāϞে āϤাāĻĻেāϰāĻ•ে āϤা āϜাāύাāύ āĻĻিāĻŦে)।

āĻŦাāϞāĻ•āϰা āφāĻ—ুāύ āϤৈāϰিāϰ āĻ•াāϜ āĻļুāϰু āĻ•āϰে āĻ•িāύ্āϤু āĻ›োāϟ āĻ›েāϞেāϰা āϤা āĻ•āώ্āϟেāϰ āĻ•াāϜ āĻĻেāĻ–ে āĻšāϤাāĻļ āĻšāϝ়ে āϝাāϝ় āĻĒিāĻ—ী āϧাāϰাāϟাāĻ•ে āϜāϰুāϰী āĻšিāϏেāĻŦে āĻĒ্āϰāĻŽাāĻŖিāϤ āĻ•āϰে। āĻŦাāϞāĻ•েāϰা āϤাāϰ āϚāĻļāĻŽা āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰে āφāĻ—ুāύ āϤৈāϰিāϤে। āĻĒāϰāĻŦāϰ্āϤীāϤে āφāĻ—ুāύ āϤৈāϰি āĻšāϝ়ে āĻ—েāϞে āĻĒিāĻ—ী āϏāĻŦাāϰ āϏāĻŽাāϞোāϚāύা āĻ•āϰে āφāĻ—ে āφāĻļ্āϰāϝ় āϤৈāϰি āύা āĻ•āϰাāϝ়। āϏে āĻĻুāĻļ্āϚিāύ্āϤা āĻ•āϰে āϤাāϰা āĻāĻ–āύো āϜাāύে āύা āϤাāϰা āĻ•āϤāϜāύ āĻŦাāϞāĻ• āĻāĻ–াāύে āĻāĻŦং āϏে āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰে āϝে āĻāĻ•āϜāύ āχāϤিāĻŽāϧ্āϝে āĻšাāϰিāϝ়ে āĻ—েāĻ›ে।

āϝāĻ–āύ āϜ্āϝাāĻ• āĻļূāĻ•āϰ āĻļিāĻ•াāϰেāϰ āϚেāώ্āϟা āĻ•āϰāĻ›িāϞ āϰাāϞāĻĢ āĻŦাāϞāĻ•āĻĻেāϰ āϜāύ্āϝ āĻ­āĻŦāύāϟিāĻ•ে āφāĻļ্āϰāϝ় āĻšিāϏেāĻŦে āϏুāϏংāĻšāϤ āĻ•āϰে। āĻ›োāϟ āĻŦাāϞāĻ•āϰা āĻŽোāϟেāχ āϏাāĻšাāϝ্āϝ āĻ•āϰেāύি। āĻ…āύ্āϝāĻĻিāĻ•ে āϜ্āϝাāĻ•েāϰ āĻĻāϞেāϰ āϝেāϏāĻŦ āĻŦাāϞāĻ•āĻĻেāϰ āĻ•াāϜ āĻ›িāϞ āĻ–াāĻĻ্āϝ āϏংāĻ—্āϰāĻš āĻ•āϰা āϤাāϰা āϏāĻŽāϏ্āϤ āĻĻিāύ āϏাঁāϤাāϰ āĻ•েāϟে āĻ•াāϟিāϝ়েāĻ›ে। āϜ্āϝাāĻ• āϰাāϞāĻĢāĻ•ে āϜাāύাāϝ় āϝে, āϝāĻ–āύ āϏে āĻļূāĻ•āϰ āĻļিāĻ•াāϰ āĻ•āϰāĻ›িāϞ āĻŽāύে āĻšāϚ্āĻ›িāϞ āϏে āύিāϜে āύিāϜেāĻ•ে āĻļিāĻ•াāϰ āĻ•āϰāĻ›ে। āϝāĻ–āύ āϏাāχāĻŽāύ āϝে āĻ•িāύা āĻāĻ•āĻŽাāϤ্āϰ āĻŦাāϞāĻ• āϝে āϏāϰ্āĻŦāĻĻা āϰাāϞāĻĢāĻ•ে āĻ•াāϜে āϏাāĻšাāϝ্āϝ āĻ•āϰেāĻ›ে āϏে āĻ—োāϏāϞে āϚāϞে āĻ—েāϞে āϰাāϞāĻĢ āĻāĻŦং āϜ্āϝাāĻ• āϤাāĻ•ে āĻ–োāϜাāϰ āϜāύ্āϝ āĻ—োāϏāϞেāϰ āĻĒুāϞে āϝাāϝ়। āĻ•িāύ্āϤু āϏাāχāĻŽāύ āĻāĻ•া āϜāĻ™্āĻ—āϞেāϰ āĻĻিāĻ•ে āĻšাঁāϟāϤেāĻ›িāϞ। āϏে āĻāĻ•āϟি āύিāϰ্āĻŽেāϘ āĻ–োāϞা āϜাāϝ়āĻ—া āĻ–ুঁāϜে āĻĒাāϝ় āϝেāĻ–াāύে āĻ•িāύা āϏৌāϰāĻ­āϝুāĻ•্āϤ āĻোঁāĻĒ āĻ›িāϞ।

āĻ–ুāĻŦ āĻļীāϘ্āϰāχ āĻŦাāϞāĻ•েāϰা āĻāĻ•āϟি āĻĻৈāύিāĻ• āĻĒ্āϝাāϟাāϰ্āύে āĻĻ্āĻŦীāĻĒে āϜাāϝ়āĻ—া āĻ•āϰে āύেāϝ়। āĻŦাāϞāĻ•āĻĻেāϰ āĻŽāϧ্āϝে āϏāĻŦāϚেāϝ়ে āĻ›োāϟ āĻŦাāϞāĻ•āϟি āϏাāϰাāĻĻিāύ āĻĢāϞ āĻ–ুঁāϜে āĻŦেāϰিāϝ়েāĻ›ে āĻ–াāĻ“āϝ়াāϰ āϜāύ্āϝ। āĻĒৈāϤৃāĻ• āĻ•āϰ্āϤৃāϤ্āĻŦেāϰ āĻ…āĻ­াāĻŦ āĻĨাāĻ•া āϏāϤ্āϤ্āĻŦেāĻ“ āĻŦাāϞāĻ•āϰা āϝāĻ–āύ āĻ–েāϞাāϧূāϞা āĻ•āϰে āĻāĻ•ে āĻ…āĻĒāϰেāϰ āĻĒ্āϰāϤি āϏৌāϜāύ্āϝāϤা, āĻļ্āϰāĻĻ্āϧা āĻĒ্āϰāĻ•াāĻļ āĻ•āϰে। āϜ্āϝাāĻ• āĻļূāĻ•āϰ āĻļিāĻ•াāϰ āϚāϞāĻŽাāύ āϰাāĻ–ে। āĻĻ্āĻŦীāĻĒেāϰ āĻ•াāĻ› āĻĻিāϝ়ে āĻāĻ•āϟি āϜাāĻšাāϜ āϚāϞে āĻ—েāĻ›ে āĻ•িāύ্āϤু āĻĨাāĻŽেāύি āĻšāϝ়āϤ āφāĻ—ুāύ āϏāĻŦāϟা āĻĒুāĻĄ়ে āĻ—েāĻ›ে। āĻĒিāĻ—ী āϜ্āϝাāĻ•āĻ•ে āφāĻ—ুāύেāϰ āϏāĻŦāϟা āĻŽāϰে āϝাāĻŦাāϰ āϜāύ্āϝ āĻĻোāώাāϰোāĻĒ āĻ•āϰে āϤাāϤে āϜ্āϝাāĻ• āĻĒিāĻ—ীāϰ āĻāĻ•āϟা āĻ—্āϞাāϏ āĻ­āĻ™্āĻ—েāϰ āĻŽাāϧ্āϝāĻŽে āĻļাāϏ্āϤি āĻĒ্āϰāĻĻাāύ āĻ•āϰে।

āϜ্āϝাāĻ• āĻāĻŦং āĻ…āύ্āϝাāύ্āϝ āĻļিāĻ•াāϰীāϰা āĻ—াāύ āϧāϰে āĻļূāĻ•āϰāϟিāĻ•ে āĻšāϤ্āϝা āĻ•āϰ। āϤাāϰ āĻ—āϞাāĻ•েāϟে āĻĢেāϞে। āϤাāϰāĻĒāϰ āϤাāϰা āĻāχ āĻšāϤ্āϝাāϰ āϜāύ্āϝ āĻāĻ•āϟি āύাāϚেāϰ āφāϝ়োāϜāύ āĻ•āϰে āϝেāĻ–াāύে āĻŽাāωāϰিāϏ āĻļূāĻ•āϰেāϰ āĻ­āĻŖিāϤা āĻ•āϰে āĻāĻŦং āĻ…āύ্āϝাāύ্āϝāϰা āϤাāĻ•ে āφāĻ•্āϰāĻŽāĻŖ āĻ•āϰাāϰ āĻ…āĻ­িāύāϝ় āĻ•āϰে। āϰাāϞāĻĢ-āϜ্āϝাāĻ• āĻāĻŦং āĻ…āύ্āϝাāύ্āϝ āĻļিāĻ•াāϰীāĻĻেāϰ āĻŦ্āϝāĻŦāĻšাāϰেāϰ āĻŽাāϧ্āϝāĻŽে āϏāϤāϰ্āĻ• āĻšāϝ়ে āϝাāϝ় āĻāĻŦং āĻĒিāĻ—ীāϰ āĻĒāϰিāĻĒāĻ•্āĻ•āϤাāĻ•ে āϤাāϰিāĻĢ āĻ•āϰāϤে āĻļুāϰু āĻ•āϰে।

āϏে āĻāĻ•āϟি āϏāĻ­া āĻĄাāĻ•ে āϝেāĻ–াāύে āϏে āĻ…āύ্āϝাāύ্āϝ āĻŦাāϞāĻ•āĻĻেāϰāĻ•ে āφāĻ—ুāύ āϤৈāϰি āĻ•িংāĻŦা āφāĻļ্āϰāϝ় āϤৈāϰিāϰ āĻ•াāϜে āϏাāĻšাāϝ্āϝ āύা āĻ•āϰাāϰ āϜāύ্āϝ āϤিāϰāϏ্āĻ•াāϰ āĻ•āϰে। āϏে āĻŦāϞে āϝে āφāĻ—ুāύāϟি āĻšāϚ্āĻ›ে āĻāχ āĻĻ্āĻŦীāĻĒে āϤাāĻĻেāϰ āϝুāĻ•্āϤিāϰ āϏāĻŦāϚেāϝ়ে āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āϜিāύিāϏ āĻāĻŦং āϘোāώāĻŖা āĻĻেāϝ় āϝে āĻĒāϰ্āĻŦāϤāϟিāχ āĻšāϚ্āĻ›ে āĻāĻ•āĻŽাāϤ্āϰ āϜাāϝ়āĻ—া āϝেāĻ–াāύে āφāĻ—ুāύ āĻĨাāĻ•াāϰ āĻĻāϰāĻ•াāϰ āφāĻ›ে। āϰাāϞāĻĢ āĻŦāϞে āϝে āϏে āĻ­ীāϤ āĻ•িāύ্āϤু āĻāĻ–াāύে āĻ•োāύ āϝৌāĻ•্āϤিāĻ• āĻ•াāϰāĻŖ āύেāχ āĻ­ীāϤ āĻšāĻŦাāϰ। āϜ্āϝাāĻ• āĻŦāϞে āϝে, āĻāχ āĻĻ্āĻŦীāĻĒে āĻ­āϝ়ংāĻ•āϰ āĻ•োāύ āĻĒ্āϰাāĻŖী āύেāχ āϝāĻĻিāĻ“ āĻ•িāĻ›ু āĻ›োāϟ āĻŦাāϞāĻ•āϰা āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰে āĻāĻ–াāύে āĻšিংāϏ্āϰ āĻĒāĻļু āϰāϝ়েāĻ›ে। āϤাāϰāĻĒāϰ āĻāĻ• āĻ›োāϟ āĻĒিāϞ āĻŦāϞে āϝে, āϏে āĻāĻ•āϟি āĻĻুঃāϏ্āĻŦāĻĒ্āύ āĻĻেāĻ–েāĻ›ে āĻāĻŦং āϝāĻ–āύ āϏে āϜেāĻ—ে āĻ“āĻ ে āϏে āĻĻেāĻ–ে āĻ•িāĻ›ু āĻāĻ•āϟি āĻŦৃāĻ•্āώেāϰ āĻĻিāĻ•ে āĻ…āĻ—্āϰāϏāϰ āĻšāϝ়। āϏাāχāĻŽāύ āĻŦāϞে āϝে, āĻĒিāϞ āϏāĻŽ্āĻ­āĻŦāϤ āϏাāχāĻŽāύāĻ•ে āĻĻেāĻ–েāĻ›ে āĻ•েāύāύা, āϐ āϰাāϤ্āϰে āϏাāχāĻŽāύ āϜāĻ™্āĻ—āϞে āĻšাঁāϟāϤেāĻ›িāϞ। āĻ•িāύ্āϤু āĻ›োāϟ āĻĒিāϞ āĻĒāĻļুāϟাāĻ•ে āύিāϝ়ে āĻ­āϝ় āĻĒেāϤে āĻļুāϰু āĻ•āϰāϞ āϝা āϤাāϰা āĻ­ূāϤ āĻŦāϞে āϧāϰে āύিāϝ়েāĻ›ে।

āĻĒিāĻ—ী āĻāĻŦং āϰাāϞāĻĢ āφāϰো āĻāĻ•āĻŦাāϰ āĻāĻ—āĻĄ়া āĻ•āϰে āĻ•িāύ্āϤু āϝāĻ–āύ āϰাāϞāĻĢ āύিāϝ়āĻŽেāϰ āĻ•āĻĨা āĻŦāϞে āĻāĻŦং āϤা āĻŦাāϏ্āϤāĻŦাāϝ়āύেāϰ āĻĒ্āϰāϚেāώ্āϟা āύেāϝ় āĻĒিāĻ—ী āĻŦিāĻĻ্āϰোāĻĒāĻ­াāĻŦে āϜাāύāϤে āϚাāϝ় āĻ•েāω āĻ•ি āύিāϝ়āĻŽ āĻŽাāύে āĻ•িāύা। āϰাāϞāĻĢ āϜাāύাāϝ় āϝে, āĻāχ āύিāϝ়āĻŽāĻ—ুāϞোāχ āϤাāĻĻেāϰ āφāĻ›ে। āϜ্āϝাāĻ• āϤāĻ–āύ āĻĒāĻļু āĻļিāĻ•াāϰেāϰ āϜāύ্āϝ āĻāĻ•āϟি āϝাāϤ্āϰা āĻļুāϰু āĻ•āϰ āĻĒেāĻ›āύে āĻļুāϧু āĻĒিāĻ—ী āϰাāϞāĻĢ āĻāĻŦং āϏাāχāĻŽāύ āĻĒāĻĄ়ে āĻĨাāĻ•ে। āĻĒিāĻ—ী āϰাāϞāĻĢāĻ•ে āϏāϤāϰ্āĻ• āĻ•āϰে āϝāĻĻি āϜ্āϝাāĻ• āĻĒ্āϰāϧাāύ āĻšāϝ় āϤāĻŦে āĻŦাāϞāĻ•āĻ—ুāϞো āĻ•āĻ–āύো āĻŽুāĻ•্āϤি āĻĒাāĻŦে āύা। āϐ āϰাāϤ্āϰে āĻāĻ•āϜāύ āĻŦৈāĻŽাāύিāĻ• āĻ…āĻŦāϤāϰāĻŖ āĻ›āϤ্āϰে āĻĻ্āĻŦীāĻĒেāϰ āύিāϚে āĻĒāĻĄ়ে āϝাāϝ়। āĻāĻŦং āϏāĻŽ্āĻ­āĻŦāϤ āφāϘাāϤেāϰ āϜāύ্āϝ āĻŽাāϰা āϝাāϝ়।

āĻĒāϰেāϰ āĻĻিāύ āϏāĻ•াāϞে āϝāĻ–āύ āϜāĻŽāϜ āϏ্āϝাāĻŽ āĻāĻŦং āĻāϰিāĻ• āφāĻ—ুāĻŖ āϜ্āĻŦাāϞাāύোāϰ āωāĻĒāĻ•āϰāĻŖ āĻ–ুঁāϜāϤে āĻ—িāϝ়ে āĻŦৈāĻŽাāύিāĻ•āĻ•ে āĻ–ুঁāϜে āĻĒাāϝ় āĻāĻŦং āϤাāϰা āĻ­ুāϞāĻŦāĻļāϤ āϤাāĻ•ে āĻĒāĻļু āĻ­াāĻŦে। āϤাāϰা āĻšাāĻŽাāĻ—ুāĻĄ়ি āĻĻিāϝ়ে āĻĻ্āĻŦীāĻĒেāϰ āύীāϚে āύেāĻŽে āφāϏে āĻāĻŦং āϰাāϞāĻĢāĻ•ে āĻĄেāĻ•ে āϤুāϞে। āϜ্āϝাāĻ• āĻļিāĻ•াāϰেāϰ āϜāύ্āϝ āĻĄাāĻ•ে āĻ•িāύ্āϤু āĻĒিāĻ—ী āĻŽāύে āĻ•āϰে āϤাāĻĻেāϰ āϏāĻŦাāϰ āĻāĻ• āϏাāĻĨে āĻĨাāĻ•া āωāϚিāϤ āϝেāύ āĻšিংāϏ্āϰ āĻĒāĻļুāϰা āϤাāĻĻেāϰ āĻ•াāĻ›ে āφāϏāϤে āύা āĻĒাāϰে। āϜ্āϝাāĻ• āĻĻাāĻŦি āĻ•āϰে āϝে āĻļāĻ™্āĻ–āϟা āĻāĻ–āύ āφāϰ āϝৌāĻ•্āϤিāĻ• āύāϝ়। āϏে āĻŦাāϞāĻĢেāϰ āĻĻিāĻ• āĻĻোāϞে āĻāĻŦং āϰাāϞāĻĢ āϜ্āϝাāĻ•āĻ•ে āĻĻোāώাāϰোāĻĒ āĻ•āϰে āϝে āϏে āĻšāϝ়āϤ āĻŽুāĻ•্āϤ āĻšāϤে āϚাāϝ় āύা। āϰাāϞāĻĢ āĻĒাāĻšাāĻĄ়েāϰ āϚূāĻĄ়াāϰ āφāĻ—ুāύে āύāϤুāύ āĻ•āϰে āφāĻ—ুāύেāϰ āĻĢুāϞāĻ•ি āĻĻেāϝ়াāϰ āĻĒāĻ•্āώে āĻĨাāĻ•া āϏāϤ্āϤ্āĻŦেāĻ“ āϏে āĻ…āύ্āϝাāύ্āϝ āĻļিāĻ•াāϰীāĻĻেāϰ āϏাāĻĨে āĻĒāĻļু āĻļিāĻ•াāϰে āϝাāϤ্āϰা āĻ•āϰে। āϤাāϰা āϝāĻ–āύ āĻĻ্āĻŦীāĻĒেāϰ āĻ…āύ্āϝ āĻāĻ•āϟি āĻĻিāĻ•ে āϝাāϝ় āϜ্āϝাāĻ• āϏāĻŽুāĻĻ্āϰেāϰ āϤীāϰে āĻĻূāϰ্āĻ— āĻ—āĻĄ়াāϰ āχāϚ্āĻ›া āĻĒোāώāĻŖ āĻ•āϰে।

āĻļিāĻ•াāϰীāϰা āϝāĻ–āύ āĻļিāĻ•াāϰ āĻ–ুঁāϜāϤেāĻ›িāϞ āĻāĻ•āϟি āĻŦāύ্āϝ āĻļূāĻ•āϰ āϜ্āϝাāĻ•āĻ•ে āφāĻ•্āϰāĻŽāĻŖ āĻ•āϰে āϤাāϰāĻĒāϰ āϜ্āϝাāĻ• āĻ›ুāϰি āĻĻিāϝ়ে āφāϘাāϤ āĻ•āϰāϞে āϤা āĻĒাāϞিāϝ়ে āϝাāϝ়। āĻļিāĻ•াāϰীāϰা āĻĒুāύāϰাāϝ় āĻļূāĻ•āϰāϟিāĻ•ে āĻšāϤ্āϝা āĻ•āϰ āϤাāĻĻেāϰ āϏেāχ āĻĒুāϰāύো āĻ—াāύেāϰ āϏাāĻĨে āωāύ্āύāϤ āϤাāχ āĻĢিāϰে āϝাāϝ়। āϰাāϞāĻĢ āĻŽāύে āĻ•āϰে āϝে, āĻĒিāĻ—ী āĻāĻŦং āĻ›োāϟ āĻ“āϰা āĻĻ্āĻŦীāĻĒেāϰ āϐ āĻĒাāĻļে āĻŦāϝ়ে āĻ—েāĻ›ে āĻāĻŦং āϏাāχāĻŽāύ āĻĢিāϰে āϝাāĻŦাāϰ āĻ•āĻĨা āĻŦāϞে āϝেāύ āϤাāĻĻেāϰāĻ•ে āĻŦāϞে āφāϏāϤে āĻĒাāϰে āϝে, āĻ…āύ্āϝাāύ্āϝ āĻ›েāϞেāϰা āφāϜ āϰাāϤে āĻĢিāϰāĻŦে āύা। āϰাāϞāĻĢ āĻŦুāĻāϤে āĻĒাāϰে āϜ্āϝাāĻ• āϤাāĻ•ে āϘৃāĻŖা āĻ•āϰে āĻāĻŦং āϏে āϤাāϰ āϏাāĻĨে āĻ āĻŦ্āϝাāĻĒাāϰে āĻ•āĻĨা āĻŦāϞে। āϜ্āϝাāĻ• āϰাāϞāĻĢāĻ•ে āĻļিāĻ•াāϰেāϰ āĻĒ্āϰāϤি āĻ…āύীāĻšাāĻ•ে āĻ•েāύ্āĻĻ্āϰ āĻ•āϰে āϤাāĻŽাāĻļা āĻ•āϰে, āϏāĻŽাāϞোāϚāύা āĻ•āϰে āϰাāϞāĻĢāĻ•ে āύিāϝ়ে। āϰাāϞāĻĢ āĻĒিāĻ—ীāĻ•ে āĻ–ুঁāϜāϤে āφāĻļ্āϰāϝ়āĻ•েāύ্āĻĻ্āϰে āĻĢিāϰে āφāϏে āĻāĻŦং āĻĒিāĻ—ীāĻ•ে āϜাāύাāϝ় āϤাāϰা āĻĒāĻļুāϟিāĻ•ে āĻ–ুঁāϜে āĻĒেāϝ়েāĻ›ে āĻ•িāύ্āϤু āĻĒিāĻ—ী āϤāĻŦুāĻ“ āϏāύ্āĻĻেāĻšাāϤীāϤ āĻĨেāĻ•ে āϝাāϝ়।

āϝেāĻšেāϤু āĻ›েāϞেāϰা āϞাāĻ ি āĻšাāϤে āϤাāχ āϰাāϞāĻĢ āĻļিāĻ•াāϰীāĻĻেāϰ āĻ–াāϰিāϜ āĻ•āϰে āĻĻেāϝ়। āĻ•িāύ্āϤু āϜ্āϝাāĻ• āĻĻাāĻŦি āĻ•āϰে āϝে, āϰাāϞāĻĢ āĻļিāĻ•াāϰীāĻĻেāϰāĻ•ে āĻ•াāĻĒুāϰুāώ āĻĄেāĻ•েāĻ›ে। āϜ্āϝাāĻ• āĻ…āύ্āϝাāύ্āϝ āĻŦাāϞāĻ•āĻĻেāϰ āωāĻĒāϰ āύিāϝ়āύ্āϤ্āϰāĻŖ āύেāĻ“āϝ়াāϰ āϜāύ্āϝ āϰাāϞāĻĢāĻ•ে āĻĒ্āϰāϧাāύেāϰ āĻĒāĻĻ āĻĨেāĻ•ে āϏāϰিāϝ়ে āĻĻিāϤে āϚাāχāϞে āϰাāϞāĻĢ āĻ…āύ্āϝাāύ্āϝ āϏāĻŦাāϰ āϏāĻŽāϰ্āĻĨāύ āϞাāĻ­ āĻ•āϰāϞে āϜ্āϝাāĻ• āĻĒাāϞিāϝ়ে āϝাāϝ়। āĻĒিāĻ—ী āĻŽāϤাāĻŽāϤ āĻĻেāϝ় āϝে, āϝāĻĻি āĻĒāĻļুāϰা āϤাāĻĻেāϰāĻ•ে āĻĒāϰ্āĻŦāϤāϚূāĻĄ়াāϝ় āωāĻ āϤে āĻŦাঁāϧা āĻĻেāϝ় āϤāĻŦে āϤাāĻĻেāϰāĻ•ে āϏāĻŽুāĻĻ্āϰāϤীāϰেāχ āφāĻ—ুāύ āϜ্āĻŦাāϞাāϤে āĻšāĻŦে āĻāĻŦং āϝāĻĻি āϤাāϰা āĻāĻ•āϟু āϤাāĻĻেāϰ āϏাāϧাāϰāĻŖ āĻŽেāϧাāϰ āϏাāĻĨে āϚিāύ্āϤা āĻ•āϰে āϤāĻŦে āϤাāϰা āϟিāĻ•ে āĻĨাāĻ•āϤে āĻĒাāϰāĻŦে। āϏাāχāĻŽāύ āϤাāϰা āĻĻূāϰে āĻĒ্āϰাāĻĒ্āϤ āĻ–াāϞি āϜাāϝ়āĻ—াāϝ় āĻŦāϏাāϰ āϜāύ্āϝ āϤ্āϝাāĻ— āĻ•āϰে । āϜ্āϝাāĻ• āĻĻাāĻŦি āĻ•āϰে āϝে, āϏে āĻļিāĻ•াāϰীāĻĻেāϰ āĻĒ্āϰāϧাāύ āĻšāĻŦে āĻāĻŦং āϤাāϰা āϝেāĻ–াāύে āĻĻূāϰ্āĻ— āĻ—āĻĄ়াāϰ āĻ•āĻĨা āϚিāύ্āϤা āĻ•āϰেāĻ›িāϞ āϏেāĻ–াāύে āϝাāĻŦে āĻāĻŦং āĻāĻ•āϟি āĻŽাংāϏ āĻ­োāϜেāϰ āφāϝ়োāϜāύ āĻ•āϰāĻŦে।

āĻļিāĻ•াāϰীāϰা āĻāĻ•āϟি āĻļূāĻ•āϰ āĻšāϤ্āϝা āĻ•āϰে āĻāĻŦং āϜ্āϝাāĻ• āϤাāϰ āϰāĻ•্āϤ āύিāϝ়ে āĻŽাāωāϰিāϏেāϰ āĻŽুāĻ–ে āϤা āϞেāĻĒে āĻĻেāϝ়। āϤাāϰāĻĒāϰ āϤাāϰা āĻāϟাāϰ āĻŽাāĻĨাāϟা āĻ•েāϟে āĻāĻ•āϟি āĻ–ুঁāϟিāϤে āĻুāϞিāϝ়ে āĻĻেāϝ় āϤাāĻĻেāϰ āĻŽাংāϏ āĻ­োāϜেāϰ āϜāύ্āϝ। āϜ্āϝাāĻ• āφāĻļ্āϰāϝ়āĻ•েāύ্āĻĻ্āϰ āĻšāϤে āĻ…āύেāĻ• āĻļিāĻ•াāϰীāĻ•ে āύিāϝ়ে āφāϏে āĻāĻŦং āϏেāĻ–াāύে āϏে āϤাāϰ āĻĻāϞেāϰ āϜāύ্āϝ āĻ…āύেāĻ• āĻŦাāϞāĻ•āĻ•ে āφāĻŽāύ্āϤ্āϰāĻŖ āϜাāύাāϝ় āĻāĻŦং āĻŽাংāϏেāϰ āϏাāĻĨে āϏাāĻĨে āĻļিāĻ•াāϰেāϰ āĻāĻŦং āĻŽāϜা āĻ•āϰাāϰ āĻĒ্āϰāϏ্āϤাāĻŦ āĻĻেāϝ়। āϰাāϞāĻĢ āĻāĻŦং āĻĒিāĻ—ী āĻŦ্āϝāĻĨিāϤ āĻšāϝ়। āϏāĻŦ āĻ›েāϞেāϰাāχ āϜ্āϝাāĻ•েāϰ āϏাāĻĨে āϝুāĻ•্āϤ āĻšāϝ়। āχāϤিāĻŽāϧ্āϝে āϏাāχāĻŽāύ āĻĻেāĻ–ে āϝে, āĻļিāĻ•াāϰীāϰা āĻļূāĻ•āϰেāϰ āĻŽাāĻĨাāϟা āĻĢেāϞে āĻ—েāĻ›ে। āϏে āĻāϟাāĻ•ে ‘Lord of the Flies' āĻŦāϞে āωāĻĒাāϧি āĻĻেāϝ় āϝেāĻšেāϤু āĻāϟাāϰ āωāĻĒāϰ āĻ…āύেāĻ• āĻĒোāĻ•াāĻŽাāĻ•āĻĄ় āωāĻĄ়āĻ›িāϞ।

āϏে āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰে āϝে āϤাāϰ āϏাāĻĨে āĻ•āĻĨা āĻŦāϞেāĻ›ে āϏে āĻ•āϤ āĻŦāĻĄ় āĻŦোāĻ•া āϤা āĻŦāϞেāĻ›ে āϝাāϰ āϜāύ্āϝ āĻ…āύ্āϝাāύ্āϝ āϏāĻŦ āĻŦাāϞāĻ•āϰা āϤাāĻ•ে āĻĒাāĻ—āϞ āĻ­েāĻŦেāĻ›ে। āĻļূāĻ•āϰেāϰ āĻŽাāĻĨাāϟি āĻĻাāĻŦি āĻ•āϰে āϝে, āĻāϟাāχ āϜāύ্āϤু āĻāĻŦং āϜāύ্āϤুāĻĻেāϰāĻ•ে āĻšāϤ্āϝা āĻ“ āĻļিāĻ•াāϰ āĻ•āϰা āϝাāĻŦে āĻāχ āϧাāϰāĻŖাāĻ•ে āĻŦিāĻĻ্āϰুāĻĒ āĻ•āϰে। āϏাāχāĻŽāύ āĻĒāĻĄ়ে āϝাāϝ় āĻāĻŦং āϜ্āĻžাāύ āĻšাāϰাāϝ়। āĻāĻŦং āϝāĻ–āύ āϏে āϜ্āĻžাāύ āĻĢিāϰে āĻĒাāϝ় āĻāĻŦং āĻšāϤāĻŦাāĻ• āĻšāϝ়ে āϝাāϝ়। āϏে āĻŽৃāϤ āĻŦৈāĻŽাāύিāĻ•āĻ•ে āĻĻেāĻ–āϤে āĻĒাāϝ় āϝাāĻ•ে āĻ•িāύা āϏāĻ•āϞ āĻ›েāϞেāϰা āϜāύ্āϤু āĻŦāϞে āϧāϰে āύিāϝ়েāĻ›িāϞ āĻāĻŦং āϏে āĻŦুāĻāϤে āĻāϟা āĻĒ্āϰāĻ•ৃāϤāĻĒāĻ•্āώে āĻ•ী। āϏে āĻĒāϰ্āĻŦāϤেāϰ āύিāϚে āύেāĻŽে āφāϏে āĻ•ী āϘāϟেāĻ›ে āĻ āĻŦ্āϝাāĻĒাāϰে āĻ…āύ্āϝাāύ্āϝ āĻŦাāϞāĻ•āĻĻেāϰ āϏāϤāϰ্āĻ• āϰাāϞāĻĢ āĻāĻŦং āĻĒিāĻ—ী āϝāĻ–āύ āĻš্āϰāĻĻেāϰ āĻ•াāĻ›ে āĻ–েāϞāĻ›িāϞ āϤাāϰা āϏিāĻĻ্āϧাāύ্āϤ āύেāϝ় āĻ…āύ্āϝাāύ্āϝ āĻŦাāϞāĻ•āĻĻেāϰāĻ•ে āĻ–ুঁāϜে āĻŦেāϰ āĻ•āϰে āĻŦāϞāĻŦে āϝে āĻ…āĻĒ্āϰীāϤিāĻ•āϰ āĻ•োāύ āĻ•িāĻ›ুāχ āϘāϟেāύি āϝāĻ–āύ āĻļিāĻ•াāϰীāϰ āĻ­āύিāϤা āĻ•āϰāĻ›িāϞ। āϤাāϰা āϝāĻ–āύ āϜ্āϝাāĻ•āĻ•ে āĻĒাāϝ় āϜ্āϝাāĻ• āĻāĻŦং āϰাāϞāĻĢ āĻĻুāϜāύেāϰ āĻŽāϧ্āϝে āĻ•ে āĻĒ্āϰāϧাāύ āĻšāĻŦে āϤা āύিāϝ়ে āϤাāϰা āϤāϰ্āĻ• āĻļুāϰু āĻ•āϰে। āϝāĻ–āύ āĻĒিāĻ—ী āĻĻাāĻŦি āĻ•āϰে āϝে āϏে āĻ•āĻĨা āĻŦāϞāĻŦে āĻ•েāύāύা āĻļāĻ™্āĻ–āϟি āϤাāϰ āĻ›িāϞ āϜ্āϝাāĻ• āĻŦāϞে āϝে, āĻĻ্āĻŦীāĻĒে āĻļāĻ™্āĻ–āϟি āϤাāϰ āĻĻিāĻ•ে āĻ›িāϞ āύা।

āĻŦাāϞāĻ•āϰা āĻ­ীāϤ āĻšāϝ়ে āĻ—েāϞ āϝāĻ–āύ āϰাāϞāĻĢ āϜাāύাāϝ় āϝে āĻāĻ•āϟি āĻāĻĄ় āφāϏāύ্āύ। āϝāĻ–āύ āĻāĻĄ় āĻļুāϰু āĻšāϞ āϏাāχāĻŽāύ āϜāĻ™্āĻ—āϞ āĻšāϤে āĻĻৌāĻĄ়ে āĻāϏে āϜাāύাāϝ় āϝে āĻĒাāĻšাāĻĄ়েāϰ āϚূāĻĄ়াāϝ় āĻŽৃāϤ āĻĻেāĻš āĻĒāĻĄ়ে āφāĻ›ে। āϏে āĻāχ āϜāύ্āϤু āĻāχ āĻĻৃāώ্āϟিāĻ­āĻ™্āĻ—িāϰ āĻ­িāϤ্āϤিāϤে āĻ›েāϞেāϰা āϏাāχāĻŽāύāĻ•ে āĻ­ুāϞ āĻŦুāĻে āĻāĻŦং āϤাāĻ•ে āĻšāϤ্āϝা āĻ•āϰে। āĻĻ্āĻŦীāĻĒেāϰ āĻ…āύ্āϝ āĻĒ্āϰাāύ্āϤে āĻāϏে āϰাāϞāĻĢ āĻāĻŦং āĻĒিāĻ—ী āϏাāχāĻŽāύেāϰ āĻŽৃāϤ্āϝুāϰ āĻ•āĻĨা āĻŦāϞে। āϤাāϰা āĻĻুāϜāύāχ āĻšāϤ্āϝাāĻ•াāĻŖ্āĻĄে āϜāĻĄ়িāϤ āĻ•িāύ্āϤু āϤাāϰা āϤাāĻĻেāϰ āĻĒ্āϰāϚেāώ্āϟাāĻ•ে āĻŦিāϚাāϰ āĻŦিāĻļ্āϞেāώāĻŖ āĻ•āϰাāϰ āϚেāώ্āϟা āĻ•āϰে āϝেāĻšেāϤু āϤাāϰা āĻ­āϝ় āĻāĻŦং āϏ্āĻŦāϜাāϤāĻŦোāϧ āĻāϰ āĻŽাāϧ্āϝāĻŽে āĻ‰ā§ŽāϏাāĻšিāϤ āĻšāϝ়েāĻ›ে। āĻļুāϧুāĻŽাāϤ্āϰ āϚাāϰāϜāύ āĻŦাāϞāĻ• āϝাāϰা āĻ•িāύা āϜ্āϝাāĻ• āĻāϰ āĻĻāϞে āϝাāϝ়āύি āϤাāϰা āĻšāϞ āϰাāϞāĻĢ, āĻĒিāĻ—ী āĻāĻŦং āϜāĻŽāϜ āĻĻুāĻ­াāχ āĻāϰিāĻ• āϏ্āϝাāĻŽ āϝাāϰা āφāĻ—ুāύ āϤৈāϰিāϤে āϏাāĻšাāϝ্āϝ āĻ•āϰে।

āĻļিāϞাāϰ āĻĻূāϰ্āĻ—ে āϜ্āϝাāĻ• āĻāĻ•āϜāύāĻ•ে āĻĢাāĻ•ে āĻĒেāϞে āĻ…āύ্āϝāĻĻেāϰāĻ•ে āĻ­āϝ় āĻĻেāĻ–াāύোāϰ āĻŽাāϧ্āϝāĻŽে āĻ…āύ্āϝাāύ্āϝ āĻŦাāϞāĻ•āĻĻেāϰāĻ•ে āĻ“ āĻ…āύুāĻĒ্āϰāĻŦেāĻļāĻ•াāϰীāĻĻেāϰāĻ•ে āϏāϤāϰ্āĻ• āĻ•āϰে। āϝāĻ–āύ āĻŦিāϞ āϜাāύāϤে āϚাāϝ় āϤাāϰা āĻ•িāĻ­াāĻŦে āφāĻ—ুāύ āϜ্āĻŦাāϞাāύোāϰ āĻ•াāϜ āĻļুāϰু āĻ•āϰāĻŦে āϜ্āϝাāĻ• āϜাāύাāϝ় āϝে āϤাāϰা āĻ…āύ্āϝাāύ্āϝ āĻ›েāϞেāĻĻেāϰ āϤৈāϰি āφāĻ—ুāύ āϚুāϰি āĻ•āϰāĻŦে। āχāϤিāĻŽāϧ্āϝে āĻĒিāĻ—ী, āϰাāϞāĻĢ āĻāĻŦং āϜāĻŽāϜ āĻĻুāχ āĻ­াāχ āφāĻ—ুāύāϟিāĻ•ে āϚāϞāĻŽাāύ āϰাāĻ–াāϰ āϚেāώ্āϟা āĻ•āϰে āĻ•িāύ্āϤু āϤাāϰা āĻĻেāĻ–ে āϝে, āϤাāĻĻেāϰ āĻŽাāϧ্āϝāĻŽে āϤা āϏāĻŽ্āĻ­āĻŦ āĻšāϚ্āĻ›ে āύা। āϤাāϰা āφāĻļ্āϰāϝ় āĻ•েāύ্āĻĻ্āϰে āϘুāĻŽাāϤে āĻĢিāϰে āφāϏে। āϰাāϤেāϰ āĻŦেāϞাāϝ় āĻļিāĻ•াāϰীāϰা āϚাāϰ āĻŦাāϞāĻ•েāϰ āωāĻĒāϰ āφāĻ•্āϰāĻŽāĻŖ āĻ•āϰে। āϤাāϰা āϤাāĻĻেāϰ āϏাāĻĨে āϏংāĻ—্āϰাāĻŽ āĻ•āϰে āĻ•িāύ্āϤু āĻ­াāϞāĻ­াāĻŦেāχ āφāĻšāϤ āĻšāϝ়। āĻĒিāĻ—ী āĻŦুāĻāϤে āĻĒাāϰে āĻ•েāύ āϤাāĻĻেāϰ āωāĻĒāϰ āφāĻ•্āϰāĻŽāĻŖ āĻ•āϰা āĻšāϝ়েāĻ›ে। āϤাāϰা āϤাāϰ āϚāĻļāĻŽা āϚুāϰি āĻ•āϰāϤে āϚেāϝ়েāĻ›িāϞ।

āφāĻ•্āϰāĻŽāύেāϰ āĻĒāϰ āϚাāϰ āĻŦাāϞāĻ• āĻĒাāĻšাāĻĄ়েāϰ āĻĻূāϰ্āĻ—ে āϝাāĻŦাāϰ āĻĒāϰিāĻ•āϞ্āĻĒāύা āĻ•āϰে āĻāĻŦং āϜ্āϝাāĻ• āϏāĻ­্āϝ āϤা āĻŦāϞাāϰ āχāϚ্āĻ›া āĻĒোāώāĻŖ āĻ•āϰে। āϤাāϰা āύিāϜেāĻĻেāϰ āωāĻĒāϏ্āĻĨাāĻĒāύāϝোāĻ—্āϝ āĻ•āϰাāϰ āϜāύ্āϝ āĻĻāϞাāχāĻŽāϞাāχ āĻ•āϰে āϤাāϰāĻĒāϰ āĻāĻ•āĻĻāĻŽ āϏাāϧাāϰāĻŖ āϏ্āĻ•ুāϞ āĻŦাāϞāĻ•āĻĻেāϰ āĻĒোāώāĻ• āĻĒāϰিāϧাāύ āĻ•āϰে। āϝāĻ–āύ āϤাāϰা āĻĒাāĻšাāĻĄ়েāϰ āĻĻূāϰ্āĻ—ে āĻĒৌঁāĻ›াāϝ় āϰাāϞāĻĢ āĻļāĻ™্āĻ–েāϰ āĻŽাāϧ্āϝāĻŽে āĻ…āύ্āϝাāύ্āϝ āĻ›েāϞেāĻĻেāϰ āĻĄাāĻ•ে। āϜ্āϝাāĻ• āĻļিāĻ•াāϰ āĻšāϤে āĻĢিāϰে āϤাāĻĻেāϰāĻ•ে āĻāĻ•া āĻĨাāĻ•āϤে āĻĻেāĻ“āϝ়াāϰ āĻ•āĻĨা āĻŦāϞে āϰাāϞāĻĢ āĻāĻŦং āĻĒিāĻ—ীāĻ•ে āϚāϞে āϝেāϤে āĻŦāϞে।

āϝāĻ–āύ āϜ্āϝাāĻ• āϰাāϞāĻĢেāϰ āύ্āϝাāϝ় āĻŦিāϚাāϰেāϰ āĻ•āĻĨা āĻļুāύāϤে āĻ…āϏ্āĻŦীāĻ•ৃāϤি āϜাāύাāϝ় āϰাāϞāĻĢ āϏāĻ•āϞ āĻŦাāϞāĻ•āĻĻেāϰāĻ•ে āϰāĻ™āĻŽাāĻ–া āĻŦোāĻ•া āĻŦāϞে āφāĻ–্āϝাāϝ়িāϤ āĻ•āϰে। āϜ্āϝাāĻ• āĻāϰিāĻ• āĻāĻŦং āϏ্āϝাāĻŽāĻ•ে āĻ•াāϰাāĻ—াāϰে āĻĒ্āϰেāϰāĻŖ āĻ•āϰে āĻāĻŦং āϤাāĻĻেāϰāĻ•ে āφāĻĻেāĻļ āĻĻেāϝ়। āĻĒিāĻ—ী āϜ্āϝাāĻ•েāϰ āĻ•াāĻ›ে āϜাāύāϤে āϚাāϝ় āϝে, āĻ…āϞংāĻ•ৃāϤ āχāύ্āĻĄিāϝ়াāύ āĻĒ্āϝাāĻ•েāϟ āĻšāĻ“āϝ়া āύাāĻ•ি āϝৌāĻ•্āϤিāĻ• āĻ িāĻ• āĻāĻ•āϜāύ āϰাāϞāĻĢ āĻšāĻ“āϝ়া āωāϚিā§Ž āĻ•িāύ্āϤু āϰāϜাāϰ āĻĒিāĻ—ীāĻ•ে āĻāĻ•āϟি āĻĒাāĻĨāϰ āύিāĻ•্āώেāĻĒ āĻ•āϰে āϝা āĻ•িāύা āϤাāĻ•ে āĻĒাāĻšাāĻĄ় āĻšāϤে āϏāĻŽুāĻĻ্āϰে āĻĢেāϞে āĻĻেāϝ়। āĻāϰ āĻĒ্āϰāĻ­াāĻŦে āĻĒিāĻ—ী āĻŽাāϰা āϝাāϝ় āĻāĻŦং āϜ্āϝাāĻ• āφāύāύ্āĻĻে āĻļāĻ™্āĻ–āϟিāĻ•ে āϚূāĻĄ়āĻŽাāϰ āĻ•āϰে āĻĻেāϝ়। āϜ্āϝাāĻ• āύিāϜেāĻ•ে āĻĒ্āϰāϧাāύ āĻšিāϏেāĻŦে āϘোāώāĻŖা āĻ•āϰে āĻāĻŦং āϰাāϞāĻĢেāϰ āĻĻিāĻ•ে āϤাāϰ āĻĨুāĻĨু āĻ›ুāĻĄ়ে āĻŽাāϰāϞে āϏে āĻĒাāϞিāϝ়ে āϝাāϝ়।

āϰাāϞāĻĢ āĻĒাāĻĨুāĻĄ়ে āĻĻূāϰ্āĻ—েāϰ āĻ•াāĻ›েāχ āφāĻļ্āϰāϝ় āύেāχ āϝেāĻ–াāύ āĻšāϤে āϏে āĻ…āύ্āϝাāύ্āϝ āĻŦাāϞāĻ•āĻĻেāϰ āĻĻেāĻ–āϤে āĻĒাāϝ়। āϝাāĻĻেāϰāĻ•ে āϏে āĻāĻ–āύ āφāϰ āϏāĻ­্āϝ āχংāϞিāĻļ āĻŦাāϞāĻ• āĻšিāϏাāĻŦে āϏ্āĻŦীāĻ•াāϰ āĻ•āϰে āύা āĻŦāϰং āĻ…āϏāĻ­্āϝ, āĻŦāϰ্āĻŦāϰ āĻšিāϏেāĻŦে āĻĻেāĻ–ে। āϏে āϜ্āϝাāĻ•েāϰ āĻĒ্āϰāĻŦেāĻļ āĻĒāĻĨে āĻšাāĻŽাāĻ—ুāĻĄ়ি āĻĻিāϤে āĻĻিāϤে āϝাāϝ় āϝেāĻ–াāύে āϜāĻŽāϜ āĻ­াāχ āĻāϰিāĻ• āĻāĻŦং āϏ্āϝাāĻŽ āĻāĻ–āύ āĻĒাāĻšাāĻĄ়াāĻĻাāϰ āĻšিāϏেāĻŦে āϰāϝ়েāĻ›ে। āϤাāϰা āϤাāĻ•ে āĻ•িāĻ›ু āĻŽাংāϏ āĻĻেāϝ় āĻāĻŦং āĻĻ্āϰুāϤ āϚāϞে āϝাāĻŦাāϰ āϜāύ্āϝ āĻŦāϞে। āϝāĻ–āύ āϰাāϞāĻĢ āϞুāĻ•িāϝ়ে āĻ›িāϞ āϏে āĻŦুāĻāϤে āĻĒাāϰে āĻ…āύ্āϝাāύ্āϝ āĻ›েāϞেāϰা āĻĒাāĻšাāĻĄ়েāϰ āύিāϚে āĻĻুāϞāĻ›ে। āϰাāϞāĻĢ āϤাāĻ•ে āĻļিāĻ•াāϰ āĻ•āϰাāϰ āϚেāώ্āϟা āĻ•āϰāϤেāĻ›িāϞ āϝেāϏāĻŦ āĻŦাāϞāĻ•āϰা āϤাāĻĻেāϰ āϏে āĻ•ৌāĻļāϞে āĻĒāϰিāĻšাāϰ āĻ•āϰে āϤাāϰāĻĒāϰ āϏে āĻŦুāĻāϤে āĻĒাāϰে āϝে āϤাāϰা āϧোঁāϝ়া āϏৃāώ্āϟিāϰ āϜāύ্āϝ āϜāĻ™্āĻ—āϞāϟিāĻ•ে āφāĻ—ুāύ āĻĻিāϚ্āĻ›ে āϝেāύ āĻĻ্āĻŦীāĻĒে āϤাāϰ āϜāύ্āϝ āφāϰ āĻ•োāύ āĻĢāϞ āĻ–াāĻ“āϝ়াāϰ āĻŽāϤ āύা āĻĨাāĻ•ে।

āϤাāϰ āϜীāĻŦāύেāϰ āϜāύ্āϝ āĻĻৌāĻĄ়ে āϰাāϞāĻĢ āϏāĻŽুāĻĻ্āϰ āϤীāϰে āĻĒāϤিāϤ āĻšāϝ় āϝেāĻ–াāύে āĻāĻ•āϜāύ āύৌ āĻ…āĻĢিāϏাāϰ āĻāĻ•āϟি āϜাāĻšাāϜ āύিāϝ়ে āĻĒৌঁāĻ›াāϝ়। āϏে āĻ­াāĻŦে āĻŦাāϞāĻ•েāϰা āĻļুāϧু āĻ–েāϞāϤাāĻ›ে āĻāĻŦং āϏে āϤাāĻĻেāϰāĻ•ে āϤিāϰāϏ্āĻ•াāϰ āĻ•āϰে āϤাāϰা āφāϰো āϏংāϘāĻŦāĻĻ্āϧ āĻāĻŦং āĻĻাāϝ়িāϤ্āĻŦāĻļীāϞ āφāϚāϰāĻŖেāϰ āĻ…āϧিāĻ•াāϰী āύা āĻšāĻ“āϝ়াāϝ় āϝা āϏাāϧাāϰāĻŖāϤ āĻŦ্āϰিāϟিāĻļ āϰীāϤিāϰ āωāϞ্āϟো। āϝāĻ–āύ āĻŦাāϞāĻ•েāϰা āĻŦাāĻĄ়ি āĻĢেāϰাāϰ āϜāύ্āϝ āĻĒ্āϰāϏ্āϤুāϤি āύিāϚ্āĻ›ে āϰাāϞāĻĢ āĻĒিāĻ—ীāϰ āĻŽৃāϤ্āϝুāϰ āϜāύ্āϝ āĻ•াāύ্āύাāĻ•াāϟি āĻ•āϰে। āϏাāĻĨে āϏাāĻĨে āĻŦাāϞāĻ•āĻĻেāϰ āϏāϰāϞāϤা āĻļেāώ āĻšāϝ়ে āϝাāĻ“āϝ়াāϝ় āϏে āĻŦিāώāĻŖ্āĻŖ।

Themes of the Novel

  1. Civilization vs Savagery
  2. Individualism vs Community
  3. The Nature of Evil
  4. Man vs Nature
  5. Dehumanization of Relationship
  6. The Loss of Innocence
  7. The Negative Consequences of War

Plot Structure of the Novel:

āωāĻĒāύ্āϝাāϏেāϰ āĻļুāϰু āĻšāϤে āĻļেāώ āĻĒāϰ্āϝāύ্āϤ āĻ—োāϞ্āĻĄিং āĻŽাāύুāώেāϰ āĻĒ্āϰāĻ•ৃāϤিāϤে āĻĒāĻĄ়ে āϝাāĻ“āϝ়াāϰ āĻāĻŦং āϤাāĻĻেāϰ āϏāĻŽāĻ•āĻ•্āώāĻĻেāϰ āĻĒ্āϰāϤি āϤাāĻĻেāϰ āϝে āĻŽৌāϞিāĻ• āĻ…āĻŽাāύāĻŦিāĻ•āϤা āϤাāϰ āϚিāϤ্āϰāχ āϤুāϞে āϧāϰেāĻ›েāύ। āωāĻĒāύ্āϝাāϏāϟি āĻ•āϝ়েāĻ•āϟি āĻŦাāϞāĻ•āĻ•ে āĻĻিāϝ়ে āĻļুāϰু āĻšāϝ় āϝাāϰা āĻ•িāύা āĻŦিāϧ্āĻŦāϏ্āϤāĻĻেāϰ āϰেāĻšাāχ āĻĻিāϤে āϚেāϝ়েāĻ›িāϞ āĻāĻŦং āϝুāĻĻ্āϧেāϰ āĻŦāϰ্āĻŦāϰāϤা āĻšāϤে āĻŽুāĻ•্āϤ āĻšāϤে āϚেāϝ়েāĻ›িāϞ।āϤাāϰা āĻāĻ•āϟি āϏুāύ্āĻĻāϰ, āωāĻĒāϏাāĻ—āϰীāϝ় āϏ্āĻŦāϰ্āĻ—েāϰ āĻŽāϤ āĻĻ্āĻŦীāĻĒে āφāϟāĻ•া āĻĒāĻĄ়ে। āĻŦাāϞāĻ•āϰা āĻāĻ–াāύে āύিāϝ়āĻŽ-āĻ• -āĻ•াāύুāύ āĻāĻŦং āĻŦāĻĄ়āĻĻেāϰ āĻ•াāĻ› āĻĨেāĻ•ে āĻĻূāϰে āĻĨাāĻ•āϤে āĻĒেāϰে āĻ–ুāĻļি। āĻ•িāύ্āϤু āϤাāϰা āĻ–ুāĻŦ āĻļীāϘ্āϰāχ āϤাāĻĻেāϰ āĻ­াāĻ—্āϝāĻ•ে āĻāĻ•āϟি āĻĻুঃāϏ্āĻŦāĻĒ্āύে āĻĒāϰিāĻŖāϤ āĻ•āϰে āϏāĻ­্āϝ āĻšāϤে āĻ…āϏāĻ­্āϝāϤে āĻĒ্āϰāϤ্āϝাāĻŦāϰ্āϤāύ āĻ•āϰাāϰ āĻŽাāϧ্āϝāĻŽে āϝে āĻĒ্āϰāĻ•্āϰিāϝ়াāϰ āĻŽāϧ্āϝ āĻĻিāϝ়ে āϤাāϰা āĻŦāϰ্āĻŦāϰ āĻšāϝ়।

āĻāĻŦং āϤাāĻĻেāϰ āĻĻুāϜāύ āϏাāĻĨীāĻ•ে āĻšāϤ্āϝা āĻ•āϰে। āĻ…āĻŦāĻļেāώে āĻāĻ•āϜāύ āύৌ āĻ…āĻĢিāϏাāϰেāϰ āϏাāĻšাāϝ্āϝে āϤাāϰা āωāĻĻ্āϧাāϰ āĻšāϝ় āĻ•িāύ্āϤু āĻāχ āĻŽুāĻ•্āϤি āϤাāĻĻেāϰ āĻĒূāϰ্āĻŖ āĻŽুāĻ•্āϤি āύāϝ়। āϤাāϰা āĻāĻŽāύ āĻāĻ•āϟি āĻŦিāĻļ্āĻŦে āĻĢিāϰে āĻāϏেāĻ›ে āϝা āĻ•িāύা āϝুāĻĻ্āϧ āĻŦিāϧ্āĻŦāϏ্āϤ āφāϰ āϤাāχ āϤাāĻĻেāϰāĻ•ে āϟিāĻ•ে āĻĨাāĻ•াāϰ āϜāύ্āϝ āϤাāĻĻেāϰ āϏংāĻ—্āϰাāĻŽ āϚāϞāĻŽাāύ āϰাāĻ–āϤে āĻšāĻŦে। āĻ…āϧিāĻ•āύ্āϤু āϤাāϰা āϤাāĻĻেāϰ āĻļৈāĻļāĻŦে āĻĢিāϰে āϝেāϤে āĻĒাāϰāĻŦে āύা। āϤাāϰা āφāϰো āĻŦুāĻāϤে āĻĒাāϰে āϝে, āϏāĻ­্āϝāϤা āĻšāϚ্āĻ›ে āϚিāĻ•āύ āĻĒাāϤāϞা āϤāĻ•্āϤাāϰ āφāĻŦāϰāύ āϝা āĻŽাāύুāώেāϰ āĻ­ূāĻĒাāϤিāϤ āϚāϰিāϤ্āϰāĻ•ে āĻĸেāĻ•ে āϰাāĻ–ে। āφāχāύ āĻāĻŦং āĻļাāϏ্āϤি āĻ›াāĻĄ়াāχ āĻ িāĻ• āĻĻ্āĻŦীāĻĒেāϰ āĻŽāϤāχ āϝেāĻ–াāύে āĻŦāϰ্āĻŦāϰāϤা āĻ“ āĻĒ্āϰাāϚীāύāϤাāϰ āĻŦāϏāĻŦাāϏ।

Lord of the Flies as a Fable:

āĻ—োāϞ্āĻĄিং āϤাāϰ āĻŦāχ 'The Hot Gate' āĻ āϜাāύিāϝ়েāĻ›েāύ āϝে, āϤিāύি āωāĻĒāĻ•āĻĨাāϰ āφāĻ•ৃāϤি āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰেāĻ›েāύ āĻŽূāϞāϤ āϏāϤ্āϝāϟা āĻĒ্āϰāĻ•াāĻļিāϤ āĻ•āϰাāϰ āϜāύ্āϝ āϝা āϤিāύি āĻĒ্āϰāϤ্āϝāĻ•্āώ āĻ•āϰেāĻ›েāύ। āωāĻĒāĻ•āĻĨা āĻšāϚ্āĻ›ে āĻāĻŽāύ āĻāĻ•āϟি āϏাāĻšিāϤ্āϝেāϰ āĻļাāĻ–া āϝেāĻ–াāύে āĻāĻ•āϟি āĻļিāĻ•্āώাāĻŽূāϞāĻ• āϚিāϤ্āϰ āϤুāϞে āϧāϰা āĻšāϝ়। āĻāχ āωāĻĒāύ্āϝাāϏেāĻ“ āĻ—োāϞ্āĻĄিং āĻāχ āωāĻĻ্āĻĻেāĻļ্āϝāĻ•েāχ āϤুāϞে āϧāϰেāĻ›েāύ। āĻŦাāϞāĻ•āĻ—ুāϞোāϰ āĻŽāϧ্āϝ āĻĻিāϝ়ে āϤিāύি āĻŽাāύুāώেāϰ āĻĒ্āϰāϤি āϝে āĻŦāϰ্āĻŦāϰāϤা āϤা āϤুāϞে āϏাāĻĨে āϏাāĻĨে āĻŽাāύুāώেāϰ āϏāĻšāϜাāϤ āĻļāϝ়āϤাāύেāϰ āϚāϰিāϤ্āϰāϟিāĻ“। āĻĒ্āϰāĻ•ৃāϤāĻĒāĻ•্āώে, āĻ—োāϞ্āĻĄিং āĻŦāϞেāύ āϝে āϝেāĻ­াāĻŦে āĻ‰ā§ŽāĻĒাāĻĻāύ āĻ•āϰে āĻ িāĻ• āϤেāĻŽāύি āĻŽাāύুāώ āĻļāϝ়āϤাāύāĻ•ে āĻ‰ā§ŽāĻĒাāĻĻāύ āĻ•āϰে āϜāύ্āĻŽ āĻĻেāϝ়। āϤিāύি āĻĻেāĻ–িāϝ়েāĻ›েāύ। āĻĻ্āĻŦীāĻĒে āϏāĻ­্āϝāϤা āĻ­েāĻ™্āĻ—ে āĻĒāĻĄ়েāĻ›ে āϝা āĻ…āϰাāϜāĻ•āϤা āĻāĻŦং āĻ­āϝ়েāϰ āϜāύ্āĻŽ āĻĻিāϝ়েāĻ›ে।

As a Religious Tale:

āϝেāĻšেāϤু āĻŽাāύুāώ āĻāĻ•āϟি āĻ­্āϰāώ্āϟ āϜাāϤি āϝে āĻ•িāύা āĻĒ্āϰāϤিāύিāϝ়āϤ āϤাāϰ āφāϏāϞ āĻĒাāĻĒেāϰ āϜāύ্āϝ āĻĒ্āϰাāϝ়āĻļ্āϚিāϤ āĻ•āϰে āϤাāχ āϤাāϰ āϚāϰিāϤ্āϰāĻ•ে āĻļāϝ়āϤাāύেāϰ āĻ­িāϤ্āϤি āĻĻিāϝ়ে āϚāϰিāϤ্āϰাāϝ়āύ āĻ•āϰা āĻšāϝ়েāĻ›ে। āĻāχ āωāĻĒāύ্āϝাāϏে āĻ—োāϞ্āĻĄিং āĻāχāĻŦাāϰ āĻļāϝ়āϤাāύেāϰ āĻāĻŦং āĻ•িāĻ­াāĻŦে āĻāϰা āφāϤ্āĻŽাāϰ āϏাāĻĨে āϏāĻŽ্āĻĒāϰ্āĻ• āĻ•āϰে āĻ“ āĻĒāϰিāĻŖাāĻŽ āĻĻেāϝ় āϤা āύিāϝ়ে āϏāϤāϰ্āĻ•। āϏāĻŽāϏ্āϤ āĻŦāχ āϜুāĻĄ়ে āϤিāύি āĻ­াāϞ āĻ“ āĻļāϝ়āϤাāύেāϰ, āĻĻāϝ়া āĻ“ āύিāώ্āĻ ুāϰāϤাāϰ, āϏāĻ­্āϝāϤা āĻ“ āĻŦāϰ্āĻŦāϰāϤাāϰ, āĻ…āĻĒāϰাāϧāĻŦোāϧ āĻ“ āωāĻĻাāϏীāύāϤাāϰ āϏাāĻĻৃāĻļ্āϝ-āĻŦৈāϏাāĻĻৃāĻļ্āϝ āĻ•āϰেāĻ›েāύ। āĻŽাāύāĻŦ āϏāĻ­্āϝāϤাāϰ āϐāϤিāĻš্āϝেāϰ āφāϞোāĻ•ে āϰাāϞāĻĢ āĻāĻŦং āĻĒিāĻ—ীāĻ•ে āĻĻিāϝ়ে, āĻļāĻ™্āĻ–āϟিāĻ•ে āϤাāĻĻেāϰ āĻ•āϰ্āϤৃāϤ্āĻŦেāϰ āĻĒ্āϰāϤীāĻ• āĻšিāϏেāĻŦে āĻāĻŦং āϏāĻ­্āϝāϤাāϰ āĻļāϝ়āϤাāύāĻĻেāϰāĻ•ে āϜ্āϝাāĻ• āĻāĻŦং āϤাāϰ āĻ…āύ্āϝাāύ্āϝ āĻļিāĻ•াāϰীāĻĻেāϰāĻ•ে āϰূāĻĒাāϝ়āύেāϰ āĻŽাāϧ্āϝāĻŽে āϏাāĻĻৃāĻļ্āϝ-āĻŦৈāϏাāĻĻৃāĻļ্āϝāĻ—ুāϞো āϤুāϞে āϧāϰেāĻ›েāύ।

āϜāύ্āϤুāϟিāĻ•ে āĻŽাāύāĻŦ āϜীāĻŦāύেāϰ āĻļāϝ়āϤাāύেāϰ āĻ­ূāĻŽিāĻ•াāϝ় āĻāĻŦং āϏাāχāĻŽāύ āĻ“ āĻĒিāĻ—ীāĻ•ে āϝৌāĻ•্āϤিāĻ•āϤাāϰ āϜāύ্āϝ āϚিāϤ্āϰাāϝ়িāϤ āĻ•āϰা āĻšāϝ়েāĻ›ে। āĻĒাāĻļাāĻĒাāĻļি āϏাāχāĻŽāύ āĻĻূāϰāĻĻৃāώ্āϟি āĻāĻŦং āĻŽুāĻ•্āϤিāϰ āĻĒ্āϰāϤীāĻ•। āϏে āϜāύ্āϤুāϟিāĻ•ে āĻĻেāĻ–āϤে āĻĒেāϝ়েāĻ›িāϞ āϝে āĻāϟাāϰ āĻ…āϏ্āϤিāϤ্āĻŦ āϰāϝ়েāĻ›ে āϝা āĻ•িāύা āĻĒ্āϰāϤিāϟি āĻŽাāύুāώেāϰ āĻšৃāĻĻāϝ়েāχ āĻŦাāϏ āĻ•āϰে। āĻĻূāϰ্āĻ­াāĻ—্āϝāĻŦāĻļāϤ āϝāĻ–āύ āϏে āĻāχ āϏāϤ্āϝāϟিāĻ•ে āĻŦāϰ্āĻŦāϰāĻĻেāϰ āĻ•াāĻ›ে āϤুāϞে āϧāϰāϤে āϚাāϝ় āϤাāĻ•ে āĻ•্āϰিāϏ্āϟেāϰ āύ্āϝাāϝ় āϤাāϰ āϜীāĻŦāύāĻ•ে āĻ‰ā§ŽāϏāϰ্āĻ— āĻ•āϰāϤে āĻšāϝ়। āĻ•িāύ্āϤু āĻŦ্āϝাāĻĒাāϰ āĻšāϚ্āĻ›ে āϏাāχāĻŽāύ āĻŦেঁāϚে āϝাāϝ় āĻŽাāύুāώāĻ•ে āϜীāĻŦāύ āϏāĻŽ্āĻĒāϰ্āĻ•ে āϏāϤ্āϝেāϰ āϤāĻĨ্āϝ āĻĻেāĻ“āϝ়াāϰ āϜāύ্āϝ, āϏāϤ্āϝেāϰ āĻ­াāϞো āĻ“ āĻ–াāϰাāĻĒ āĻĻিāĻ•āϟি āϤুāϞে āϧāϰাāϰ āϜāύ্āϝ।

As a Psychological Novel:

āωāĻĒāύ্āϝাāϏāϟি āĻŽাāύুāώেāϰ āĻŽৌāϞিāĻ• āϚāϰিāϤ্āϰ āĻšিāϏেāĻŦে āĻ•াāϜ āĻ•āϰে āĻāĻŦং āĻ—োāϞ্āĻĄিং āĻāϰ āĻŽাāϧ্āϝāĻŽে āϝে āϚিāϤ্āϰ āĻ…ংāĻ•িāϤ āĻšāϝ়েāĻ›ে āϤা āĻ…āϤ্āϝāύ্āϤ āύেāϤিāĻŦাāϚāĻ•। āϝāĻ–āύ āĻļিāĻļুāϰা āϝাāϰা āĻ•িāύা āĻŽাāύāĻŦāϜাāϤিāϰ āĻĒ্āϰāϤিāύিāϧি, āϤাāϰা āϤাāĻĻেāϰ āĻ•āϰ্āϤৃāĻĒāĻ•্āώেāϰ āĻ•াāĻ› āĻšāϤে āĻĻূāϰে āĻĨাāĻ•ে āĻ•োāύ āĻĒ্āϰāĻ•াāϰ āφāχāύ-āĻ•াāύুāύ āĻ›াāĻĄ়াāχ āϤāĻ–āύ āϤাāϰা āĻĒ্āϰাāϚীāύ āĻŦ্āϝāĻŦāĻšাāϰেāϰ āĻĻিāĻ•ে āĻĢিāϰে āϝাāϝ়। āϤাāϰা āϤাāĻĻেāϰ āύিāϜেāĻĻেāϰ āĻ…āĻ—āĻŖāϤাāύ্āϤ্āϰিāĻ• āύিāϝ়āĻŽ-āĻ•াāύুāύ āϤৈāϰি āĻ•āϰে āĻāĻŽāύāĻ•ি āϤাāϰা āϤাāĻĻেāϰ āύিāϜেāĻĻেāϰ āĻĻেāĻŦāϤা āϏৃāώ্āϟি āĻ•āϰে। āĻ—োāϞ্āĻĄিং āĻŽৌāϞিāĻ• āĻŽাāύāĻŦিāĻ• āĻŦ্āϝāĻŦāĻšাāϰেāϰ āĻŦ্āϝাāĻĒাāϰে āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻĒাāĻ  āĻĻেāύ āĻŦাāϞāĻ•āĻ—ুāϞোāϰ āĻŽāϧ্āϝ āĻĻিāϝ়ে।



āϞেāĻ–āĻ•েāϰ āϜীāĻŦāύী āĻ“ āĻ•āϰ্āĻŽ (Life and Work of William Golding)
āϜāύ্āĻŽ: William Golding ⧧⧝āĻļে āϏেāĻĒ্āϟেāĻŽ্āĻŦāϰ ⧧⧝⧧⧧ āϏাāϞে āχংāϞ্āϝাāύ্āĻĄেāϰ āύিāωāĻ•ুāϝ়েāϤে āϜāύ্āĻŽāĻ—্āϰāĻšāĻŖ āĻ•āϰেāύ।

āĻĒāϰিāϚিāϤি āĻ“ āϏাāĻšিāϤ্āϝ āĻ•āϰ্āĻŽ: William Golding āĻāĻ•āϜāύ āĻŦ্āϰিāϟিāĻļ āωāĻĒāύ্āϝাāϏিāĻ•, āύাāϟ্āϝāĻ•াāϰ āĻ“ āĻ•āĻŦি āĻ›িāϞেāύ। āϤিāύি āϤাāϰ āĻĒ্āϰāĻĨāĻŽ āωāĻĒāύ্āϝাāϏ 'āϞāϰ্āĻĄ āĻ…āĻĢ āĻĻ্āϝ āĻĢ্āϞাāχāϏ'-āĻāϰ āϜāύ্āϝ āϏāϰ্āĻŦাāϧিāĻ• āĻĒāϰিāϚিāϤ। āϤিāύি āϤাāϰ āϜীāĻŦāĻĻ্āĻĻāĻļাāϝ় āφāϰāĻ“ āĻāĻ—াāϰāϟি āωāĻĒāύ্āϝাāϏ āĻĒ্āϰāĻŦেāĻļ āĻ•āϰে āϝাāύ। ā§§ā§¯ā§Žā§Ļ āϏাāϞে āϤাāĻ•ে āϰাāχāϟāϏ āĻ…āĻĢ āĻĒ্āϝাāϏেāϜেāϰ āϜāύ্āϝ āĻŦুāĻ•াāϰ āĻĒুāϰāϏ্āĻ•াāϰ āĻĻেāĻ“āϝ়া āĻšāϝ়। āĻāϟি āϤাāϰ āϏāĻŽুāĻĻ্āϰ āϟ্āϰিāϞāϜি āĻšāϝ়ে āĻĒ্āϰāĻĨāĻŽ āωāĻĒāύ্āϝাāϏ, āϟু āĻĻ্āϝ āĻāύ্āĻĄāϏ āĻ…āĻĢ āĻĻ্āϝ āφāϰ্āĻĨ'। ā§§ā§¯ā§Žā§Š āϏাāϞে āϤিāύি āϏাāĻšিāϤ্āϝে āύোāĻŦেāϞ āĻĒুāϰāώ্āĻ•াāϰ āĻĒেāϝ়েāĻ›িāϞেāύ। āφāϰ āĻŦāϰ্āϤāĻŽাāύেāϰ āωāĻĒāύ্āϝাāϏেāϰ āĻ•āĻĨা āĻŽāύে āĻšāϞেāχ William Golding āĻāϰ āύাāĻŽ āĻŽāύে āĻĒāĻĄ়াāϰ āĻ•āĻĨা।

āĻŽৃāϤ্āϝু: āϤিāύি āχংāϞ্āϝাāύ্āĻĄে ā§§ā§¯ā§¯ā§Š āϏাāϞে āĻŽাāϰা āϝাāύ।

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