To the Lighthouse Bangla Summary & Themes by Virginia Woolf
Honours 4th Year
20th Century Novel
To the Lighthouse by Virginia Woolf
Bangla and English Summary
Character Explanation
Themes, Tone
Point Of View
Summary, Theme, Character of To the Lighthouse by V. Woolf
Point Of View
The narrator speaks in the third person and describes the characters and actions subjectively, giving us insight into the characters’ feelings. The narrative switches constantly from the perceptions of one character to those of the next.
Tone
- Elegiac
- Poetic
- Rhythmic
- Imaginative.
Setting (Time & Place)
The years immediately preceding and following World War I.
Setting (Place):- The Isle of Skye, in the Hebrides (a group of islands west of Scotland).
Protagonist
Although Mrs. Ramsay is the central focus of the beginning of To the Lighthouse, the novel traces the development of Lily Briscoe to the end, making it more accurate to describe Lily as the protagonist.
Major Conflict
The common struggle that each of the characters faces is to bring meaning and order to the chaos of life.
Rising Action
James’s desire to journey to the lighthouse; Mr. Ramsay’s need to ask Mrs. Ramsay for sympathy; Charles Tansley’s insistence that women cannot paint or write; Lily Briscoe’s stalled attempt at her painting.
Climax
Mrs. Ramsay’s dinner party.
Falling Action
Mr. Ramsay’s trip to the lighthouse with Cam and James; Lily Briscoe’s completion of her painting.
Themes
The transience of life and work; art as a means of preservation; the subjective nature of reality; the restorative effects of beauty.
Motifs
The differing behaviors of men and women;
Symbols
The lighthouse, Lily’s painting, the Ramsays’ house, the sea, the boar’s skull, the fruit basket.
Character Explanations
Mr. Ramsay
Mrs. Ramsay’s husband, and a prominent metaphysical philosopher. Mr. Ramsay loves his family but often acts like something of a tyrant being selfish and harsh due to his persistent personal and professional anxieties.
Mrs. Ramsay
Mr. Ramsay’s wife. A beautiful and loving woman, Mrs. Ramsay is a wonderful hostess who takes pride in making memorable experiences for the guests at the family’s summer home on the Isle of Skye.
Lily Briscoe
A young, single painter who befriends the Ramsays on the Isle of Skye. Like Mr. Ramsay, Lily is plagued by fears that her work lacks worth. She begins a portrait of Mrs. Ramsay at the beginning of the novel but has trouble finishing it.
William Bankes
A botanist and old friend of the Ramsays who stays on the Isle of Skye. Bankes is a kind and mellow man whom Mrs. Ramsay hopes will marry Lily Briscoe. Although he never marries her, Bankes and Lily remain close friends.
James Ramsay
The Ramsays’ youngest son. James loves his mother deeply and feels a murderous antipathy toward his father, with whom he must compete for Mrs. Ramsay’s love and affection. At the beginning of the novel, Mr. Ramsay refuses the six-year-old James’s request to go to the lighthouse, saying that the weather will be foul and not permit it; ten years later, James finally makes the journey with his father and his sister Cam.
Paul Rayley
A young friend of the Ramsays who visits them on the Isle of Skye. Paul is a kind, impressionable young man who follows Mrs. Ramsay’s wishes in marrying Minta Doyle.
Minta Doyle
A flighty young woman who visits the Ramsays on the Isle of Skye. Minta marries Paul Rayley at Mrs. Ramsay’s wishes.
Charles Tansley
A young philosopher and pupil of Mr. Ramsay who stays with the Ramsays on the Isle of Skye. He often insults other people, particularly women such as Lily, whose talent and accomplishments he constantly calls into question.
Augustus Carmichael
An opium-using poet who visits the Ramsays on the Isle of Skye.
Andrew Ramsay
The oldest of the Ramsays’ sons. Andrew is a competent, independent young man, and he looks forward to a career as a mathematician.
Jasper Ramsay
One of the Ramsays’ sons.
Roger Ramsay
One of the Ramsays’ sons. Roger is wild and adventurous, like his sister Nancy.
Prue Ramsay
The oldest Ramsay girl, a beautiful young woman. Mrs. Ramsay delights in contemplating Prue’s marriage, which she believes will be blissful.
Rose Ramsay
One of the Ramsays’ daughters. Rose has a talent for making things beautiful.
Nancy Ramsay
One of the Ramsays’ daughters. Nancy accompanies Paul Rayley and Minta Doyle on their trip to the beach.
Cam Ramsay
One of the Ramsays’ daughters. As a young girl, Cam is mischievous. She sails with James and Mr. Ramsay to the lighthouse in the novel’s final section.
Mrs. McNab
An elderly woman who takes care of the Ramsays’ house on the Isle of Skye, restoring it after ten years of abandonment during and after World War I.
Macalister
The fisherman who accompanies the Ramsays to the lighthouse.
Macalister’s boy
The fisherman’s boy. He rows James, Cam, and Mr. Ramsay to the lighthouse.
English Summary (āĻংāϰেāĻি āϏাāĻŽাāϰি āĻŦা āϏাāϰāĻŽāϰ্āĻŽ)
Part one takes up more than half the book. It’s set at the Ramsay’s summer home, where the Ramsays and their eight children are entertaining a number of friends and colleagues. The novel begins with James Ramsay, age six, wishing to go to the Lighthouse that’s across the bay from the Ramsays’ summer home.
His mother, Mrs. Ramsay, holds out hope that the weather will be good tomorrow so they can go to the Lighthouse, but Mr. Ramsay ensures that the weather will be awful. James resents his father and believes that he enjoys being cruel to James and his siblings.
The Ramsays host a number of guests, including the dour Charles Tansley, who admires Mr. Ramsay’s work as a metaphysical philosopher. Also at the house is Lily Briscoe, a young painter who begins a portrait of Mrs. Ramsay. Mrs. Ramsay wants Lily to marry William Bankes, an old friend of the Ramsays, but Lily resolves to remain single. Mrs. Ramsay does manage to arrange another marriage, however, between Paul Rayley and Minta Doyle, two of their acquaintances.
During the course of the afternoon, Paul proposes to Minta, Lily begins her painting, Mrs. Ramsay soothes the resentful James, and Mr. Ramsay frets over his shortcomings as a philosopher, periodically turning to Mrs. Ramsay for comfort. For the evening, Mrs. Ramsay has planned a dinner for fifteen guests including Augustus Carmichael, a friend and poet.
The dinner gets off to a shaky start. Paul and Minta are late returning from their walk on the beach with two of the Ramsays’ children. Lily bristles at outspoken comments made by Charles Tansley, who suggests that women can neither paint nor write. Mr. Ramsay reacts rudely when Augustus Carmichael, a poet, asks for a second plate of soup.
As the night draws on, however, these missteps right themselves, and the guests come together to make a memorable evening. However, at a certain magical moment, everyone in the room seems to connect, and Mrs. Ramsay hopes that something permanent will result from this connection.
Following dinner, Mr. and Mrs. Ramsay sit together in the parlor, and Mrs. Ramsay finds that she unable to tell her husband that she loves him. Nevertheless, though their unspoken communication she is sure that he knows. The Ramsays and their guests go to sleep. Night falls, and one night quickly becomes another.
In the second section of the novel, "Time Passes," the house is abandoned for ten years, suffering the ravages of time, neglect, and decay. War breaks out across Europe. Mrs. Ramsay unexpectedly dies one night, as does Prue in an illness related to childbirth. Andrew is the third Ramsay to die when he is killed instantaneously in battle.
The family no longer vacations at its summerhouse, which falls into a state of disrepair: weeds take over the garden and spiders nest in the house. Mrs. McNab goes to the house occasionally to tidy it up and restore it, but it is not until she hears word that the remaining Ramsays will be returning for the summer that she gets everything in order. They rescue the house from oblivion and decay, and everything is in order when Lily Briscoe returns.
In "The Lighthouse," all of the living Ramsays, as well as other guests (including Lily Briscoe), return to the summer home. Mr. Ramsay declares that he, James, and Cam Ramsay will finally take the trip to the Lighthouse, but the children are resentful of his domineering manner.
He is angry about delays on the morning of the trip, and he approaches Lily for sympathy, but she is unable to feel any sympathy for him until he has already set off on the journey, when it is too late. Just as Mr. Ramsay decides to finally take this journey, Lily Briscoe decides to finally finish the painting that she started ten years ago.
On the boat, the children continue to resent their father's self-pity, yet as the ship approaches the Lighthouse, they find a new tenderness for and connection to him. As the boat reaches its destination, Lily paints the final stroke on her canvas and finally achieves her vision.
āĻŦাংāϞা āϏাāĻŽাāϰী āĻŦা āϏাāϰāĻŽāϰ্āĻŽ (Bangla- Bengali Summary)
Virginia Woolf āĻāϰ āϞেāĻা "To the Ligjthouse" āĻāĻĒāύ্āϝাāϏāĻি āĻĒ্āϰāĻাāĻļিāϤ āĻšā§েāĻিāϞো ⧧⧝⧍⧠āϏাāϞে। āĻāĻĒāύ্āϝাāϏāĻিāϤে āϰ্āϝাāĻŽāĻি āύাāĻŽāĻ āĻāĻ āĻĒāϰিāĻŦাāϰেāϰ āĻ ā§§ā§¯ā§§ā§Ļ āĻĨেāĻে ⧧⧝⧍ā§Ļ āĻĒāϰ্āϝāύ্āϤ āϏ্āĻāĻāϞ্āϝাāύ্āĻĄেāϰ āĻāĻāϞ āĻ
āĻĢ āϏ্āĻাāĻ-āϤে āĻ্āϰāĻŽāĻŖāĻাāϞীāύ āĻাāĻšিāύী āĻŦāϰ্āĻŖিāϤ āĻšāϝ়েāĻে। āϝāĻĻিāĻ āĻāĻĒāύ্āϝাāϏāĻি āĻāϧুāύিāĻāϤাāĻŦাāĻĻী āϧাāϰাāϝ āĻ
āύুāϏāϰāĻŖ āĻāϰে āϞেāĻা āĻšā§েāĻে āĻšāĻŦে āĻ āϧাāϰাāĻŦাāĻšিāĻāϤাāϝ় āĻাāĻšিāύীāϰ āϤুāϞāύাāϝ় āĻāĻিāϤে āĻĻাāϰ্āĻļāύিāĻ āĻ
āύ্āϤāϰ্āĻĻৃāώ্āĻিāϰ āĻĒ্āϰাāϧাāύ্āϝ āϤুāϞāύাāĻŽূāϞāĻ āĻাāĻŦে āĻŦেāĻļি। āĻāĻĒāύ্āϝাāϏāĻি āĻĒ্āϰাāϝ় āĻĒুāϰোāĻাāĻ āĻিāύ্āϤা, āĻŽāύোঃāϏāĻŽীāĻ্āώāĻŖ āĻ āĻĒāϰ্āϝāĻŦেāĻ্āώāĻŖেāϰ āĻāĻĻāϞে āĻāĻ িāϤ। āĻāĻĒāύ্āϝাāϏেāϰ āĻĒ্āϰāϤিāĻি āĻ
ংāĻļāĻ "Stream-of-consciousness" āĻĒāĻĻ্āϧāϤিāϰ āĻŽাāϧ্āϝāĻŽে āĻŦিāĻিāύ্āύ āĻāϰিāϤ্āϰ āĻŦāϰ্āĻŖিāϤ āĻšā§েāĻে।
ā§§ā§¯ā§¯ā§Ž āϏাāϞে āĻŽāĻĄাāϰ্āύ āϞাāĻāĻŦ্āϰেāϰি āϤাāĻĻেāϰ ⧍ā§ĻāĻļ āĻļāϤāĻেāϰ āϏেāϰা ā§§ā§Ļā§ĻāĻি āĻংāϰেāĻি āĻāĻĒāύ্āϝাāϏেāϰ āϤাāϞিāĻাāϝ় "To the Lighthouse" novel'āĻিāĻে ā§§ā§ĢāϤāĻŽ āϏ্āĻĨাāύে āύিāϰ্āĻŦাāĻিāϤ āĻāϰেāĻেāύ।
"To The Lighthouse" "āĻāĻĒāύ্āϝাāϏāĻি āĻŽোāĻ ā§Š āĻি āĻ
ংāĻļে āĻŦিāĻāĻ্āϤ:-
- "The Window"
- "Time Passes" āĻāĻŦং
- "The Lighthouse".
"The Window" āĻ
ংāĻļāĻি āĻļুāϰু āĻšāϝ় āĻĒ্āϰāĻĨāĻŽ āĻŦিāĻļ্āĻŦāϝুāĻĻ্āϧ āĻļুāϰুāϰ āĻিāĻুāĻĻিāύ āĻāĻেāϰ āĻāĻāύা āĻĻিā§ে। āĻŽিāϏ্āĻাāϰ āϰ্āϝাāĻŽāĻি(Mr. Ramsay) āĻāĻŦং āĻŽিāϏেāϏ āϰ্āϝাāĻŽāĻি(Mrs. Ramsay) āϤাāĻĻেāϰ āĻāĻ āϏāύ্āϤাāύāĻে āύিāϝ়ে āĻšেāĻŦ্āϰিāĻĄিāĻে(Hebrides) āϤাāĻĻেāϰ āĻ্āϰীāώ্āĻŽāĻাāϞীāύ āĻŦাāĻĄ়িāϤে āĻāϏেāĻে; āĻšেāĻŦ্āϰিāĻĄিāĻ āĻšāĻ্āĻে āϏ্āĻāĻāϞ্āϝাāύ্āĻĄেāϰ āĻĒāĻļ্āĻিāĻŽে āĻ
āĻŦāϏ্āĻĨিāϤ āĻāĻāĻুāĻ্āĻ āĻĻ্āĻŦীāĻĒ। āϤাāĻĻেāϰ āĻāĻ āĻŦাāĻĄ়ি āĻĨেāĻে āĻিāĻুāĻা āĻĻূāϰে āĻŦে-āĻāϰ (Bay) āĻāϰ āĻ
āĻĒāϰ āĻĒাāĻļে āĻāĻāĻা āϞাāĻāĻāĻšাāĻāĻ āĻāĻে; [Bay āĻšāĻ্āĻে āϤিāύāĻĻিāĻ āϏ্āĻĨāϞ āĻĻ্āĻŦাāϰা āĻŦেāώ্āĻিāϤ āĻāϞােāϰাāĻļি; āϝেāĻŽāύāĻা āĻŦāĻ্āĻোāĻĒāϏাāĻāϰāĻে āĻŦāϞা āĻšā§ Bay of Bengal]
āĻā§ āĻŦāĻāϰ āĻŦāϝ়āϏী āĻেāĻŽāϏ āϰ্āϝাāĻŽāĻি (James Ramsay) āĻāĻ āϞাāĻāĻāĻšাāĻāĻে āϝাāĻāϝ়াāϰ āĻāύ্āϝ āĻĒ্āϰāĻāĻŖ্āĻĄ āĻāĻ্āϰāĻšী āĻāĻŦং āĻŽিāϏেāϏ āϰ্āϝাāĻŽāĻি āϤাāĻে āĻāĻ āĻŦāϞে āϏাāύ্āϤ্āĻŦāύা āĻĻেāύ āϝে āĻāĻŦāĻšাāĻāϝ়া āĻাāϞ āĻĨাāĻāϞে āĻĒāϰেāϰāĻĻিāύ āϤাāϰা āĻāĻাāύে āϝাāĻŦেāύ। āĻāĻা āĻļুāύে āĻেāĻŽāϏ āĻ
āύেāĻ āĻুāĻļি āĻšāϝ় āĻিāύ্āϤু āĻŽি. āϰ্āϝাāĻŽāĻি āϤাāĻে āĻšāϤাāĻļ āĻāϰে āĻŦāϞেāύ āĻĒāϰেāϰāĻĻিāύ āĻুāϰāϤে āϝাāĻāϝ়াāϰ āĻŽāϤ āĻাāϞ āĻāĻŦāĻšাāĻāϝ়া āĻĨাāĻāĻŦে āύা। āĻāĻা āĻļুāύে āĻŦাāĻŦাāϰ āĻāĻĒāϰ āĻেāĻŽāϏেāϰ āĻŦেāĻļ āϰাāĻ āĻšāϝ়, āϏে āĻাāĻŦāϤে āĻĨাāĻে āϤাāϰ āĻŦাāĻŦা āϤাāϰ āĻāĻŦং āϤাāϰ āĻাāĻāĻŦােāύāĻĻেāϰ āϏাāĻĨে āĻাāϰāĻĒ āĻāĻāϰāĻŖ āĻāϰে āĻŽāĻা āĻĒাāϝ় āϤাāĻ āϏে āĻāĻŽāύ āϰূā§ āĻāĻāϰāĻŖ āĻāϰে।
āĻšেāĻŦ্āϰিāĻĄিāĻে "āĻāĻāϞ āĻ
āĻŦ āϏ্āĻাāĻ" āĻĻ্āĻŦীāĻĒে āϰ্āϝাāĻŽāĻি āĻĒāϰিāĻŦাāϰেāϰ āĻ্āϰীāώ্āĻŽāĻাāϞীāύ āĻŦাā§িāϤে āϤাāĻĻেāϰ āϏাāĻĨে āĻŦেāĻļ āĻāϝ়েāĻāĻāύ āĻ
āϤিāĻĨিāĻ āĻāĻেāύ, āϝাāĻĻেāϰ āĻŽāϧ্āϝে āĻāĻāĻāύ āĻšāĻ্āĻেāύ āĻাāϰ্āϞāϏ āĻ্āϰাāύ্āϏāϞি (Charles Tansley), āϝিāύি āĻāĻāĻāύ āĻ
āϧ্āϝাāϤ্āύিāĻ āĻĻাāϰ্āĻļāύিāĻ(metaphysical philosopher) āĻšিāϏেāĻŦে āĻ্āϝাāϤ āĻāĻŦং āϤিāύি āĻŽি. āϰ্āϝাāĻŽāĻিāϰ āĻাāĻেāϰ āĻ
āύেāĻ āĻĒ্āϰāϏংāĻļা āĻāϰেāύ।
āϰ্āϝাāĻŽāĻিāĻĻেāϰ āϏাāĻĨে āϤাāĻĻেāϰ āĻŦাāĻĄ়িāϤে āĻāϰাে āĻāĻেāύ āϞিāϞি āĻŦ্āϰিāϏāĻো(Lily Briscoe). Lily āĻāĻāĻāύ āϤāϰুāύ āĻিāϤ্āϰāĻļিāϞ্āĻĒী āϝিāύি āĻŽিāϏেāϏ āϰ্āϝাāĻŽāĻিāϰ āĻāĻāĻি āĻĒােāϰ্āĻেāĻ(portrait) āĻঁāĻāϤে āĻļুāϰু āĻāϰেāĻিāϞেāύ। āϞিāϞি āĻŦ্āϰিāϏāĻো āϤাāϰ āĻাāĻ āύিā§ে āϏāĻŦāϏāĻŽā§ āĻšীāύāĻŽāύ্āϝāϤাā§ āĻোāĻেāύ, āϤিāύি āĻাāĻŦেāύ āϤাāϰ āĻাāĻে āĻোāĻĨাāĻ āύা āĻোāĻĨাāĻ āĻāĻāĻা āϤ্āϰুāĻি āĻāĻে। āϤাāĻ āϏে āĻোāύো āĻাāĻ āĻĻ্āϰুāϤ āĻļেāώ āĻāϰāϤে āĻĒাāϰে āύা। āĻāĻĻিāĻে āĻŽিāϏেāϏ āϰ্āϝাāĻŽāĻি āĻাāύ āϞিāϞি āϰ্āϝাāĻŽāĻিāĻĻেāϰ āĻĒুāϰােāύাে āĻŦāύ্āϧু āĻāĻāϞিāϝ়াāĻŽ āĻŦ্āϝাংāĻāϏāĻে (William Bankes) āϝেāύ āĻŦিāϝ়ে āĻāϰে, āĻিāύ্āϤু āϞিāϞি āϤা āĻাā§ āύা āĻāĻŦং āϏাāϰাāĻীāĻŦāύ āĻ
āĻŦিāĻŦাāĻšিāϤ āĻĨাāĻাāϰ āϏিāĻĻ্āϧাāύ্āϤ āύেā§।
āϝāĻĻিāĻ āĻŽিāϏেāϏ āϰ্āϝাāĻŽāĻি Lily'āϰ āĻŦিā§েāĻা āĻāĻাāϤে āĻĒাāϰে āύি āĻিāύ্āϤু āϏে āĻ
āĻŦāĻļ্āϝ āĻāϰেāĻāĻি āĻŦিāϝ়েāϰ āĻŦ্āϝāĻŦāϏ্āĻĨা āĻāϰāϤে āϏāĻ্āώāĻŽ āĻšāύ, āϝেāĻা āĻšāϝ় āϤাāĻĻেāϰ āĻĒāϰিāĻিāϤ āĻĒāϞ āϰেāĻāϞি (Paul Rayley) āĻāĻŦং āĻŽিāύ্āĻা āĻĄāϝ়েāϞেāϰ (Minta Doyle) āĻŽāϧ্āϝে। āϏেāĻĻিāύ āĻŦিāĻেāϞেāĻ āĻĒāϞ āĻŽিāύ্āĻাāĻে āĻŦিā§েāϰ āĻĒ্āϰāϏ্āϤাāĻŦ āĻĻেāύ। āϞিāϞিāĻ āϤাāϰ āĻ
āϏāĻŽ্āĻĒāύ্āύ āĻāĻŦি āĻঁāĻা āĻļুāϰু āĻāϰেāύ āĻāϰ āĻŽিāϏেāϏ āϰ্āϝাāĻŽāĻি āϤাāϰ āĻŽāύ āĻাāϰাāĻĒ āĻāϰা āĻেāϞে āĻেāĻŽāϏāĻে āϏাāĻŽāϞাāύ। āĻŽি. āϰ্āϝাāĻŽāĻি āϤাāϰ āĻাāĻ āύিā§ে āϏāύ্āϤুāώ্āĻ āĻšāϤে āĻĒাāϰেāύ āύা āϤাāĻ āϤিāύি āĻাāĻŦেāύ āĻĻাāϰ্āĻļāύিāĻ āĻšিāϏেāĻŦে āϏāĻĢāϞ āĻšāϤে āϤাāĻে āĻāϰো āĻāĻ োāϰāĻাāĻŦে āĻাāĻ āĻāϰāϤে āĻšāĻŦে। āύিāĻেāϰ āĻৃāϤিāϤ্āĻŦেāϰ āĻŽāϧ্āϝে āϤিāύি āĻ
āĻĒূāϰ্āĻŖāϤা āĻুāĻে āĻĒাāύ। āϤিāύি āϤাāϰ āϏ্āϤ্āϰী'āϰ āĻাāĻ āĻĨেāĻে āĻā§āϏাāĻš āĻাāύ।
āϏেāĻĻিāύ āϏāύ্āϧাā§ āϰ্āϝাāĻŽāĻি-āĻĒāϰিāĻŦাāϰ āĻāĻāĻি āĻĄিāύাāϰ āĻĒাāϰ্āĻিāϰ āĻā§োāĻāύ āĻāϰে āϝেāĻা āĻিāĻুāĻা āĻ
āϏāύ্āϤোāώāĻāύāĻāĻাāĻŦে āĻļুāϰু āĻšā§। āĻĒāϞ āĻāĻŦং āĻŽিāύ্āĻা āϰ্āϝাāĻŽāĻিāĻĻেāϰ āĻĻুāĻ āϏāύ্āϤাāύāĻে āύিā§ে āϏāĻŽুāĻĻ্āϰ āϏৈāĻāϤে āĻšাঁāĻāϤে āϝাāύ āĻāĻŦং āĻĻেāϰিāϤে āĻĢিāϰে āĻāϏেāύ। āĻাāϰ্āϞāϏ āĻ্āϰাāύ্āϏāϞি āĻŽেā§েāĻĻেāϰ āĻাāĻেāϰ āĻĻāĻ্āώāϤাāĻে āĻ
āĻĒāĻŽাāύ āĻāϰে āĻŦāϞেāύ, āĻŽেā§েāϰা āĻāĻāϤে āĻŦা āϞিāĻāϤে āĻĒাāϰেāύা, āϤাāĻĻেāϰ āϏেāĻ āĻĻāĻ্āώāϤা āĻ āϧৈāϰ্āϝ্āϝ āύেāĻ। āĻāĻা āĻļুāύে āϞিāϞি āĻাāϰ্āϞāϏ āĻ্āϰাāύ্āϏāϞিāϰ āĻŽāύ্āϤāĻŦ্āϝে āϰেāĻে āϝাāύ।
āĻĄিāύাāϰে āĻŦāϏে āĻāĻাāϏ্āĻাāϏ āĻাāϰāĻŽাāĻāĻেāϞ (Augustus Carmichael) āĻŽি. āϰ্āϝাāĻŽāĻিāϰ āĻাāĻ āĻĨেāĻে āĻāϰো āĻাāύিāĻāĻা āϏুāĻĒ āĻাāĻāϞে āĻŽি. āϰ্āϝাāĻŽāĻি āĻāϤে āϰেāĻে āϝাāύ āĻāĻŦং āϤাāϰ āϏাāĻĨে āĻাāϰাāĻĒ āĻāĻāϰāĻŖ āĻāϰেāύ। āϝাāĻāĻšোāĻ, āĻĄিāύাāϰāĻা āĻāĻাāĻŦে āĻāĻĻāϰ্āϝāĻাāĻŦে āĻļুāϰু āĻšāϞেāĻ āϧীāϰে āϧীāϰে āϤাāϰা āύিāĻেāĻĻেāϰ āĻŽāϧ্āϝে āϏংāϝুāĻ্āϤ āĻšāϤে āĻĨাāĻে āĻāĻŦং āĻāĻāĻি āϏ্āĻŽāϰāĻŖীā§, āĻŽāύোāĻŽুāĻ্āϧāĻāϰ āϏāύ্āϧা āĻāĻĒāĻোāĻ āĻāϰে āϏāĻŦাāĻ āĻŽিāϞে।
āĻিāύ্āϤু āĻāĻ āĻāύāύ্āĻĻāĻ āĻŦেāĻļিāĻ্āώāĻŖ āϏ্āĻĨাā§ী āĻĨাāĻে āύা āĻāĻŦং āĻŽিāϏেāϏ āϰ্āϝাāĻŽāĻি āϤাāϰ āĻ
āϤিāĻĨিāĻĻেāϰ āĻĄাāĻāύিং āϰুāĻŽে āϰেāĻে āϝেāϤে āϝেāϤে āĻŽāύে āĻāϰেāύ āĻāĻāύাāĻি āĻāĻāύ āĻ
āϤীāϤ āĻšāϝ়ে āĻেāĻে। āĻāϰāĻĒāϰ āϤিāύি āĻŦাāĻĄ়িāϰ āĻŦāϏাāϰ āĻāϰে āĻŽি. āϰ্āϝাāĻŽāĻিāϰ āĻাāĻে āϝাāύ। āĻĻুāĻāύে āĻিāĻুāĻ্āώāĻŖ āĻুāĻĒāĻাāĻĒ āĻŦāϏে āĻĨাāĻেāύ, āĻāϰāĻĒāϰে āĻŽি. āϰ্āϝাāĻŽāĻিāϰ āĻšীāύāĻŽāύ্āϝāϤাā§ āĻুāĻāϤে āĻĨাāĻা āϤাāĻĻেāϰāĻে āĻāϰো āĻাāϰাāĻĒ āĻĒāϰিāϏ্āĻĨিāϤিāϰ āĻļাāĻŽিāϞ āĻāϰে।
āĻŽি. āϰ্āϝাāĻŽāĻি āĻাāύ āϤাāϰ āĻāϝ়াāĻāĻĢ āϤাāĻে āĻŦāϞুāĻ āϝে āϤিāύি āϤাāĻে āĻাāϞāĻŦাāϏেāύ। āĻŽিāϏেāϏ āϰ্āϝাāĻŽāĻি āĻāϏāĻŦ āĻŦāϞাāϰ āĻŽāϤো āĻŽাāύুāώ āύা, āĻিāύ্āϤু āϤিāύি āĻŽি. āϰ্āϝাāĻŽāĻিāϰ āϏাāĻĨে āĻāĻāĻŽāϤ āĻšāύ āϝে āĻĒāϰেāϰāĻĻিāύ āϞাāĻāĻāĻšাāĻāĻে āĻŦেāĻĄ়াāϤে āϝাāĻāϝ়াāϰ āĻŽāϤাে āĻাāϞ āĻāĻŦāĻšাāĻāϝ়া āĻĨাāĻāĻŦে āύা। āĻāĻাāĻŦে āĻŽি. āϰ্āϝাāĻŽāĻি āĻŦুāĻāϤে āĻĒাāϰেāύ āĻŽিāϏেāϏ āϰ্āϝাāĻŽāĻি āϤাāĻে āĻাāϞāĻŦাāϏেāύ। āĻāϰāĻĒāϰ āϰ্āϝাāĻŽāĻি āĻĒāϰিāĻŦাāϰেāϰ āϞোāĻāĻāύ āĻāĻŦং āĻŦাāĻĄ়িāϰ āĻ
āϤিāĻĨিāϰা āϏāĻŦাāĻ āĻুāĻŽাāϤে āĻāϞে āϝাā§ āĻāĻŦং āĻĒ্āϰāĻĨāĻŽ āĻĒāϰ্āĻŦ āĻāĻাāύেāĻ āĻļেāώ āĻāϰা āĻšā§।
āĻāĻĒāϰāϰ āĻāĻĒāύ্āϝাāϏেāϰ āĻĻ্āĻŦিāϤীāϝ় āĻ
ংāĻļ "Time Passes" āĻļুāϰু āĻšāϝ়। āĻāĻĒāύ্āϝাāϏেāϰ āĻāĻ āĻ
ংāĻļāĻি āĻĒ্āϰাā§ āĻĻāĻļ āĻŦāĻāϰ āĻĒāϰেāϰ āĻāĻāύাāĻŦāϞি āĻĻিā§ে। āĻāϰāĻŽāϧ্āϝে āĻĒ্āϰāĻĨāĻŽ āĻŦিāĻļ্āĻŦāϝুāĻĻ্āϧ āĻļেāώ āĻšā§ে āĻিā§েāĻে। āĻāĻāϰাāϤে āĻšāĻ াā§ āĻāϰে āĻŽিāϏেāϏ āϰ্āϝাāĻŽāĻি āĻŽাāϰা āϝাāύ āĻāϰ āĻ
্āϝাāύ্āĻĄ্āϰু āϰ্āϝাāĻŽāĻি(Andrew Ramsay) āĻŽিāϏেāϏ āϰ্āϝাāĻŽāĻিāϰ āĻŦāĻĄ় āĻেāϞেāĻ āϝুāĻĻ্āϧে āĻŽাāϰা āϝাāύ āĻāĻŦং āϤাāϰ āĻŦােāύ āĻĒ্āϰিāĻ āϰ্āϝাāĻŽāĻি (Prue Ramsay) āϏāύ্āϤাāύāĻāύ্āĻŽāĻĻাāύāĻাāϞে āĻ
āϏুāϏ্āĻĨ āĻ
āĻŦāϏ্āĻĨাā§ āĻŽাāϰা āϝাā§।
āĻ
āύেāĻ āĻŦāĻāϰ āĻ
āϤিāĻŦাāĻšিāϤ āĻšā§ে āĻেāĻে āĻিāύ্āϤু āϰ্āϝাāĻŽāĻি āĻĒāϰিāĻŦাāϰ āĻāϰ āϤাāĻĻেāϰ āĻ্āϰীāώ্āĻŽāĻাāϞীāύ āĻŦাāĻĄ়িāϤে āĻুāĻি āĻাāĻাāϤে āĻāϏেāύি, āĻĢāϞে āĻŦাāĻĄ়িāϰ āĻ
āĻŦāϏ্āĻĨাāĻ āĻāĻেāϰ āĻŽāϤাে āύেāĻ, āĻŦাāĻাāύ āĻāĻাāĻাāϝ় āĻāϰে āĻেāĻে āĻāĻŦং āĻāϰে āĻŽাāĻāĻĄ়āϏাāϰা āĻŦাāϏা āĻāϰেāĻে। āĻĻāĻļ āĻŦāĻāϰ āĻĒāϰে āϰ্āϝাāĻŽāĻি āĻĒāϰিāĻŦাāϰ āĻāĻŦাāϰ āϤাāĻĻেāϰ āĻ্āϰীāώ্āĻŽāĻাāϞীāύ āĻŦাāĻĄ়িāϤে āĻŦেāĻĄ়াāϤে āĻāϏে।
āĻŦাāĻĄ়ি āĻĻেāĻাāĻļােāύাāϰ āĻĻ্āĻŦাāϝ়িāϤ্āĻŦে āĻĨাāĻা āĻŽিāϏেāϏ āĻŽ্āϝাāĻāύাāĻŦ(Mrs. McNab) āĻāϰāĻ āĻāϝ়েāĻāĻāύ āĻŽāĻšিāϞাāĻে āĻাāĻে āύিāϝ়ােāĻ āĻāϰেāύ āĻāĻŦং āĻĻ্āϰুāϤ āĻŦাāĻĄ়িāĻাāĻে āĻŦāϏāĻŦাāϏেāϰ āϝােāĻ্āϝ āĻāϰে āϤােāϞেāύ। āϏāĻŦāĻিāĻু āĻ িāĻāĻ াāĻ āĻšāϝ়ে āĻেāϞে āϞিāϞি āĻŦ্āϰিāϏāĻো āĻāϏে āĻĒৌঁāĻাā§। āĻĻ্āĻŦিāϤীā§ āĻĒāϰ্āĻŦāĻ āĻāĻাāύে āϏāĻŽাāĻĒ্āϤ āĻšā§।
āĻāϰāĻĒāϰ āĻāĻĒāύ্āϝাāϏেāϰ āϤৃāϤীā§ āĻāĻŦং āϏāϰ্āĻŦāĻļেāώ āĻ
ংāĻļ āĻļুāϰু āĻšā§। āĻāĻ āĻ
ংāĻļেāϰ āύাāĻŽ "The Lighthouse". āĻļুāϰুāϤেāĻ āĻĻেāĻা āϝাā§, āĻŽি. āϰ্āϝাāĻŽāĻি āϏিāĻĻ্āϧাāύ্āϤ āύেāύ āϝে āϤিāύি āϤাāϰ āĻĻুāĻ āϏāύ্āϤাāύ āĻেāĻŽāϏ āĻāĻŦং āĻাāĻŽāĻে(Cam Ramsay) āύিāϝ়ে Lighthouse'āĻ āϝাāĻŦেāύ। āύিāϰ্āĻĻিāώ্āĻ āĻĻিāύে Lighthouse'āĻ āϝাāĻāϝ়াāϰ āĻāύ্āϝ āϏāĻাāϞে āĻŦেāϰ āĻšāϤে āĻĻেāϰী āĻšāĻāϝ়াāϤে āĻŽি. āϰ্āϝাāĻŽāĻি āϰেāĻে āϝাāύ। āϤāĻāύ āϤিāύি āϞিāϞিāϰ āĻাāĻে āϝাāύ āϏāĻŽāĻŦেāĻĻāύাāϰ āĻāύ্āϝ āĻিāύ্āϤু āϞিāϞি āĻŽিāϏেāϏ āϰ্āϝাāĻŽāĻিāϰ āĻŽāϤাে āύা āĻšāĻāϝ়াāϝ় āϤাāĻে āϏāĻŽāĻŦেāĻĻāύা āĻাāύাāϤে āĻĒাāϰে āύা।
āĻŽি. āϰ্āϝাāĻŽāĻি āĻেāĻŽāϏ āĻ āĻাāĻŽ āϞাāĻāĻāĻšাāĻāĻেāϰ āĻāĻĻ্āĻĻেāĻļ্āϝ āϰāĻāύা āĻšāϝ়ে āĻেāϞে āϞিāϞি āϤাāϰ āϏেāĻ āĻ
āĻĒূāϰ্āĻŖ āĻāĻŦি, āϝেāĻা āϤিāύি āĻāϞ্āĻĒেāϰ āĻļুāϰুāϤে āĻঁāĻāϤে āĻļুāϰু āĻāϰেāĻিāϞেāύ, āϏেāĻা āĻঁāĻে āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻāϰাāϰ āĻাāĻে āϞেāĻে āĻĒāĻĄ়েāύ। āĻেāĻŽāϏ (James) āĻāĻŦং āĻাāĻŽ (Cam) āϤাāĻĻেāϰ āĻŦাāĻŦাāϰ āĻāĻĻ্āϧāϤ āĻāĻāϰāĻŖেāϰ āĻāύ্āϝ āϤাāϰ āĻāĻĒāϰ āϰাāĻ āĻāϰে āĻিāύ্āϤু āĻāϰāĻĒāϰেāĻ āϝāĻāύ āϤাāĻĻেāϰ āύৌāĻা āϞাāĻāĻāĻšাāĻāĻে āĻĒৌāĻাāϝ়, āĻাāĻŽ āϤাāϰ āĻŦাāĻŦাāϰ āĻĒ্āϰāϤি āĻāĻāϧāϰāĻŖেāϰ āĻাāϞāĻŦাāϏা āĻ
āύুāĻāĻŦ āĻāϰে।
āĻāĻŽāύāĻি āĻেāĻŽāϏ āϝে āϤাāϰ āĻŦাāĻŦাāĻে āĻāϤāĻĻিāύ āĻ
āĻĒāĻāύ্āĻĻ āĻāϰে āĻāϏāĻে āϏেāĻ āĻŦাāĻŦাāϰ āĻĒ্āϰāϤি āĻāĻāĻা āĻাāύ āĻ
āύুāĻāĻŦ āĻāϰāϤে āĻļুāϰু āĻāϰে৷ āĻāϰ āĻŽি. āϰ্āϝাāĻŽāĻিāĻ āĻেāĻŽāϏেāϰ āύৌāĻা āĻাāϞাāύােāϰ āĻĒ্āϰāϏংāĻļা āĻāϰেāύ। āĻāĻĻিāĻে āĻŦে-āĻāϰ āĻ
āĻĒāϰ āĻĒাāĻļে āϞিāϞি āϤাāϰ āĻāĻŦিāϤে āĻĢিāύিāĻļিং āĻাāĻ āĻĻিāϤে āĻļুāϰু āĻāϰে। āύিāĻেāϰ āĻŦ্āϰাāĻļ āĻĻিāϝ়ে āϤিāύি āĻ্āϝাāύāĻাāϏে āĻļেāώāĻŦাāϰেāϰ āĻŽāϤাে āĻāĻāĻা āĻāĻāĻĄ় āĻĻেāύ āĻāĻŦং āĻŦ্āϰাāĻļāĻা āύিāĻে āϰেāĻে āĻĻেāύ, āĻ
āĻŦāĻļেāώে āϤাāϰ āĻāĻŦি āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻšāϝ়। āĻāĻাāύেāĻ āĻāĻĒāύ্āϝাāϏāĻা āĻļেāώ āĻšā§।