To the Lighthouse Bangla Summary & Themes by Virginia Woolf

Mofizur Rahman

To the Lighthouse Bangla Summary & Themes by Virginia Woolf

Honours 4th Year
20th Century Novel
To the Lighthouse by Virginia Woolf
Bangla and English Summary
Character Explanation
Themes, Tone
Point Of View
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To the Lighthouse Bangla Summary & Themes by Virginia Woolf

To the Lighthouse

Summary, Theme, Character of To the Lighthouse by V. Woolf

Point Of View

The narrator speaks in the third person and describes the characters and actions subjectively, giving us insight into the characters’ feelings. The narrative switches constantly from the perceptions of one character to those of the next.

Tone

  1. Elegiac
  2. Poetic
  3. Rhythmic
  4. Imaginative.

Setting (Time & Place)

The years immediately preceding and following World War I.

Setting (Place):- The Isle of Skye, in the Hebrides (a group of islands west of Scotland).

Protagonist

Although Mrs. Ramsay is the central focus of the beginning of To the Lighthouse, the novel traces the development of Lily Briscoe to the end, making it more accurate to describe Lily as the protagonist.

Major Conflict

The common struggle that each of the characters faces is to bring meaning and order to the chaos of life.

Rising Action

James’s desire to journey to the lighthouse; Mr. Ramsay’s need to ask Mrs. Ramsay for sympathy; Charles Tansley’s insistence that women cannot paint or write; Lily Briscoe’s stalled attempt at her painting.

Climax

Mrs. Ramsay’s dinner party.

Falling Action

Mr. Ramsay’s trip to the lighthouse with Cam and James; Lily Briscoe’s completion of her painting.

Themes

The transience of life and work; art as a means of preservation; the subjective nature of reality; the restorative effects of beauty.

Motifs

The differing behaviors of men and women;

Symbols

The lighthouse, Lily’s painting, the Ramsays’ house, the sea, the boar’s skull, the fruit basket.


Character Explanations

Mr. Ramsay

Mrs. Ramsay’s husband, and a prominent metaphysical philosopher. Mr. Ramsay loves his family but often acts like something of a tyrant being selfish and harsh due to his persistent personal and professional anxieties. 

Mrs. Ramsay

Mr. Ramsay’s wife. A beautiful and loving woman, Mrs. Ramsay is a wonderful hostess who takes pride in making memorable experiences for the guests at the family’s summer home on the Isle of Skye. 

Lily Briscoe

A young, single painter who befriends the Ramsays on the Isle of Skye. Like Mr. Ramsay, Lily is plagued by fears that her work lacks worth. She begins a portrait of Mrs. Ramsay at the beginning of the novel but has trouble finishing it. 

William Bankes

A botanist and old friend of the Ramsays who stays on the Isle of Skye. Bankes is a kind and mellow man whom Mrs. Ramsay hopes will marry Lily Briscoe. Although he never marries her, Bankes and Lily remain close friends. 

James Ramsay

The Ramsays’ youngest son. James loves his mother deeply and feels a murderous antipathy toward his father, with whom he must compete for Mrs. Ramsay’s love and affection. At the beginning of the novel, Mr. Ramsay refuses the six-year-old James’s request to go to the lighthouse, saying that the weather will be foul and not permit it; ten years later, James finally makes the journey with his father and his sister Cam. 

Paul Rayley

A young friend of the Ramsays who visits them on the Isle of Skye. Paul is a kind, impressionable young man who follows Mrs. Ramsay’s wishes in marrying Minta Doyle. 

Minta Doyle

A flighty young woman who visits the Ramsays on the Isle of Skye. Minta marries Paul Rayley at Mrs. Ramsay’s wishes. 

Charles Tansley

A young philosopher and pupil of Mr. Ramsay who stays with the Ramsays on the Isle of Skye. He often insults other people, particularly women such as Lily, whose talent and accomplishments he constantly calls into question. 

Augustus Carmichael

An opium-using poet who visits the Ramsays on the Isle of Skye. 

Andrew Ramsay

The oldest of the Ramsays’ sons. Andrew is a competent, independent young man, and he looks forward to a career as a mathematician. 

Jasper Ramsay

One of the Ramsays’ sons. 

Roger Ramsay

One of the Ramsays’ sons. Roger is wild and adventurous, like his sister Nancy. 

Prue Ramsay

The oldest Ramsay girl, a beautiful young woman. Mrs. Ramsay delights in contemplating Prue’s marriage, which she believes will be blissful. 

Rose Ramsay

One of the Ramsays’ daughters. Rose has a talent for making things beautiful. 

Nancy Ramsay

One of the Ramsays’ daughters. Nancy accompanies Paul Rayley and Minta Doyle on their trip to the beach. 

Cam Ramsay

One of the Ramsays’ daughters. As a young girl, Cam is mischievous. She sails with James and Mr. Ramsay to the lighthouse in the novel’s final section. 

Mrs. McNab

An elderly woman who takes care of the Ramsays’ house on the Isle of Skye, restoring it after ten years of abandonment during and after World War I. 

Macalister

The fisherman who accompanies the Ramsays to the lighthouse. 

Macalister’s boy

The fisherman’s boy. He rows James, Cam, and Mr. Ramsay to the lighthouse.


English Summary (āχংāϰেāϜি āϏাāĻŽাāϰি āĻŦা āϏাāϰāĻŽāϰ্āĻŽ) 

Part one takes up more than half the book. It’s set at the Ramsay’s summer home, where the Ramsays and their eight children are entertaining a number of friends and colleagues. The novel begins with James Ramsay, age six, wishing to go to the Lighthouse that’s across the bay from the Ramsays’ summer home.


His mother, Mrs. Ramsay, holds out hope that the weather will be good tomorrow so they can go to the Lighthouse, but Mr. Ramsay ensures that the weather will be awful. James resents his father and believes that he enjoys being cruel to James and his siblings.


The Ramsays host a number of guests, including the dour Charles Tansley, who admires Mr. Ramsay’s work as a metaphysical philosopher. Also at the house is Lily Briscoe, a young painter who begins a portrait of Mrs. Ramsay. Mrs. Ramsay wants Lily to marry William Bankes, an old friend of the Ramsays, but Lily resolves to remain single. Mrs. Ramsay does manage to arrange another marriage, however, between Paul Rayley and Minta Doyle, two of their acquaintances.


During the course of the afternoon, Paul proposes to Minta, Lily begins her painting, Mrs. Ramsay soothes the resentful James, and Mr. Ramsay frets over his shortcomings as a philosopher, periodically turning to Mrs. Ramsay for comfort. For the evening, Mrs. Ramsay has planned a dinner for fifteen guests including Augustus Carmichael, a friend and poet.


The dinner gets off to a shaky start. Paul and Minta are late returning from their walk on the beach with two of the Ramsays’ children. Lily bristles at outspoken comments made by Charles Tansley, who suggests that women can neither paint nor write. Mr. Ramsay reacts rudely when Augustus Carmichael, a poet, asks for a second plate of soup.


As the night draws on, however, these missteps right themselves, and the guests come together to make a memorable evening. However, at a certain magical moment, everyone in the room seems to connect, and Mrs. Ramsay hopes that something permanent will result from this connection.


Following dinner, Mr. and Mrs. Ramsay sit together in the parlor, and Mrs. Ramsay finds that she unable to tell her husband that she loves him. Nevertheless, though their unspoken communication she is sure that he knows. The Ramsays and their guests go to sleep. Night falls, and one night quickly becomes another.


In the second section of the novel, "Time Passes," the house is abandoned for ten years, suffering the ravages of time, neglect, and decay. War breaks out across Europe.  Mrs. Ramsay unexpectedly dies one night, as does Prue in an illness related to childbirth. Andrew is the third Ramsay to die when he is killed instantaneously in battle.


The family no longer vacations at its summerhouse, which falls into a state of disrepair: weeds take over the garden and spiders nest in the house. Mrs. McNab goes to the house occasionally to tidy it up and restore it, but it is not until she hears word that the remaining Ramsays will be returning for the summer that she gets everything in order. They rescue the house from oblivion and decay, and everything is in order when Lily Briscoe returns.


In "The Lighthouse," all of the living Ramsays, as well as other guests (including Lily Briscoe), return to the summer home. Mr. Ramsay declares that he, James, and Cam Ramsay will finally take the trip to the Lighthouse, but the children are resentful of his domineering manner.


He is angry about delays on the morning of the trip, and he approaches Lily for sympathy, but she is unable to feel any sympathy for him until he has already set off on the journey, when it is too late. Just as Mr. Ramsay decides to finally take this journey, Lily Briscoe decides to finally finish the painting that she started ten years ago.


On the boat, the children continue to resent their father's self-pity, yet as the ship approaches the Lighthouse, they find a new tenderness for and connection to him. As the boat reaches its destination, Lily paints the final stroke on her canvas and finally achieves her vision.


āĻŦাংāϞা āϏাāĻŽাāϰী āĻŦা āϏাāϰāĻŽāϰ্āĻŽ (Bangla- Bengali Summary)

Virginia Woolf āĻāϰ āϞেāĻ–া "To the Ligjthouse" āωāĻĒāύ্āϝাāϏāϟি āĻĒ্āϰāĻ•াāĻļিāϤ āĻšā§ŸেāĻ›িāϞো ⧧⧝⧍⧭ āϏাāϞে। āωāĻĒāύ্āϝাāϏāϟিāϤে āϰ‍্āϝাāĻŽāϜি āύাāĻŽāĻ• āĻāĻ• āĻĒāϰিāĻŦাāϰেāϰ āĻ“ ⧧⧝⧧ā§Ļ āĻĨেāĻ•ে ⧧⧝⧍ā§Ļ āĻĒāϰ্āϝāύ্āϤ āϏ্āĻ•āϟāϞ্āϝাāύ্āĻĄেāϰ āφāχāϞ āĻ…āĻĢ āϏ্āĻ•াāχ-āϤে āĻ­্āϰāĻŽāĻŖāĻ•াāϞীāύ āĻ•াāĻšিāύী āĻŦāϰ্āĻŖিāϤ āĻšāϝ়েāĻ›ে। āϝāĻĻিāĻ“ āωāĻĒāύ্āϝাāϏāϟি āφāϧুāύিāĻ•āϤাāĻŦাāĻĻী āϧাāϰাāϝ āĻ…āύুāϏāϰāĻŖ āĻ•āϰে āϞেāĻ–া āĻšā§ŸেāĻ›ে āĻšāĻŦে āĻ“ āϧাāϰাāĻŦাāĻšিāĻ•āϤাāϝ় āĻ•াāĻšিāύীāϰ āϤুāϞāύাāϝ় āĻāϟিāϤে āĻĻাāϰ্āĻļāύিāĻ• āĻ…āύ্āϤāϰ্āĻĻৃāώ্āϟিāϰ āĻĒ্āϰাāϧাāύ্āϝ āϤুāϞāύাāĻŽূāϞāĻ• āĻ­াāĻŦে āĻŦেāĻļি। āωāĻĒāύ্āϝাāϏāϟি āĻĒ্āϰাāϝ় āĻĒুāϰোāϟাāχ āϚিāύ্āϤা, āĻŽāύোঃāϏāĻŽীāĻ•্āώāĻŖ āĻ“ āĻĒāϰ্āϝāĻŦেāĻ•্āώāĻŖেāϰ āφāĻĻāϞে āĻ—āĻ িāϤ। āωāĻĒāύ্āϝাāϏেāϰ āĻĒ্āϰāϤিāϟি āĻ…ংāĻļāχ "Stream-of-consciousness" āĻĒāĻĻ্āϧāϤিāϰ āĻŽাāϧ্āϝāĻŽে āĻŦিāĻ­িāύ্āύ āϚāϰিāϤ্āϰ āĻŦāϰ্āĻŖিāϤ āĻšā§ŸেāĻ›ে।


ā§§ā§¯ā§¯ā§Ž āϏাāϞে āĻŽāĻĄাāϰ্āύ āϞাāχāĻŦ্āϰেāϰি āϤাāĻĻেāϰ ⧍ā§ĻāĻļ āĻļāϤāĻ•েāϰ āϏেāϰা ā§§ā§Ļā§Ļāϟি āχংāϰেāϜি āωāĻĒāύ্āϝাāϏেāϰ āϤাāϞিāĻ•াāϝ় "To the Lighthouse" novel'āϟিāĻ•ে ā§§ā§ĢāϤāĻŽ āϏ্āĻĨাāύে āύিāϰ্āĻŦাāϚিāϤ āĻ•āϰেāĻ›েāύ।


"To The Lighthouse" "āωāĻĒāύ্āϝাāϏāϟি āĻŽোāϟ ā§Š āϟি āĻ…ংāĻļে āĻŦিāĻ­āĻ•্āϤ:-
  1. "The Window" 
  2. "Time Passes" āĻāĻŦং 
  3. "The Lighthouse".

"The Window" āĻ…ংāĻļāϟি āĻļুāϰু āĻšāϝ় āĻĒ্āϰāĻĨāĻŽ āĻŦিāĻļ্āĻŦāϝুāĻĻ্āϧ āĻļুāϰুāϰ āĻ•িāĻ›ুāĻĻিāύ āφāĻ—েāϰ āϘāϟāύা āĻĻি⧟ে। āĻŽিāϏ্āϟাāϰ āϰ‍্āϝাāĻŽāϜি(Mr. Ramsay) āĻāĻŦং āĻŽিāϏেāϏ āϰ‍্āϝাāĻŽāϜি(Mrs. Ramsay) āϤাāĻĻেāϰ āφāϟ āϏāύ্āϤাāύāĻ•ে āύিāϝ়ে āĻšেāĻŦ্āϰিāĻĄিāϜে(Hebrides) āϤাāĻĻেāϰ āĻ—্āϰীāώ্āĻŽāĻ•াāϞীāύ āĻŦাāĻĄ়িāϤে āĻāϏেāĻ›ে; āĻšেāĻŦ্āϰিāĻĄিāϜ āĻšāϚ্āĻ›ে āϏ্āĻ•āϟāϞ্āϝাāύ্āĻĄেāϰ āĻĒāĻļ্āϚিāĻŽে āĻ…āĻŦāϏ্āĻĨিāϤ āĻāĻ•āĻ—ুāϚ্āĻ› āĻĻ্āĻŦীāĻĒ। āϤাāĻĻেāϰ āĻāχ āĻŦাāĻĄ়ি āĻĨেāĻ•ে āĻ•িāĻ›ুāϟা āĻĻূāϰে āĻŦে-āĻāϰ (Bay) āĻāϰ āĻ…āĻĒāϰ āĻĒাāĻļে āĻāĻ•āϟা āϞাāχāϟāĻšাāωāϜ āφāĻ›ে; [Bay āĻšāϚ্āĻ›ে āϤিāύāĻĻিāĻ• āϏ্āĻĨāϞ āĻĻ্āĻŦাāϰা āĻŦেāώ্āϟিāϤ āϜāϞােāϰাāĻļি; āϝেāĻŽāύāϟা āĻŦāĻ™্āĻ—োāĻĒāϏাāĻ—āϰāĻ•ে āĻŦāϞা āĻšā§Ÿ Bay of Bengal]


āĻ›ā§Ÿ āĻŦāĻ›āϰ āĻŦāϝ়āϏী āϜেāĻŽāϏ āϰ‍্āϝাāĻŽāϜি (James Ramsay) āĻāχ āϞাāχāϟāĻšাāωāϜে āϝাāĻ“āϝ়াāϰ āϜāύ্āϝ āĻĒ্āϰāϚāĻŖ্āĻĄ āφāĻ—্āϰāĻšী āĻāĻŦং āĻŽিāϏেāϏ āϰ‍্āϝাāĻŽāϜি āϤাāĻ•ে āĻāχ āĻŦāϞে āϏাāύ্āϤ্āĻŦāύা āĻĻেāύ āϝে āφāĻŦāĻšাāĻ“āϝ়া āĻ­াāϞ āĻĨাāĻ•āϞে āĻĒāϰেāϰāĻĻিāύ āϤাāϰা āĻ“āĻ–াāύে āϝাāĻŦেāύ। āĻāϟা āĻļুāύে āϜেāĻŽāϏ āĻ…āύেāĻ• āĻ–ুāĻļি āĻšāϝ় āĻ•িāύ্āϤু āĻŽি. āϰ‍্āϝাāĻŽāϜি  āϤাāĻ•ে āĻšāϤাāĻļ āĻ•āϰে āĻŦāϞেāύ āĻĒāϰেāϰāĻĻিāύ āϘুāϰāϤে āϝাāĻ“āϝ়াāϰ āĻŽāϤ āĻ­াāϞ āφāĻŦāĻšাāĻ“āϝ়া āĻĨাāĻ•āĻŦে āύা। āĻāϟা āĻļুāύে āĻŦাāĻŦাāϰ āĻ“āĻĒāϰ āϜেāĻŽāϏেāϰ āĻŦেāĻļ āϰাāĻ— āĻšāϝ়, āϏে āĻ­াāĻŦāϤে āĻĨাāĻ•ে āϤাāϰ āĻŦাāĻŦা āϤাāϰ āĻāĻŦং āϤাāϰ āĻ­াāχāĻŦােāύāĻĻেāϰ āϏাāĻĨে āĻ–াāϰāĻĒ āφāϚāϰāĻŖ āĻ•āϰে āĻŽāϜা āĻĒাāϝ় āϤাāχ āϏে āĻāĻŽāύ āϰূā§ āφāϚāϰāĻŖ āĻ•āϰে।


āĻšেāĻŦ্āϰিāĻĄিāϜে "āφāχāϞ āĻ…āĻŦ āϏ্āĻ•াāχ" āĻĻ্āĻŦীāĻĒে āϰ‍্āϝাāĻŽāϜি āĻĒāϰিāĻŦাāϰেāϰ āĻ—্āϰীāώ্āĻŽāĻ•াāϞীāύ āĻŦা⧜িāϤে āϤাāĻĻেāϰ āϏাāĻĨে āĻŦেāĻļ āĻ•āϝ়েāĻ•āϜāύ āĻ…āϤিāĻĨিāĻ“ āφāĻ›েāύ, āϝাāĻĻেāϰ āĻŽāϧ্āϝে āĻāĻ•āϜāύ āĻšāϚ্āĻ›েāύ āϚাāϰ্āϞāϏ āϟ্āϰাāύ্āϏāϞি (Charles Tansley), āϝিāύি āĻāĻ•āϜāύ āĻ…āϧ্āϝাāϤ্āύিāĻ• āĻĻাāϰ্āĻļāύিāĻ•(metaphysical philosopher)  āĻšিāϏেāĻŦে āĻ–্āϝাāϤ āĻāĻŦং āϤিāύি āĻŽি. āϰ‍্āϝাāĻŽāϜিāϰ āĻ•াāϜেāϰ āĻ…āύেāĻ• āĻĒ্āϰāϏংāĻļা āĻ•āϰেāύ।


āϰ‍্āϝাāĻŽāϜিāĻĻেāϰ āϏাāĻĨে āϤাāĻĻেāϰ āĻŦাāĻĄ়িāϤে āφāϰাে āφāĻ›েāύ āϞিāϞি āĻŦ্āϰিāϏāĻ•ো(Lily Briscoe). Lily āĻāĻ•āϜāύ āϤāϰুāύ āϚিāϤ্āϰāĻļিāϞ্āĻĒী āϝিāύি āĻŽিāϏেāϏ āϰ‍্āϝাāĻŽāϜিāϰ āĻāĻ•āϟি āĻĒােāϰ্āϟেāϟ(portrait) āφঁāĻ•āϤে āĻļুāϰু āĻ•āϰেāĻ›িāϞেāύ। āϞিāϞি āĻŦ্āϰিāϏāĻ•ো āϤাāϰ āĻ•াāϜ āύি⧟ে āϏāĻŦāϏāĻŽā§Ÿ āĻšীāύāĻŽāύ্āϝāϤা⧟ āĻ­োāĻ—েāύ, āϤিāύি āĻ­াāĻŦেāύ āϤাāϰ āĻ•াāϜে āĻ•োāĻĨাāĻ“ āύা āĻ•োāĻĨাāĻ“ āĻāĻ•āϟা āϤ্āϰুāϟি āφāĻ›ে। āϤাāχ āϏে āĻ•োāύো āĻ•াāϜ āĻĻ্āϰুāϤ āĻļেāώ āĻ•āϰāϤে āĻĒাāϰে āύা। āĻ“āĻĻিāĻ•ে āĻŽিāϏেāϏ āϰ‍্āϝাāĻŽāϜি āϚাāύ āϞিāϞি āϰ‍্āϝাāĻŽāϜিāĻĻেāϰ āĻĒুāϰােāύাে āĻŦāύ্āϧু āωāχāϞিāϝ়াāĻŽ āĻŦ্āϝাংāĻ•āϏāĻ•ে (William Bankes) āϝেāύ āĻŦিāϝ়ে āĻ•āϰে, āĻ•িāύ্āϤু āϞিāϞি āϤা āϚা⧟ āύা āĻāĻŦং āϏাāϰাāϜীāĻŦāύ āĻ…āĻŦিāĻŦাāĻšিāϤ āĻĨাāĻ•াāϰ āϏিāĻĻ্āϧাāύ্āϤ āύে⧟।


āϝāĻĻিāĻ“ āĻŽিāϏেāϏ āϰ‍্āϝাāĻŽāϜি Lily'āϰ āĻŦি⧟েāϟা āϘāϟাāϤে āĻĒাāϰে āύি āĻ•িāύ্āϤু āϏে āĻ…āĻŦāĻļ্āϝ āφāϰেāĻ•āϟি āĻŦিāϝ়েāϰ āĻŦ্āϝāĻŦāϏ্āĻĨা āĻ•āϰāϤে āϏāĻ•্āώāĻŽ āĻšāύ, āϝেāϟা āĻšāϝ় āϤাāĻĻেāϰ āĻĒāϰিāϚিāϤ āĻĒāϞ āϰেāχāϞি (Paul Rayley) āĻāĻŦং āĻŽিāύ্āϟা āĻĄāϝ়েāϞেāϰ (Minta Doyle) āĻŽāϧ্āϝে। āϏেāĻĻিāύ āĻŦিāĻ•েāϞেāχ āĻĒāϞ āĻŽিāύ্āϟাāĻ•ে āĻŦি⧟েāϰ āĻĒ্āϰāϏ্āϤাāĻŦ āĻĻেāύ।  āϞিāϞিāĻ“ āϤাāϰ āĻ…āϏāĻŽ্āĻĒāύ্āύ āĻ›āĻŦি āφঁāĻ•া āĻļুāϰু āĻ•āϰেāύ āφāϰ āĻŽিāϏেāϏ āϰ‍্āϝাāĻŽāϜি āϤাāϰ āĻŽāύ āĻ–াāϰাāĻĒ āĻ•āϰা āĻ›েāϞে āϜেāĻŽāϏāĻ•ে āϏাāĻŽāϞাāύ। āĻŽি. āϰ‍্āϝাāĻŽāϜি āϤাāϰ āĻ•াāϜ āύি⧟ে āϏāύ্āϤুāώ্āϟ āĻšāϤে āĻĒাāϰেāύ āύা āϤাāχ āϤিāύি āĻ­াāĻŦেāύ āĻĻাāϰ্āĻļāύিāĻ• āĻšিāϏেāĻŦে āϏāĻĢāϞ āĻšāϤে āϤাāĻ•ে āφāϰো āĻ•āĻ োāϰāĻ­াāĻŦে āĻ•াāϜ āĻ•āϰāϤে āĻšāĻŦে।  āύিāϜেāϰ āĻ•ৃāϤিāϤ্āĻŦেāϰ āĻŽāϧ্āϝে āϤিāύি āĻ…āĻĒূāϰ্āĻŖāϤা āĻ–ুāĻ›ে āĻĒাāύ। āϤিāύি āϤাāϰ āϏ্āϤ্āϰী'āϰ āĻ•াāĻ› āĻĨেāĻ•ে āĻ‰ā§ŽāϏাāĻš  āϚাāύ।


āϏেāĻĻিāύ āϏāύ্āϧা⧟ āϰ‍্āϝাāĻŽāϜি-āĻĒāϰিāĻŦাāϰ āĻāĻ•āϟি āĻĄিāύাāϰ āĻĒাāϰ্āϟিāϰ āĻ†ā§ŸোāϜāύ āĻ•āϰে āϝেāϟা āĻ•িāĻ›ুāϟা āĻ…āϏāύ্āϤোāώāϜāύāĻ•āĻ­াāĻŦে āĻļুāϰু āĻšā§Ÿ। āĻĒāϞ āĻāĻŦং āĻŽিāύ্āϟা āϰ‍্āϝাāĻŽāϜিāĻĻেāϰ āĻĻুāχ āϏāύ্āϤাāύāĻ•ে āύি⧟ে āϏāĻŽুāĻĻ্āϰ āϏৈāĻ•āϤে āĻšাঁāϟāϤে āϝাāύ āĻāĻŦং āĻĻেāϰিāϤে āĻĢিāϰে āφāϏেāύ। āϚাāϰ্āϞāϏ āϟ্āϰাāύ্āϏāϞি āĻŽে⧟েāĻĻেāϰ āĻ•াāϜেāϰ āĻĻāĻ•্āώāϤাāĻ•ে āĻ…āĻĒāĻŽাāύ āĻ•āϰে āĻŦāϞেāύ, āĻŽে⧟েāϰা āφāĻ•āϤে āĻŦা āϞিāĻ–āϤে āĻĒাāϰেāύা, āϤাāĻĻেāϰ āϏেāχ āĻĻāĻ•্āώāϤা āĻ“ āϧৈāϰ্āϝ্āϝ āύেāχ। āĻāϟা āĻļুāύে āϞিāϞি āϚাāϰ্āϞāϏ āϟ্āϰাāύ্āϏāϞিāϰ āĻŽāύ্āϤāĻŦ্āϝে āϰেāĻ—ে āϝাāύ।


āĻĄিāύাāϰে āĻŦāϏে āφāĻ—াāϏ্āϟাāϏ āĻ•াāϰāĻŽাāχāĻ•েāϞ (Augustus Carmichael) āĻŽি. āϰ‍্āϝাāĻŽāϜিāϰ āĻ•াāĻ› āĻĨেāĻ•ে āφāϰো āĻ–াāύিāĻ•āϟা āϏুāĻĒ āϚাāχāϞে  āĻŽি. āϰ‍্āϝাāĻŽāϜি āĻāϤে āϰেāĻ—ে āϝাāύ āĻāĻŦং āϤাāϰ āϏাāĻĨে āĻ–াāϰাāĻĒ āφāϚāϰāĻŖ āĻ•āϰেāύ। āϝাāχāĻšোāĻ•, āĻĄিāύাāϰāϟা āĻāĻ­াāĻŦে āĻ•āĻĻāϰ্āϝāĻ­াāĻŦে āĻļুāϰু āĻšāϞেāĻ“ āϧীāϰে āϧীāϰে āϤাāϰা āύিāϜেāĻĻেāϰ āĻŽāϧ্āϝে āϏংāϝুāĻ•্āϤ āĻšāϤে āĻĨাāĻ•ে āĻāĻŦং āĻāĻ•āϟি āϏ্āĻŽāϰāĻŖী⧟, āĻŽāύোāĻŽুāĻ—্āϧāĻ•āϰ āϏāύ্āϧা āωāĻĒāĻ­োāĻ— āĻ•āϰে āϏāĻŦাāχ āĻŽিāϞে।


āĻ•িāύ্āϤু āĻāχ āφāύāύ্āĻĻāĻ“ āĻŦেāĻļিāĻ•্āώāĻŖ āϏ্āĻĨা⧟ী āĻĨাāĻ•ে āύা āĻāĻŦং āĻŽিāϏেāϏ āϰ‍্āϝাāĻŽāϜি āϤাāϰ āĻ…āϤিāĻĨিāĻĻেāϰ āĻĄাāχāύিং āϰুāĻŽে āϰেāĻ–ে āϝেāϤে āϝেāϤে āĻŽāύে āĻ•āϰেāύ āϘāϟāύাāϟি āĻāĻ–āύ āĻ…āϤীāϤ āĻšāϝ়ে āĻ—েāĻ›ে। āĻāϰāĻĒāϰ āϤিāύি āĻŦাāĻĄ়িāϰ āĻŦāϏাāϰ āϘāϰে āĻŽি. āϰ‍্āϝাāĻŽāϜিāϰ āĻ•াāĻ›ে āϝাāύ। āĻĻুāϜāύে āĻ•িāĻ›ুāĻ•্āώāĻŖ āϚুāĻĒāϚাāĻĒ āĻŦāϏে āĻĨাāĻ•েāύ, āĻāϰāĻĒāϰে āĻŽি. āϰ‍্āϝাāĻŽāϜিāϰ āĻšীāύāĻŽāύ্āϝāϤা⧟ āĻ­ুāĻ—āϤে āĻĨাāĻ•া āϤাāĻĻেāϰāĻ•ে āφāϰো āĻ–াāϰাāĻĒ āĻĒāϰিāϏ্āĻĨিāϤিāϰ āĻļাāĻŽিāϞ āĻ•āϰে।


āĻŽি. āϰ‍্āϝাāĻŽāϜি āϚাāύ āϤাāϰ āĻ“āϝ়াāχāĻĢ āϤাāĻ•ে āĻŦāϞুāĻ• āϝে āϤিāύি āϤাāĻ•ে āĻ­াāϞāĻŦাāϏেāύ। āĻŽিāϏেāϏ āϰ‍্āϝাāĻŽāϜি āĻāϏāĻŦ āĻŦāϞাāϰ āĻŽāϤো āĻŽাāύুāώ āύা, āĻ•িāύ্āϤু āϤিāύি āĻŽি. āϰ‍্āϝাāĻŽāϜিāϰ āϏাāĻĨে āĻāĻ•āĻŽāϤ āĻšāύ āϝে āĻĒāϰেāϰāĻĻিāύ āϞাāχāϟāĻšাāωāϜে āĻŦেāĻĄ়াāϤে āϝাāĻ“āϝ়াāϰ āĻŽāϤাে āĻ­াāϞ āφāĻŦāĻšাāĻ“āϝ়া āĻĨাāĻ•āĻŦে āύা। āĻāĻ­াāĻŦে āĻŽি. āϰ‍্āϝাāĻŽāϜি  āĻŦুāĻāϤে āĻĒাāϰেāύ āĻŽিāϏেāϏ āϰ‍্āϝাāĻŽāϜি āϤাāĻ•ে āĻ­াāϞāĻŦাāϏেāύ। āĻāϰāĻĒāϰ āϰ‍্āϝাāĻŽāϜি āĻĒāϰিāĻŦাāϰেāϰ āϞোāĻ•āϜāύ āĻāĻŦং āĻŦাāĻĄ়িāϰ āĻ…āϤিāĻĨিāϰা āϏāĻŦাāχ āϘুāĻŽাāϤে āϚāϞে āϝা⧟ āĻāĻŦং āĻĒ্āϰāĻĨāĻŽ āĻĒāϰ্āĻŦ āĻāĻ–াāύেāχ āĻļেāώ āĻ•āϰা āĻšā§Ÿ।


āĻāĻĒāϰāϰ āωāĻĒāύ্āϝাāϏেāϰ āĻĻ্āĻŦিāϤীāϝ় āĻ…ংāĻļ "Time Passes" āĻļুāϰু āĻšāϝ়। āωāĻĒāύ্āϝাāϏেāϰ āĻāχ āĻ…ংāĻļāϟি āĻĒ্āϰা⧟ āĻĻāĻļ āĻŦāĻ›āϰ āĻĒāϰেāϰ āϘāϟāύাāĻŦāϞি āĻĻি⧟ে। āĻāϰāĻŽāϧ্āϝে āĻĒ্āϰāĻĨāĻŽ āĻŦিāĻļ্āĻŦāϝুāĻĻ্āϧ āĻļেāώ āĻšā§Ÿে āĻ—ি⧟েāĻ›ে। āĻāĻ•āϰাāϤে āĻšāĻ াā§Ž āĻ•āϰে āĻŽিāϏেāϏ āϰ‍্āϝাāĻŽāϜি āĻŽাāϰা āϝাāύ āφāϰ āĻ…্āϝাāύ্āĻĄ্āϰু āϰ‍্āϝাāĻŽāϜি(Andrew Ramsay) āĻŽিāϏেāϏ āϰ‍্āϝাāĻŽāϜিāϰ āĻŦāĻĄ় āĻ›েāϞেāĻ“ āϝুāĻĻ্āϧে āĻŽাāϰা āϝাāύ āĻāĻŦং āϤাāϰ āĻŦােāύ āĻĒ্āϰিāω āϰ‍্āϝাāĻŽāϜি (Prue Ramsay) āϏāύ্āϤাāύāϜāύ্āĻŽāĻĻাāύāĻ•াāϞে āĻ…āϏুāϏ্āĻĨ āĻ…āĻŦāϏ্āĻĨা⧟ āĻŽাāϰা āϝা⧟।


āĻ…āύেāĻ• āĻŦāĻ›āϰ āĻ…āϤিāĻŦাāĻšিāϤ āĻšā§Ÿে āĻ—েāĻ›ে āĻ•িāύ্āϤু āϰ‍্āϝাāĻŽāϜি āĻĒāϰিāĻŦাāϰ āφāϰ āϤাāĻĻেāϰ āĻ—্āϰীāώ্āĻŽāĻ•াāϞীāύ āĻŦাāĻĄ়িāϤে āĻ›ুāϟি āĻ•াāϟাāϤে āφāϏেāύি, āĻĢāϞে āĻŦাāĻĄ়িāϰ āĻ…āĻŦāϏ্āĻĨাāĻ“ āφāĻ—েāϰ āĻŽāϤাে āύেāχ, āĻŦাāĻ—াāύ āφāĻ—াāĻ›াāϝ় āĻ­āϰে āĻ—েāĻ›ে āĻāĻŦং āϘāϰে āĻŽাāĻ•āĻĄ়āϏাāϰা āĻŦাāϏা āĻ•āϰেāĻ›ে। āĻĻāĻļ āĻŦāĻ›āϰ āĻĒāϰে āϰ‍্āϝাāĻŽāϜি āĻĒāϰিāĻŦাāϰ āφāĻŦাāϰ āϤাāĻĻেāϰ āĻ—্āϰীāώ্āĻŽāĻ•াāϞীāύ āĻŦাāĻĄ়িāϤে āĻŦেāĻĄ়াāϤে āφāϏে।


āĻŦাāĻĄ়ি āĻĻেāĻ–াāĻļােāύাāϰ āĻĻ্āĻŦাāϝ়িāϤ্āĻŦে āĻĨাāĻ•া āĻŽিāϏেāϏ āĻŽ্āϝাāĻ•āύাāĻŦ(Mrs. McNab) āφāϰāĻ“ āĻ•āϝ়েāĻ•āϜāύ āĻŽāĻšিāϞাāĻ•ে āĻ•াāϜে āύিāϝ়ােāĻ— āĻ•āϰেāύ āĻāĻŦং āĻĻ্āϰুāϤ āĻŦাāĻĄ়িāϟাāĻ•ে āĻŦāϏāĻŦাāϏেāϰ āϝােāĻ—্āϝ āĻ•āϰে āϤােāϞেāύ। āϏāĻŦāĻ•িāĻ›ু āĻ িāĻ•āĻ াāĻ• āĻšāϝ়ে āĻ—েāϞে āϞিāϞি āĻŦ্āϰিāϏāĻ•ো āĻāϏে āĻĒৌঁāĻ›া⧟। āĻĻ্āĻŦিāϤী⧟ āĻĒāϰ্āĻŦāĻ“ āĻāĻ–াāύে āϏāĻŽাāĻĒ্āϤ āĻšā§Ÿ।


āĻāϰāĻĒāϰ āωāĻĒāύ্āϝাāϏেāϰ āϤৃāϤী⧟ āĻāĻŦং āϏāϰ্āĻŦāĻļেāώ āĻ…ংāĻļ āĻļুāϰু āĻšā§Ÿ। āĻāχ āĻ…ংāĻļেāϰ āύাāĻŽ "The Lighthouse". āĻļুāϰুāϤেāχ āĻĻেāĻ–া āϝা⧟, āĻŽি. āϰ‍্āϝাāĻŽāϜি āϏিāĻĻ্āϧাāύ্āϤ āύেāύ āϝে āϤিāύি āϤাāϰ āĻĻুāχ āϏāύ্āϤাāύ āϜেāĻŽāϏ āĻāĻŦং āĻ•াāĻŽāĻ•ে(Cam Ramsay) āύিāϝ়ে Lighthouse'āĻ āϝাāĻŦেāύ। āύিāϰ্āĻĻিāώ্āϟ āĻĻিāύে Lighthouse'āĻ āϝাāĻ“āϝ়াāϰ āϜāύ্āϝ āϏāĻ•াāϞে āĻŦেāϰ āĻšāϤে āĻĻেāϰী āĻšāĻ“āϝ়াāϤে āĻŽি. āϰ‍্āϝাāĻŽāϜি āϰেāĻ—ে āϝাāύ। āϤāĻ–āύ āϤিāύি āϞিāϞিāϰ āĻ•াāĻ›ে āϝাāύ āϏāĻŽāĻŦেāĻĻāύাāϰ āϜāύ্āϝ āĻ•িāύ্āϤু āϞিāϞি āĻŽিāϏেāϏ āϰ‍্āϝাāĻŽāϜিāϰ āĻŽāϤাে āύা āĻšāĻ“āϝ়াāϝ় āϤাāĻ•ে āϏāĻŽāĻŦেāĻĻāύা āϜাāύাāϤে āĻĒাāϰে āύা।


āĻŽি. āϰ‍্āϝাāĻŽāϜি  āϜেāĻŽāϏ āĻ“ āĻ•াāĻŽ āϞাāχāϟāĻšাāωāϜেāϰ āωāĻĻ্āĻĻেāĻļ্āϝ āϰāĻ“āύা āĻšāϝ়ে āĻ—েāϞে āϞিāϞি āϤাāϰ āϏেāχ āĻ…āĻĒূāϰ্āĻŖ āĻ›āĻŦি, āϝেāϟা āϤিāύি āĻ—āϞ্āĻĒেāϰ āĻļুāϰুāϤে āφঁāĻ•āϤে āĻļুāϰু āĻ•āϰেāĻ›িāϞেāύ, āϏেāϟা āĻঁāĻ•ে āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻ•āϰাāϰ āĻ•াāϜে āϞেāĻ—ে āĻĒāĻĄ়েāύ। āϜেāĻŽāϏ (James) āĻāĻŦং āĻ•াāĻŽ (Cam) āϤাāĻĻেāϰ āĻŦাāĻŦাāϰ āωāĻĻ্āϧāϤ āφāϚāϰāĻŖেāϰ āϜāύ্āϝ āϤাāϰ āωāĻĒāϰ āϰাāĻ— āĻ•āϰে āĻ•িāύ্āϤু āĻāϰāĻĒāϰেāĻ“ āϝāĻ–āύ āϤাāĻĻেāϰ āύৌāĻ•া āϞাāχāϟāĻšাāωāϜে āĻĒৌāĻ›াāϝ়, āĻ•াāĻŽ āϤাāϰ āĻŦাāĻŦাāϰ āĻĒ্āϰāϤি āĻāĻ•āϧāϰāĻŖেāϰ āĻ­াāϞāĻŦাāϏা āĻ…āύুāĻ­āĻŦ āĻ•āϰে।


āĻāĻŽāύāĻ•ি āϜেāĻŽāϏ āϝে āϤাāϰ āĻŦাāĻŦাāĻ•ে āĻāϤāĻĻিāύ āĻ…āĻĒāĻ›āύ্āĻĻ āĻ•āϰে āφāϏāĻ›ে āϏেāĻ“ āĻŦাāĻŦাāϰ āĻĒ্āϰāϤি āĻāĻ•āϟা āϟাāύ āĻ…āύুāĻ­āĻŦ āĻ•āϰāϤে āĻļুāϰু āĻ•āϰে৷ āφāϰ āĻŽি. āϰ‍্āϝাāĻŽāϜিāĻ“ āϜেāĻŽāϏেāϰ āύৌāĻ•া āϚাāϞাāύােāϰ āĻĒ্āϰāϏংāĻļা āĻ•āϰেāύ। āĻāĻĻিāĻ•ে āĻŦে-āĻāϰ āĻ…āĻĒāϰ āĻĒাāĻļে āϞিāϞি āϤাāϰ āĻ›āĻŦিāϤে āĻĢিāύিāĻļিং āϟাāϚ āĻĻিāϤে āĻļুāϰু āĻ•āϰে। āύিāϜেāϰ āĻŦ্āϰাāĻļ āĻĻিāϝ়ে āϤিāύি āĻ•্āϝাāύāĻ­াāϏে āĻļেāώāĻŦাāϰেāϰ āĻŽāϤাে āĻāĻ•āϟা āφāϚāĻĄ় āĻĻেāύ āĻāĻŦং āĻŦ্āϰাāĻļāϟা āύিāϚে āϰেāĻ–ে āĻĻেāύ, āĻ…āĻŦāĻļেāώে āϤাāϰ āĻ›āĻŦি āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻšāϝ়। āĻāĻ–াāύেāχ āωāĻĒāύ্āϝাāϏāϟা āĻļেāώ āĻšā§Ÿ।

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