Sons and Lovers Bangla Summary & Character by D. H. Lawrence

Mofizur Rahman
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Sons and Lovers Bangla Summary & Character by D. H. Lawrence

Honours 4th Year
20th Century Novel
Sons and Lovers by D. H. Lawrence
Bangla and English Summary
Character Explanation & Themes

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Sons and Lovers Bangla Summary & Character by D. H. Lawrence

Sons and Lovers

Character Explanations

Walter Morel

He is an English collier. Representative of Lawrence's own father, Arthur. He wants to be a coal miner since his boyhood and is satisfied with his job. He is a pessimistic person who can't keep with his family members and jealous also.

Gertrude Morel

Walter Morel's wife.  Representative of Lawrence's own mother, Lydia. She is an unsympathetic lady who doesn’t care to her husband. But her motherly affection is shown in an extravagant way in this novel. Al the end of the novel, she dies tragically.

William Morel

Paul's elder brother and also eldest son of Walter and Gertrude Morel. He hates his father and more attached to his mother. Until Paul's relationship with his mother, he was the loveliest son to his mother.

Paul Morel

The second child of Walter and Gertrude Morel.

Miriam Leivers

A young farm girl. She is very introvert, romantic ambitious, religious in nature. It is ofyen said that, Miriam is represented as the Author's own beloved Jessica Chambers.

Clara Dawes

A handsome, married but physically emancipated woman living apart from her husband. Paul's mistress, makes physical relation with Paul for a several times. 

Baxter Dawes

Clara Dawes's husband. A brutal and jealous perosn. Antagonist of Paul Morel.

Anne Morel

Paul Morel's sister. She escapes her home by becoming a school teacher. 

Arthur Morel

The youngest of Mr.Morel's children. The only son whom Mr.Morel loevs much.

Mr Leivers

A silent person and father of Miriam Leivers.  

Important Themes of the novel

  1. The Oedipus Complex
  2. Family romantic and Social Bondage
  3. Contradictions and Oppositions
  4. Natural Scenery

  • The Oedipus Complex:- Hope that you all are familier with the term who have crossed your 2nd Year's bondage. It comes from the Greek tragedy of Oedipus Rex. In the novel, the blind prophet, Teiresias prophesied that Oedipus will murder his father and have sex with his mother. In the modern time, this term is names by the famous psychiatrist, Sigmund Freud. In "Sons and Lovers", Lawrence uses this complex to explore Paul's relationship with his mother, which sometimes borders on romantic. In addition, Paul hates his father with a passion and often fantasizes about his death. Paul tries to get rid of his guilty feelings by transferring his feelings to Miriam and Clara (transference also being a Freudian term).

  • Family romantic and Social Bondage:- Lawrence discusses the idea of bondage in both social and romantic arenas. Mrs. Morel feels that she is bound by being a woman. This causes her to feel jealous of Miriam who is able to use her intellect. Romantic bondage is discussed in greater detail. Paul feels bound to his mother and unable to love or marry someone else. Social absurdity and jealousy is also discussed throughout the novel, which is closely connected to the theme of bondage.

  • Contradictions and Oppositions:- The main contradiction seen in the novel is that of love and hate, as Paul goes back and forth between these two with all of the woman in his life. Sometimes he seems to feel both at the same time, as with Miriam. Lawrence also contrasts body and mind when exploring the idea of desire.

  • Natural Scenery:- Lawrence uses descriptions of the natural environment to explore the emotions and desires of the characters.


English Summary (āχংāϰেāϜি āϏাāĻŽাāϰি āĻŦা āϏাāϰāĻŽāϰ্āĻŽ)

The novel begins with the unhappy marriage of a couple. The first part of the novel focuses on Mrs. Morel and her unhappy marriage to a drinking miner. Gertrude (soon to be Mrs. Morel), an intelligent young woman from a middle-class English family, meets a young miner, Mr. Morel.


She is carmed by the behaviour and attitude of Mr.Morel so the pair are married a few months later and soon Mrs. Morel becomes pregnant. The first few months of their marriage are happy, but gradually their relationship was growing in a razzmatazz way. Mrs. Morel discovers that Walter is not as wealthy as she believed and that they do not own the house they live in, but rather rent it from Walter’s mother.


After a few months, Mrs. Morel gives birth to a son, who she names William, and she adores him immensely. Although she and Mr. Morel are still friendly with each other, she has lost interest in him and the rift between them widens after the birth of the child. She focuses all her love on her son and delights in planning for his future and watching him grow up.


Mrs. Morel has a second child, Annie, and then gets pregnant with a third. And he is Paul. One night, shortly after the birth, when she has taken the children out of the house to avoid Mr. Morel’s temper, she sits and watches the sunset on a nearby hill and decides to name the baby Paul. Paul grows into a serious and thoughtful child. William, meanwhile, is very active and charming.


Mrs. Morel gives birth to a third son, Arthur, whom Mr. Morel is instantly fond of. When William is old enough, he gets a job as a clerk and is very successful and well-liked. He is offered a position in London and gleefully accepts. At first, William visits home a lot and sends money to his family. However, as time goes on, he begins to get caught up in city life and spends his money on his fiancÊe, Louisa Lily Denys Western.


Morel is shocked and depressed when, during another visit, William is openly cruel to Louisa. Not long after this, William contracts pneumonia and dies, leaving Mrs. Morel heartbroken. Paul, meanwhile, grows into an intelligent young man and takes a job as a clerk in Nottingham. Mrs. Morel continues to grieve for William, and Paul, who is also very close to his mother, is desperate to bring her out of herself and to win her attention back.


When Paul is struck down with pneumonia, Mrs. Morel realizes, to her horror, that she has neglected him. She does everything in her power to nurse him back to health. Paul recovers well and from then on, Mrs. Morel is committed to him and pins all her hopes for the future on him. In Paul's office, he meets with Miriam Leivers. Paul falls in love with Miriam Leivers, who lives on a farm not too far from the Morel family.


Miriam, who is very timid, religious, and intellectual. Mrs. Morel dislikes her. Although Paul and Miriam get along well, there is a physical awkwardness between them. They are both immature and neither understands that they are attracted to each other. Mrs. Morel is jealous of the time he spends with Miriam cause she suspects that Paul may turn out of her.


Miriam realizes that she is in love with Paul, but she feels ashamed of this physical attraction because it clashes with her religious views. Miriam does not tell Paul about her feelings. Paul paints well. Around this time, Paul wins a prize for his painting in a Nottingham exhibition. One night, he meets Miriam at the exhibition along with a young woman called Clara Dawes.


Clara is married to a man named Baxter, who works in the same factory as Paul, but the pair have separated. Miriam and Paul continue their platonic relationship, but it puts a strain on them, as they both wish to become a couple but do not know how to do so.  Miriam is hurt and confused, but she continues to maintain that she is good for Paul and that he “belongs to her.”


One night, when Paul is out with Miriam, Mrs. Morel is taken ill. When Paul returns, Annie berates him for neglecting his mother. Paul tries to break things off with Miriam. One afternoon, Paul is invited to Miriam’s house to have tea with Clara Dawes. Although Paul still dislikes Clara, he finds her impressive and attractive.


Paul gets Clara a job in the factory, but still finds her haughty and reserved at work. Her presence irritates him and he goes out of his way to annoy her. During the summer, Paul and Miriam get engaged, but Paul breaks off the engagement several weeks later. He strikes up a relationship with Clara but continues to see Miriam often. Baxter Dawes finds out about Paul and Clara, and Baxter and Paul get into a fight in a pub.


Baxter later attacks Paul in the dark, while he is walking back from Clara’s house. During this period, Mrs. Morel’s health begins to decline. While she is on holiday in Sheffield, staying with Annie, she falls ill and is diagnosed with cancer.


Paul is horrified at the thought that his mother may die. He stays in Sheffield to nurse her and. After a few weeks, Mrs. Morel is able to travel home, but it is understood by everyone that she will not live very long. Although Paul is still in contact with both Miriam and Clara, he finds that he no longer cares for them and he dedicates all his time to caring for his mother. Mrs. Morel dies gradually and painfully.

Annie and Paul, who care for her, can hardly bear the strain.

Finally, after Mrs. Morel has grown unbearably ill, Paul poisons her with the painkillers he has been given by the doctor. Not long after Mrs. Morel’s death, Paul goes on a trip to the seaside with Baxter and invites Clara to join them. At that time, Paul believes that Clara wishes to reconcile with Baxter and arranges things so that he leaves them together in the cottage.


Although Clara is angry with Paul but she does forgive Baxter and agrees to return to him as his wife. One night, he sees Miriam outside church and invites her back to his house. Miriam is sad to see that he has deteriorated and suggests that they get married. Paul rejects her, and Miriam decides that she will never see him again.


After she has gone, Paul catches a car out into the country and walks across the fields in the dark. He calls out to his mother and wishes to end his life so he can be with her. Thus, the novel ends tragically.


āĻŦাংāϞা āϏাāĻŽাāϰী āĻŦা āϏাāϰāĻŽāϰ্āĻŽ (Bangla- Bengali Summary)

āωāĻĒāύ্āϝাāϏেāϰ āĻļুāϰুāϤেāχ āĻĻেāĻ–া āϝা⧟ Mrs.Gartrude Morel āφāϰ āϤাāϰ āϏ্āĻŦাāĻŽী Mr. Walter. Morel āĻāϰ āĻ•āϞāĻšāĻĒূāϰ্āĻŖ āĻĻাāĻŽ্āĻĒāϤ্āϝ āϜীāĻŦāύেāϰ āĻ•াāĻšিāύী। Walter Morel āĻ•ā§ŸāϞাāϰ āĻ–āύিāϤে āĻ•াāϜ āĻ•āϰেāύ। āĻŦিāĻŦাāĻšেāϰ āφāĻ—ে Mrs.Morel āĻ­েāĻŦেāĻ›িāϞো Walter Morel āĻāϰ āφāϰ্āĻĨিāĻ• āĻ…āĻŦāϏ্āĻĨা āϤāϤāϟা āĻļোāϚāύী⧟ āύ⧟ āĻ•িāύ্āϤু āĻŦিāĻŦাāĻšেāϰ āĻĒāϰে āϏে āĻĻেāĻ–āϤে āĻĒেāϞ Walter Morel āφāϏāϞে āύিāύ্āĻŽāĻŦিāϤ্āϤ āĻāĻ•āϜāύ āϞোāĻ•।


āĻāĻŽāύি āϤাঁāϰা āϝে āĻŦা⧜িāϤে āĻĨাāĻ•ে āϏেāχ āĻŦা⧜িāϟাāĻ“ āĻšāϚ্āĻ›ে āĻ­া⧜া āύে⧟া৷ āϤাঁāĻĻেāϰ āϤিāύ āĻ›েāϞে āĻ“ āĻāĻ• āĻŽে⧟ে। āϏāĻŦাāχ āĻŽিāϞে England āĻāϰ Bestwood āύাāĻŽāĻ• āĻāĻ•āϟা āϜা⧟āĻ—া⧟ āĻĨাāĻ•েāύ। āϏ্āĻŦাāĻŽীāϰ āϏাāĻĨে Mrs.Morel āĻāϰ āĻĒ্āϰা⧟āχ āĻাāĻŽেāϞা āĻšā§Ÿ āĻāĻŦং āĻĒ্āϰা⧟āχ āϏেāϟা āĻŽাāϤ্āϰাāϤিāϰিāĻ•্āϤ āĻĒāϰ্āϝা⧟ে āϚāϞে āϝা⧟৷ āĻŽোāϟāĻ•āĻĨা āϏāĻŦ āĻŽিāϞে Mrs.Morel āĻāĻ•āϟা āĻĻুāϰ্āĻŦিāώāĻš āϜীāĻŦāύ āϝাāĻĒāύ āĻ•āϰāϤেāĻ›ে। āϤাāχ Mrs.Morel āϏিāĻĻ্āϧাāύ্āϤ āύে⧟ āϝে āϏে āϤাঁāϰ āϏ্āĻŦাāĻŽীāϰ āĻĨেāĻ•ে āφāϞাāĻĻা āĻšā§Ÿে āϝাāĻŦে āϤাঁāϰ āϏāύ্āϤাāύāĻĻেāϰāĻ•ে āύি⧟ে। Mrs.Morel āĻāϰ āĻŦ⧜ āĻ›েāϞেāϰ āύাāĻŽ, William Morel


āϤাāϰāĻĒāϰ āĻāĻ•āĻŽাāϤ্āϰ āĻŽে⧟ে Anne Morel, āϤাāϰāĻĒāϰ Paul Morel āĻāĻŦং āϏāĻŦাāϰ āĻ›োāϟ Arthur Morel. āϏ্āĻŦাāĻŽীāϰ āĻ•াāĻ› āĻĨেāĻ•ে āĻ­াāϞোāĻŦাāϏা āύা āĻĒাāĻ“ā§ŸাāϤে Mrs.Morel āϤাঁāϰ āĻ›েāϞেāĻŽে⧟েāĻĻেāϰ āωāĻĒāϰ āύিāϰ্āĻ­āϰāĻļীāϞ āĻšā§Ÿে āĻĒ⧜ে āĻŦিāĻļেāώ āĻ•āϰে āϤাঁāϰ āĻŦ⧜ āĻ›েāϞে William Morel āĻāϰ āωāĻĒāϰ। āĻ•িāĻ›ুāĻĻিāύেāϰ āĻŽāϧ্āϝেāχ āϤাঁāĻĻেāϰ āĻŽāϧ্āϝে āϘāύিāώ্āĻ  āϏāĻŽ্āĻĒāϰ্āĻ• āϤৈāϰি āĻšā§Ÿ। āĻāϟাāχ āĻšāϚ্āĻ›ে āĻāχ āĻĄ্āϰাāĻŽাāϰ āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ theme, Oedipus Complex. William āĻŦ⧜ āĻšāϤে āĻĨাāĻ•ে, āϏাāĻĨে āϤাঁāϰ āĻ›োāϟ āĻ­াāχāĻŦোāύেāϰাāĻ“।


William āĻāϰ āĻŦ⧟āϏ āϝāĻ–āύ 19 āϤāĻ–āύ āϏে āĻāĻ•āϟা āϚাāĻ•āϰি āĻĒা⧟ Nottingham āĻ। āϤাāχ āϚাāĻ•āϰিāϰ āϏুāĻŦাāĻĻে āϤাঁāĻ•ে London āĻ āϚāϞে āϝেāϤে āĻšā§Ÿ। Mrs.Morel āφāĻŦাāϰ āĻāĻ•া āĻšā§Ÿে āϝা⧟। āĻ•িāύ্āϤু āĻŽা⧟ে-āĻ›েāϞেāϰ āĻŽāϧ্āϝে āϝোāĻ—াāϝোāĻ— āĻ…āĻ•্āώুāĻŖ্āĻŖ āĻĨাāĻ•ে৷ London āĻ āĻ—ি⧟ে William, Lyly āύাāĻŽেāϰ āĻāĻ• āϏুāύ্āĻĻāϰী āĻŽে⧟েāϰ āĻĒ্āϰেāĻŽে āĻĒ⧜ে৷ āĻāϟা Mrs.Morel āϜাāύাāϰ āĻĒāϰ āϤিāύি(Mrs.Morel) āĻĒ্āϰāϚāύ্āĻĄ āĻšāϤাāĻļ āĻšā§Ÿে āĻĒ⧜েāύ।


āφāϏ্āϤে āφāϏ্āϤে William āĻŦা⧜িāϰ āϏাāĻĨে,āϤাঁāϰ āĻŽা⧟েāϰ āϏাāĻĨে āϏāĻŽ্āĻĒāϰ্āĻ•েāϰ āĻĻূāϰāϤ্āĻŦ āĻŦা⧜াāϤে āĻĨাāĻ•ে৷ āĻ•িāύ্āϤু āĻĻুāϰ্āĻ­াāĻ—্āϝāϜāύāĻ•āĻ­াāĻŦে āĻ•ā§ŸেāĻ• āĻŦāĻ›āϰ āĻĒāϰ William, London āĻāχ āĻāĻ•āϟা screen disease āĻ āĻŽাāϰা āϝা⧟৷ Mrs.Morel āĻāϤে āφāϰো āĻ­েāĻ™ে āĻĒ⧜েāύ। āφāϏ্āϤে āφāϏ্āϤে āĻāĻ•āϟু āϏুāϏ্āĻĨ āĻšā§Ÿে āωāĻ āϞে Mrs.Morel āϤাঁāϰ āĻŽেāϜো āĻ›েāϞে Paul āĻāϰ āĻĒ্āϰāϤি attracted āĻšā§Ÿে āĻĒ⧜ে। Paul āĻāϰ āĻāĻ•āϟা āĻ…āϏুāĻ– āĻšāĻ“ā§ŸাāϤে Mrs.Morel, Paul āĻāϰ āφāϰো āĻ•াāĻ›াāĻ•াāĻ›ি āϚāϞে āφāϏে।


āϤাঁāĻĻেāϰ āĻŽāϧ্āϝে āĻāĻ•āϟা āĻ…āĻŦিāϚ্āĻ›েāĻĻ্āϝ āϏāĻŽ্āĻĒāϰ্āĻ• āϤৈāϰি āĻšā§Ÿ। āϝেāϟা āĻļেāώ āĻĒāϰ্āϝāύ্āϤ āĻļাāϰীāϰিāĻ• āϏāĻŽ্āĻĒāϰ্āĻ• āĻĒāϰ্āϝāύ্āϤ āĻ—ā§œা⧟। āĻĻু'āϜāύেāϰ āĻāχ āϏāĻŽ্āĻĒāϰ্āĻ• āĻŦেāĻļ āĻ­াāϞোāχ āϚāϞāϤে āĻĨাāĻ•ে। āφāϰ āĻāϏāĻŦ āĻĻেāĻ–ে Mr.Morel āψāϰ্āώাāύ্āĻŦিāϤ āĻšā§Ÿ āĻļুāϧু। Paul āĻ…āύেāĻ• āĻ­াāϞো āĻ›āĻŦি āφঁāĻ•āϤে āĻĒাāϰāϤো। āϤাāχ āϤাঁāϰ āĻāĻ•āϟা āϚাāĻ•āϰি āĻšā§Ÿ āϏ্āĻĨাāύী⧟ āĻ…āĻĢিāϏে। āϏেāĻ–াāύে āĻĨাāĻ•াāĻ•াāϞীāύ āϏāĻŽā§Ÿে Paul, Miriam Leivers  āύাāĻŽেāϰ āĻāĻ• āĻŽে⧟েāϰ āĻĒ্āϰেāĻŽে āĻĒ⧜ে āϝা⧟।


āĻĻু'āϜāύেāϰ āĻŽāϧ্āϝে āĻ•āĻĨাāĻŦাāϰ্āϤা āϚāϞāϤে āĻĨাāĻ•ে āĻ•িāύ্āϤু āϏেāϟা āĻ…āύ্āϝ āĻ•োāύ āωāĻĻ্āĻĻেāĻļ্āϝে āύ⧟ āĻ•াāϰāĻŖ Paul āϤাঁāϰ āĻŽাāĻ•ে āĻ›া⧜া āĻ…āύ্āϝ āĻ•াāϰো āϏাāĻĨে āϏāĻŽ্āĻĒāϰ্āĻ•েāϰ āĻ•āĻĨা āĻ­াāĻŦāϤেāχ āĻĒাāϰেāύা। Miriam Leivers āĻ•িāύ্āϤু Paul āĻ•ে āĻ­াāϞোāĻŦেāϏে āĻĢেāϞে। āĻāϟা āĻāĻ•āϏāĻŽā§Ÿে Paul āĻāϰ āĻŽা Mrs.Morel āĻŦুāĻে āĻĢেāϞে। āϏে āĻŽāύে āĻ•āϰে Miriam āĻšā§ŸāϤো āϤাঁāϰ āĻĨেāĻ•ে Paul āĻ•ে āĻ•ে⧜ে āύিāϤে āϚা⧟ āϤাāχ āϏে Paul āĻ•ে Miriam āĻāϰ āϏাāĻĨে āĻŽিāĻļāϤে āύিāώেāϧ āĻ•āϰে āĻĻে⧟।


āϐ āĻ…āĻĢিāϏেāχ Paul āĻāϰ āϏাāĻĨে āĻĻেāĻ–া āĻšā§Ÿ Clara Dawes āĻāϰ। Clara āĻāĻ•āϜāύ āĻŦিāĻŦাāĻšিāϤা āĻŽāĻšিāϞা āĻ•িāύ্āϤু āϏে āϤাঁāϰ āϏ্āĻŦাāĻŽীāϰ āĻĨেāĻ•ে separate āĻšā§Ÿে āĻ—ি⧟েāĻ›ে। āφāϏ্āϤে āφāϏ্āϤে Paul āĻāϰ āϏাāĻĨে Clara āĻāϰ āϏāĻŽ্āĻĒāϰ্āĻ• āĻšāϤে āĻļুāϰু āĻ•āϰে। Paul, Clara āĻāϰ āĻ•াāĻ›ে Miriam āϏāĻŽ্āĻĒāϰ্āĻ•ে āĻŦāϞে। āϤāĻ–āύ Clara āĻŦāϞে Paul āϝেāύ Miriam āĻāϰ āϏাāĻĨে āĻļাāϰীāϰিāĻ• āϏāĻŽ্āĻĒāϰ্āĻ•ে āϞিāĻĒ্āϤ āĻšā§Ÿ।


āĻāϰ āĻŽাāϧ্āϝāĻŽে Paul āφāϰ Miriam āĻ­াāϞো āĻāĻ•āϟা āϏāĻŽā§Ÿ āĻ•াāϟাāϤে āĻĨাāĻ•ে। āϤāĻ–āύ Paul, Miriam āĻ•ে āĻŦি⧟ে āĻ•āϰাāϰ āĻ•āĻĨা āĻ­াāĻŦāϤে āĻĨাāĻ•ে। āĻāχ āĻ•āĻĨা Mrs.Morel āĻ•ে Paul āϜাāύাāϞে Mrs.Morel āύা āύাāĻ•āϚ āĻ•āϰে āĻĻে⧟। āĻ•িāύ্āϤু Paul āĻŦুāĻāϤে āĻĒাāϰে āϏে Miriam āĻ•ে āϏāϤ্āϝিāχ āĻ­াāϞোāĻŦাāϏে৷ āĻ•িāύ্āϤু āϏে āϤো āϤাঁāϰ āĻŽাāĻ•েāĻ“ āĻ­াāϞোāĻŦাāϏে। āϏে āϤাঁāϰ āĻŽাāĻ•ে āĻ›া⧜āϤে āĻĒাāϰāĻŦে āύা āϤাāχ āϏে Miriam āĻāϰ āϏাāĻĨে āϏāĻŽ্āĻĒāϰ্āĻ• āĻļেāώেāϰ āĻ•āĻĨা āĻ­াāĻŦে। Miriam āĻāϰ āϏাāĻĨে āϏāĻŽ্āĻĒāϰ্āĻ• āĻļেāώেāϰ āĻĒāϰ Paul āĻ•িāĻ›ুāϟা āĻāĻ•াāĻ•িāϤ্āĻŦ āĻ…āύুāĻ­āĻŦ āĻ•āϰে।


āϤāĻ–āύ āϏে Clara āĻ•ে āϤাঁāϰ āĻ•াāĻ›ে āĻĒা⧟। āϤাঁāĻĻেāϰ āĻĻু'āϜāύেāϰ āĻŽāϧ্āϝে āφāĻŦাāϰ āĻ—āĻ­ীāϰ āϏāĻŽ্āĻĒāϰ্āĻ• āϤৈāϰি āĻšā§Ÿ। āĻāχ āϘāϟāύা āĻāĻ•āϏāĻŽā§Ÿে Clara āĻāϰ āϏ্āĻŦাāĻŽী Baxter Dawes āϜেāύে āϝা⧟। āϤāĻ–āύ Baxter, Paul āĻ•ে āύিāϰ্āĻŽāĻŽāĻ­াāĻŦে āĻŽাāϰāϧোāϰ āĻ•āϰে। āϤāĻ–āύ Paul āĻŦুāĻāϤে āĻĒাāϰে āϝে Baxter āϤāĻ–āύāĻ“ Clara āĻ•ে āϚা⧟। āϤাāχ Paul āϤাঁāĻĻেāϰ āĻĻু'āϜāύāĻ•ে āφāĻŦাāϰ āĻāĻ• āĻšāϤে āϏাāĻšাāϝ্āϝ āĻ•āϰে। āĻšāĻ াā§Ž āĻ•āϰেāχ Mrs.Morel āĻ…āϏুāϏ্āĻĨ āĻšā§Ÿে āĻĒ⧜ে।


āĻĻিāύāĻ•ে āĻĻিāύ Mrs.Morel āĻāϰ āĻ…āĻŦāϏ্āĻĨা āĻ–াāϰাāĻĒ āĻĨেāĻ•ে āĻ–াāϰাāĻĒāϤāϰ āĻšāϤে āĻĨাāĻ•ে। Mrs.Morel āϏাāϰাāĻ•্āώāĻŖ āĻŦিāĻ›াāύা⧟ āĻ›āϟāĻĢāϟ āĻ•āϰāϤে āĻĨাāĻ•ে। āϤাāϰ āϭ⧟āĻ™্āĻ•āϰ āϰোāĻ— āĻ•্āϝাāύ্āϏাāϰ āĻšā§Ÿ। Paul āϤা āϏāĻš্āϝ āĻ•āϰāϤে āύা āĻĒেāϰে Mrs.Morel āĻ•ে āĻ”āώāϧেāϰ overdose āĻĻি⧟ে āĻŽেāϰে āĻĢেāϞেāύ। āĻāϰāĻĒāϰ Paul āϏāĻŽ্āĻĒূāϰ্āĻŖ āĻāĻ•া āĻšā§Ÿে āϝা⧟। āϏে āĻ›āύ্āύāĻ›া⧜া āϜীāĻŦāύ āϝাāĻĒāύ āĻ•āϰāϤে āĻĨাāĻ•ে৷ Miriam āϤāĻ–āύāĻ“ Paul āĻāϰ āĻ•াāĻ›ে āĻĢিāϰে āϝেāϤে āϚা⧟। āĻ•িāύ্āϤু Paulm āϤাঁāĻ•ে āĻĒ্āϰāϤ্āϝাāĻ–্āϝাāύ āĻ•āϰে āĻĻে⧟। āϏāĻŦāĻļেāώে āϏে āϜীāĻŦāύেāϰ āĻĒ্āϰāϤি āϏāĻŽ্āĻĒূāϰ্āĻŖ āφāĻļাāĻšāϤ āĻšā§Ÿে āĻĒ⧜ে। āϤাঁāϰ āĻĻুāϚোāĻ– āϝেāĻĻিāĻ•ে āϝা⧟ āϏে āϏেāĻĻিāĻ•েāχ āϚāϞে āϝা⧟।


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